Search results for ""Author Natalie Rudd""

Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share ‘selfies’ in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour

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A plain speaking, jargon-free account of contemporary art that identifies key themes and approaches, providing the reader with a clear understanding of the contexts in which art is being made today. Since the 1960s contemporary art has overturned the accepted historical categorizations of what constitutes art, who creates it, and how it is represented and validated. This guide brings the subject right up-to-date, exploring the notion of ‘contemporary’ and what it means in the present as well as how it came about. Curator and writer Natalie Rudd explains the many aspects of contemporary art, from its backstory to today, including different approaches, media and recurring themes. Each chapter addresses a core question, explored via an accessible narrative and supported by an analysis of six relevant works. Rudd also looks at the role of the art market and its structures, including art fairs and biennales and how these have developed since the millennium; the expanded role of the contemporary artist as personality; how artists are untangling historical and contemporary narratives to expose inequalities; the ethics of making; and the potential for art to improve the world and effect political change. A ‘toolkit’ section offers advice on how to interpret contemporary art and where to access it. Offering a more multi-narrative and international perspective, this guide discusses what motivates artists as they try to make sense of the world, and their place within it.

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This volume forms part of Tate Publishing's Modern Artists monographs. In a career spanning five decades, Peter Blake has established himself as one of the most influential and original artists working in Britain. Coming to prominence in the late 1950s and 60s his deployment of popular culture icons and consumer goods in his work earned him the title of 'father of pop'. His continued engagement with the technique of collage gave rise to one of the most iconic images of the 1960s, the cover he designed for The Beatles' @Sgt Pepper's Lonely Hearts Club Band'. Preferring to work outside of art world trends, Blake has instinctively drawn from his own life experience to produce work that unabashedly celebrates sentimental themes such as love, magic and nostalgia.

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Paul de Monchaux (born 1934) has been an influential presence in Britain over the last fifty years, inspiring generations with his beautifully made and measured sculptures. De Monchaux began his career as a student at the Slade School of Art in 1955; ten years later he was teaching at Camberwell School of Art, where he worked for over twenty years as Head of Sculpture and Head of Fine Art. Early portraits and 'Head' and 'Handworks' from the 1960s and 1970s reveal an artist who combined thinking and making in subtle and unusual ways, privileging form over material and blending geometry with intuitive shaping. The stunning carved stone sculptures for which he has become well known reward careful and prolonged attention and reveal a subtly contemplative sculptural imagination, not unlike that of Constantin Brancusi, who was been a huge inspiration to de Monchaux over the years. His public projects, begun in the 1980s, have also been critically acclaimed, and later works such as Song (2005), Silence (2007) and Breath (2011), all illustrated in this book, show a mature artist with a rare and highly poetic sculptural sensibility.

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Spanning over 50 years of contemporary art, When Forms Come Alive - which accompanies a major exhibition at London's Hayward Gallery - explores the ways in which artists have been inspired by movement, flux and organic growth, from a dancer’s gesture to the breaking of a wave, or from a flow of molten metal to the interlacing of a spider’s web. It features a range of energetic sculptural forms that seem to ooze, undulate, blossom, erupt and sprawl across gallery spaces. This richly illustrated hardback book explores the artists and their work in detail, and includes essays by Hayward Gallery Director Ralph Rugoff and art historian Natalie Rudd which cite the artists' work within the context of postminimalism, and explore formal and material innovation in sculpture across the past half century. Texts on each artist by a range of writers will accompany a broad-ranging selection of images. Includes the works of 21 international artists, namely Ruth Asawa, Nairy Baghramian, Phyllida Barlow, Lynda Benglis, Michel Blazy, Paloma Bosque, Olaf Brzeski, Choi Jeong Hwa, Tara Donovan, DRIFT, Eva Fabregas, Holly Hendry, EJ Hill, Marguerite Humeau, Jean-Luc Moulene, Senga Nengudi, Ernesto Neto, Martin Puryear, Matthew Ronay, Teresa Solar Abboud and Franz West.

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