Search results for ""Author Michael Waters""

Michael Waters has written for The New Yorker, The Atlantic, The New York Times, Wired, Slate, and Vox, among other publications. He was the 20212022 New York Public Library Martin Duberman Visiting Scholar in LGBTQ studies and lives in Brooklyn, New York.

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In passionate poems about sin, obsession, and mortality—an artist’s infatuation with a doll, an interspecies relationship, an ex-lover whose presence lingers in recipes, ecclesiastical birds, and a sex toy holding a loved one’s ashes—Waters delivers impeccably crafted narratives infused with his signature lyrical gestures. At the book’s core is a sequence of twenty-five poems on aging, dementia, and caregiving, chiseled phrase by phrase toward unflinching and memorable closure. Caw is a brilliant, intimate and moving addition to Waters’s body of work and may be his most powerful collection yet.

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Named a Most Anticipated Book by Esquire, Town & Country, and Electric LiteratureMichael Waters performs an Olympian act of storytelling, using the stories of these extraordinary athletes to explore in brilliant detail the struggle for understanding and equality. Jonathan Eig, author of King: A Life, winner of the Pulitzer PrizeThe story of the early trans athletes and Olympic bureaucrats who lit the flame for today's culture wars. In December 1935, Zdenek Koubek, one of the most famous sprinters in European women's sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equal

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In December 1935, Zdenek Koubek, one of the most famous sprinters in European women's sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes.In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Ge

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Poets from around the world give eloquent voice to the trials, hopes, rewards and losses of migration.Each year, millions join the ranks of intrepid migrants who have reshaped societies throughout history. Most recently, Middle Eastern and African people have risked their lives to reach safety in Europe, while central Americans have fled north seeking asylum. But whether they are refugees from war or violence, political exiles or immigrants in search of education, opportunity and freedom, these travellers share the challenge of adapting to being strangers in a strange land.Border Lines brings together more than a hundred poets representing more than sixty nations - Imtiaz Dharker, Ruth Padel, Bernadine Evaristo, Derek Walcott, Mahmoud Darwish, 'Dreadlock Alien', Dunya Mikhail and Hédi Kaddour, to name but a few. Their poems tell moving stories of displacement and new beginnings in the UK, France and Germany, Canada and the United States and challenge us to reexamine our own society from a new perspective.

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The variety of subjects is dazzling, from movie stars to bit players, from B-movies to Bollywood, from Clark Gable to Jean Cocteau. More than a hundred poets riff on their movie memories: Langston Hughes and John Updike on the theaters of their youth, Jack Kerouac and Robert Lowell on Harpo Marx, Sharon Olds on Marilyn Monroe, Louise Erdrich on John Wayne, May Swenson on the James Bond films, Terrance Hayes on early Black cinema, Maxine Kumin on Casablanca, and Richard Wilbur on The Prisoner of Zenda. Orson Welles, Leni Riefenstahl, and Ingmar Bergman share the spotlight with Shirley Temple, King Kong, and Carmen Miranda; Bonnie and Clyde and Ridley Scott with Roshomon, Hitchcock, and Bresson. In Picturehouse Poems, one of our oldest art forms pays loving homage to one of our newest—the thrilling art of cinema.

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