Search results for ""Author Nicholas Thomas""

A timely re-examination of European engagements with indigenous art and the presence of indigenous art in the contemporary art world. The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.

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The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as ‘primitive’, mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices – among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia – while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text – from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.

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It is increasingly recognized that the pandemic potential of many diseases holds the power to wreck economies, divide societies, and, indeed, to jeopardize the viability of nation states. In consequence, there is a growingand urgentneed to understand and address such threats.As research in and around health security blossoms as never before, this new four-volume collection from Routledge's acclaimed Critical Concepts in Military, Strategic, and Security Studies series meets the need for an authoritative reference work to make sense of a rapidly growing, and ever more complex, cross-disciplinary corpus of literature. Edited by a prominent scholar, the collection is a careful assembly of foundational and canonical work, together with innovative and cutting-edge applications and interventions.Including a full index and other navigational aids, together with a comprehensive introduction, newly written by the editor, which places the collected material in its historical and

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Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.

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The extraordinary sixty-thousand-year history of how the Pacific islands were settled. 'Takes readers on a narrative odyssey' Wall Street Journal, Books of the Year 'Highlights a dizzying burst of new research' The Economist 'A refreshing addition to the canon of literature that contemplates Oceanic navigation' Noelle Kahanu 'I would not be surprised if, after reading this masterpiece, many readers are compelled to take up voyaging themselves' Science Magazine Thousands of islands, inhabited by a multitude of different peoples, are scattered across the vastness of the Pacific. The first European explorers to visit Oceania, from the sixteenth century on, were astounded and perplexed to find populations thriving so many miles from the nearest continents. Who were these people and where did they come from? In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas. Drawing on the latest research, including insights gained from linguistics, archaeology, and the re-enactment of voyages, Thomas provides a dazzling account of these long-distance migrations, the sea-going technologies that enabled them, and the societies that they left in their wake.

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An incisive, evocative history of the experience of empire in the Oceanic world This compelling book explores the lived experience of empire in the Pacific, the last region to be contacted and colonized by Europeans following the great voyages of Captain Cook. Unlike conventional accounts that emphasize confrontation and the destruction of indigenous cultures, Islanders reveals there was gain as well as loss, survival as well as suffering, and invention as well as exploitation.Empowered by imaginative research in obscure archives and collections, Thomas rediscovers a rich and surprising history of encounters, not only between Islanders and Europeans, but among Islanders, brought together in new ways by explorers, missionaries, and colonists. He tells the story of the making of empire, not through an impersonal survey, but through vivid stories of the lives of men and women—some visionary, some vicious, and some just eccentric—and through sensuous evocation of seascapes and landscapes of the Pacific. A fascinating re-creation of an Oceanic world, Islanders offers a new paradigm, not only for histories of the Pacific, but for understandings of cultural contact everywhere.

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Body art, practised across all world cultures and throughout history, is the most intimate art form, linking the self, the senses, and the social and political. In recent years, it has proliferated in an unprecedented way, borrowing motifs and practices from many different traditions. What is it that these new and borrowed body arts do, and what do they tell us about the global culture that we now inhabit? Nicholas Thomas explores these questions and many more in this wide- ranging survey of body arts from prehistoric origins to the present. He illuminates their role in expressing cultural identity; their associations with ritual, theatricality, criminality and beauty; and their recent resurgence via the Modern Primitive movement and in the work of contemporary artists. More than 180 illustrations chronicle the diversity of body arts, from painting and scarification to footbinding, Russian prison tattoos, Harlem drag balls and the inked designs worn by celebrities such as Tupac Shakur and David Beckham. For everyone with any interest in the subject, Body Art offers an intelligent celebration of this quintessentially human art form.

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Over the last twenty years museums have proliferated, attracting new audiences and assuming new prominence in public life. The Return of Curiosity offers a fresh perspective on museums and what they may now be good for. Nicholas Thomas argues that what is special about museums are their collections, which are not just rich resources for reflection, but creative technologies that enable people to make new things in the present.Reflecting on art galleries, science and history institutions, and museums around the world, Thomas shows that in times marked by insecurity and increasing conflict, museums can help to sustain and enrich society. They stimulate a curiosity that is vital to understanding and negotiating the cosmopolitan but dangerous world we all now inhabit. The Return of Curiosity is a book that anyone who visits and enjoys museums will find engaging and stimulating. Curators, arts and heritage professionals, policymakers and all museum studies teachers and students need to own and read this influential book.

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'A roaring tale ... remains as vivid and exciting today as it was on publication in 1697' GuardianThe pirate and adventurer William Dampier circumnavigated the globe three times, and took notes wherever he went. This is his frank, vivid account of his buccaneering sea voyages around the world, from the Caribbean to the Pacific and East Indies. Filled with accounts of raids, escapes, wrecks and storms, it also contains precise observations of people, places, animals and food (including the first English accounts of guacamole, mango chutney and chopsticks). A bestseller on publication, this unique record of the colonial age influenced Robinson Crusoe, Gulliver's Travels and consequently the whole of English literature.Edited with an Introduction by Nicholas Thomas

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"As my sense of the turpitude and guilt of sin was weakened, the vices of the natives appeared less odious and criminal. After a time, I was induced to yield to their allurements, to imitate their manners, and to join them in their sins . . . and it was not long ere I disencumbered myself of my European garment, and contented myself with the native dress. . . ."—from Narrative of the late George Vason, of NottinghamAs George Vason's anguished narrative shows, European encounters with Pacific peoples often proved as wrenching to the Europeans as to the natives. This anthology gathers some of the most vivid accounts of these cultural exchanges for the first time, placing the works of well-known figures such as Captain James Cook and Robert Louis Stevenson alongside the writings of lesser-known explorers, missionaries, beachcombers, and literary travelers who roamed the South Seas from the late seventeenth through the late nineteenth centuries.Here we discover the stories of the British buccaneers and privateers who were lured to the Pacific by stories of fabulous wealth; of the scientists, cartographers, and natural historians who tried to fit the missing bits of terra incognita into a universal scheme of knowledge; and of the varied settlers who established a permanent European presence in Polynesia and Australia. Through their detailed commentary on each piece and their choice of selections, the editors—all respected scholars of the literature and cultures of the Pacific—emphasize the mutuality of impact of these colonial encounters and the continuity of Pacific cultures that still have the power to transform visitors today.

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The voyages of Captain Cook are endlessly fascinating to a wide audience, and no aspect of them has been more controversial than Cook's death. This book reprints one of the classic accounts of this episode, the vivid and lively narrative by one of the voyage surgeons, David Samwell. This book not only makes Samwell's "Narrative of the Death of Captain James Cook" readily available for the first time, but presents it with Samwell's previously unpublished letters relating to Cook's third voyage, and his poetry. The introductory essays discuss Samwell's contribution to our understanding of this dramatic period in Pacific and maritime history, and examine the personality and career of Samwell himself.

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From the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, the islands of the Pacific are home to some of the most culturally diverse populations on the planet. The region embraces an extraordinary range of art forms, from delicate shell ornaments to spectacularly decorated canoes and meeting houses. These have fascinated outsiders since the exploratory voyages of Captain Cook, the first of which commenced 250 years ago in 1768, and went on to entrance Gauguin and a host of other European artists. This volume accompanies a major survey in London and Paris of art from Oceania. It brings together the most up-to-date scholarship by the leading experts in the field, encompassing a dazzling array of objects from the region, including many that have never been published before. Also included are many works that have historically been overlooked, such as painted and woven textiles, elaborate wicker assemblages and expressively sculpted vessels, alongside works by artists working in Oceania today. Objects of great aesthetic beauty, these artworks are the product of a complex web of social, mythological and historical influences.

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