Search results for ""Author Nana Kwame Adjei-Brenyah""

The instant New York Times bestseller'An unbelievable debut' New York TimesRacism, but "managed" through virtual reality Black Friday, except you die in a bargain-crazed throng Happiness, but pharmacological Love, despite everythingA Publisher's Weekly Most Anticipated Book for Fall 2018 Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of racism as sport. And Friday Black and How to Sell a Jacket as Told by Ice King show the horrors of consumerism and the toll it takes on us all.Fresh, exciting, vital and contemporary, Friday Black will appeal to people who love Colson Whitehead's Underground Railroad, the TV show Black Mirror, the work of Kurt Vonnegut and George Saunders, and anyone looking for stories that speak to the world we live in now.'An excitement and a wonder' George Saunders'The writing in this outstanding collection will make you hurt and demand your hope' Roxane Gay'The fiction debut of the year. Bravo young man. We await your encore' Mary Karr

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Nana Kwame Adjei-Brenyah was raised in Spring Valley, New York, and now lives in the Bronx. His debut collection, Friday Black, was a New York Times bestseller, won the PEN/Jean Stein Book Award and the William Saroyan International Prize for Writing, and was a finalist for the National Book Critics Circle's John Leonard Award and the Dylan Thomas Prize. His first novel Chain-Gang All-Stars was a finalist for the National Book Award for Fiction, shortlisted for the Waterstones Debut Fiction Prize and the Books Are My Bag Awards, and selected as a New York Times Top Ten Books of the Year. Adjei-Brenyah is a National Book Foundation's 5 Under 35' honoree.

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She felt their eyes, all those executioners...Enter a world where, watched by millions, prisoners fight like gladiators for the ultimate prize: their freedom.SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023SHORTLISTED FOR THE NATIONAL BOOK AWARD 2023'The new maestro of dystopian lit has arrived' WIRED'America's new Hunger Games' SUNDAY TIMES'Criminally entertaining'GUARDIANWelcome to Chain-Gang All-Stars, the popular and highly controversial programme inside America's private prison system. In packed arenas, live-streamed by millions, prisoners compete as gladiators for the ultimate prize: their freedom.Fan favourites Loretta Thurwar and Hamara 'Hurricane Staxxx' Stacker are teammates and lovers. Thurwar is nearing the end of her time on the circuit, free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares for her final encounters, as protestors gather at the gates, and as the programme's corporate owners stack the odds against her - will the price be simply too high?A FINANCIAL TIMES BEST BOOK OF 2023'A pure fire page turner' MAX PORTER'Electrifying' GEORGE SAUNDERSREADERS CAN'T STOP TALKING ABOUT THE BOOK OF 2023:'I've waited my whole life for a sapphic Hunger Games!''An explosive page-turner that's also a chilling social commentary.''This novel is alive and glorious. Give it all the awards.''Had me cheering and weeping, unable to tear my eyes from the page.''A masterpiece that packs a mighty punch.'

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Working in video, sculpture, photography, and text-based artworks, Smith draws attention to American systems of inequity This is the first major monograph dedicated to the New York–based artist Sable Elyse Smith (born 1986). Through her wide-ranging multimedia practice, Smith elucidates how the carceral state (read America) quietly inflicts violence and is constantly reinforced by the seemingly banal: from furniture found in prison visitation rooms, to pages from state-issued children's coloring books. Included in this publication are works produced from 2015 to the present day to provide a comprehensive overview of Smith’s videos, sculptures, photography, texts and printed matter. Accompanying over 140 color images are texts by Horace Ballard (Theodore E. Stebbins Jr. Associate Curator of American Art at Harvard Art Museums), Johanna Burton (Executive Director of the Museum of Contemporary Art, Los Angeles), Nana Kwame Adjei-Brenyah (author of Friday Black), and Christina Sharpe (writer, professor and Tier 1 Canada Research Chair in Black Studies in the Humanities at York University).

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