Search results for ""Author Murray Pittock""

An engaging and authoritative history of Scotland’s influence in the world and the world’s on Scotland, from the Thirty Years’ War to the present day Scotland is one of the oldest nations in the world, yet by some it is hardly counted as a nation at all. Neither a colony of England nor a fully equal partner in the British union, Scotland has often been seen as simply a component part of British history. But the story of Scotland is one of innovation, exploration, resistance—and global consequence. In this wide-ranging, deeply researched account, Murray Pittock examines the place of Scotland in the world. He explores Scotland and Empire, the rise of nationalism, and the pressures on the country from an increasingly monolithic understanding of “Britishness.” From the Thirty Years’ War to Jacobite risings and today’s ongoing independence debates, Scotland and its diaspora have undergone profound changes. This groundbreaking account reveals the diversity of Scotland’s history and shows how, after the country disappeared from the map as an independent state, it continued to build a global brand.

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The battle of Culloden lasted less than an hour. The forces involved on both sides were small, even by the standards of the day. And it is arguable that the ultimate fate of the 1745 Jacobite uprising had in fact been sealed ever since the Jacobite retreat from Derby several months before. But for all this, Culloden is a battle with great significance in British history. It was the last pitched battle on the soil of the British Isles to be fought with regular troops on both sides. It came to stand for the final defeat of the Jacobite cause. And it was the last domestic contestation of the Act of Union of 1707, the resolution of which propelled Great Britain to be the dominant world power for the next 150 years. If the battle itself was short, its aftermath was brutal - with the depredations of the Duke of Cumberland followed by a campaign to suppress the clan system and the Highland way of life. And its afterlife in the centuries since has been a fascinating one, pitting British Whig triumphalism against a growing romantic memorialization of the Jacobite cause. On both sides there has long been a tendency to regard the battle as a dramatic clash, between Highlander and Lowlander, Celt and Saxon, Catholic and Protestant, the old and the new. Yet, as this account of the battle and its long cultural afterlife suggests, while viewing Culloden in such a way might be rhetorically compelling, it is not necessarily good history.

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The Myth of the Jacobite Clans was first published in 1995: a revolutionary book, it argued that British history had long sought to caricature Jacobitism rather than to understand it, and that the Jacobite Risings drew on extensive Lowland support and had a national quality within Scotland. The Times Higher Education Supplement hailed its author's 'formidable talents' and the book and its ideas fuelled discussions in The Economist and Scotland on Sunday, on Radio Scotland and elsewhere. The argument of the book has been widely accepted, although it is still ignored by media and heritage representations which seek to depoliticise the Rising of 1745. Now entirely rewritten with extensive new primary research, this new expanded second edition addresses the questions of the first in more detail, examining the systematic misrepresentation of Jacobitism, the impressive size of the Jacobite armies, their training and organization and the Jacobite goal of dissolving the Union, and bringing to life the ordinary Scots who formed the core of Jacobite support in the ill-fated Rising of 1745. Now, more than ever, The Myth of the Jacobite Clans sounds the call for an end to the dismissive sneers and pointless romanticisation which have dogged the history of the subject in Scotland for 200 years.

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The Myth of the Jacobite Clans was first published in 1995: a revolutionary book, it argued that British history had long sought to caricature Jacobitism rather than to understand it, and that the Jacobite Risings drew on extensive Lowland support and had a national quality within Scotland. The Times Higher Education Supplement hailed its author's 'formidable talents' and the book and its ideas fuelled discussions in The Economist and Scotland on Sunday, on Radio Scotland and elsewhere. The argument of the book has been widely accepted, although it is still ignored by media and heritage representations which seek to depoliticise the Rising of 1745. Now entirely rewritten with extensive new primary research, this new expanded second edition addresses the questions of the first in more detail, examining the systematic misrepresentation of Jacobitism, the impressive size of the Jacobite armies, their training and organization and the Jacobite goal of dissolving the Union, and bringing to life the ordinary Scots who formed the core of Jacobite support in the ill-fated Rising of 1745. Now, more than ever, The Myth of the Jacobite Clans sounds the call for an end to the dismissive sneers and pointless romanticisation which have dogged the history of the subject in Scotland for 200 years.

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This is a study of Enlightenment in Edinburgh like no other. Using data and models provided by urban studies theory, it pinpoints the distinctive features that made Enlightenment in the Scottish capital possible.

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The battle of Culloden lasted less than an hour. The forces involved on both sides were small, even by the standards of the day. And it is arguable that the ultimate fate of the 1745 Jacobite uprising had in fact been sealed ever since the Jacobite retreat from Derby several months before. But for all this, Culloden is a battle with great significance in British history. It was the last pitched battle on the soil of the British Isles to be fought with regular troops on both sides. It came to stand for the final defeat of the Jacobite cause. And it was the last domestic contestation of the Act of Union of 1707, the resolution of which propelled Great Britain to be the dominant world power for the next 150 years. If the battle itself was short, its aftermath was brutal - with the depredations of the Duke of Cumberland followed by a campaign to suppress the clan system and the Highland way of life. And its afterlife in the centuries since has been a fascinating one, pitting British Whig triumphalism against a growing romantic memorialization of the Jacobite cause. On both sides there has long been a tendency to regard the battle as a dramatic clash, between Highlander and Lowlander, Celt and Saxon, Catholic and Protestant, the old and the new. Yet, as this account of the battle and its long cultural afterlife suggests, while viewing Culloden in such a way might be rhetorically compelling, it is not necessarily good history.

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The first ever edition of The Tea-Table Miscellany, the seminal collection in defining eighteenth-century Scottish song Detailed examination of the musical archaeology for each of the songs, providing for the first time comprehensive antecedents for almost all the songs in this critical contribution to the establishment of a Scottish song 'tradition' Uniquely comprehensive survey of early sources for the tunes of Ramsay's songs Detailed collation of texts against all extant manuscript sources and relevant printed editions and comprehensive explanatory annotations offering new insights into Ramsay's cultural, historical, political, literary and theatrical contexts This edition of The Tea-Table Miscellany is the first ever produced, bringing together the four volumes of this collection of songs published between 1723 and 1737. The Tea-Table Miscellany combines traditional Scottish song, works by Allan Ramsay and his contemporaries, together with material from D'Urfey, Playford and the English stage and broadside, in a collection of 399 songs. This edition offers, for the first time, annotations, background, and a study of origins for all the songs and tunes examining both Ramsay's categorisation of the authorship and origin of the song texts and tunes to which it was most likely he was referring. As such, the edition consists of a detailed introduction, the clearly presented song texts, notes on the songs that identify both their print and musical antecedents, musical illustrations that show major variations in the contemporary tunes with which the songs are associated, illustrations of the title pages, and the main design features and ornaments used in Ruddiman's original edition.

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