Search results for ""Author Molière""

Drama Classics: The World's Great Plays at a Great Little Price Molière's most-admired comedy of manners, about a man whose quickness to criticise the flaws in others, and in himself, leads him into deep trouble. Alceste, the 'misanthrope', hates all mankind, and despairs of its hypocrisy and falseness. He believes that the world could be perfected if people were more honest with each other. But when his honesty starts to make him enemies, and the target of malicious gossips, it is his world and his life which suffer. The Misanthrope, or the Cantankerous Lover (Le Misanthrope ou l'Atrabilaire amoureux) was first performed in 1666 at the Théâtre du Palais-Royal, Paris. This English version, in the Nick Hern Books Drama Classics series, is translated and introduced by Stephen Mulrine.

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Drama Classics: The World's Great Plays at a Great Little Price Molière's story of a covetous old miser, obsessively protecting his hoard of gold and neglecting his long-suffering children. Harpagon is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cléante, and a daughter, Élise. Although he is over sixty, he is attempting to marry his son's own sweetheart, Mariane. But it seems that Harpagon's pinchpenny paranoia is finally catching up with him – his gold is missing, and this time it might really have disappeared for good... The Miser was first performed in 1668, at the theatre of the Palais-Royal, Paris. This English version, in the Nick Hern Books Drama Classic series, is translated and introduced by Martin Sorrell.

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Drama Classics: The World's Great Plays at a Great Little Price Molière's classic farce, Le Malade Imaginaire, in a fresh and performable translation. The 'imaginary invalid' Argan is so obsessed with his health that he fails to notice what is happening around him in his own family. His scheming wife and loving daughter are finally revealed to him in their true light by Argan's brother, who poses as a quack doctor and suggests he feigns death to test their loyalty. This English version of Molière's The Hypochondriac, in the Nick Hern Books Drama Classics series, is translated and introduced by Martin Sorrell.

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Let's see how crafty a picture you paint. You're making a demon out of a saint.In this spectacular dramatic comedy, the villainous Tartuffe shocks and enthrals with his deceptive powers. Charming to some, a danger to others, one family risks losing everything if he gets his way. Molière's exuberant seventeenth-century classic is brought back to life in an audacious contemporary Irish version by Frank McGuinness. Tartuffe premiered at the Abbey Theatre, Dublin, in March 2023.

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'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles. Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The principal aim of this edition is to provide a reliable version of the text of Le Mariage forcé which can be used by students and scholars of 17th-century theatre. Le Mariage forcé, a little-known work, is a particularly interesting example of the comédie-ballet genre as it was written and performed by Molière and his troupe in three different versions over a period of eight years. First performed in front of Louis XIV and his court, complete with music, ballet and singing, the play also marks Molière’s first work in which Louis XIV took an active role. The book includes all the texts which existed in Molière’s lifetime, and examines the development of the genre in the years from 1664 when it was first performed, to 1672 when new songs and balletic interludes were added. This is a volume in the Textes littéraires/Exeter French Texts. The text, introduction and essential notes are all in French.

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Orgon is the man who has everything. Money, power, a beautiful family. But lately he's been questioning the point of it all. When he invites Tartuffe into his perfect household, he unleashes a whirlwind of deception and seduction that threatens everything.With Orgon under Tartuffe's spell, can his family outwit this charismatic trickster? Are Tartuffe's wild claims truth or fiction? This mysterious stranger may not be quite the villain he appears.John Donnelly's ferocious new version of Molière's comic masterpiece looks at the lengths we go to find meaning - and what happens when we find chaos instead. Tartuffe, the Imposter opened at the National Theatre, London, in February 2019.

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Prudence Steiner's lively prose translation of Moliere's great comedy remains close to the original French, while casting the speech of characters in a slightly compressed and formalized way that comes very close to the original effect created by Molière's verse. This edition includes translations of Moliere's three appeals to the king, as well as an introductory essay by Roger Herzel, which discusses Moliere's life, Tartuffe and the comic tradition, and the setting, language and style of the play.

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Prudence Steiner's lively prose translations remain close to the original French, giving us the speech of the characters in a slightly compressed and formalized language that echoes the effect created by Moliere's verse.Roger Herzel's thoughtful Introduction discusses Moliere's life; Tartuffe, The Misanthrope, and the comic tradition; and the setting, casting, and style of the plays.

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