Search results for ""Author Michael Spence""

Encuadernación: Rústica

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This book in three sections uses formally written poems—rhymed quatrains, sonnets, terza rima, blank verse—to link the relationship between the poet and his mother with the wider world derived from a rare definition of umbilical: “descended through the female line.” “Motherlands” deals with the connection of physical and mental landscapes. “Mother Tongues” focuses on language, spoken and unspoken. And “Blood Mothers” concentrates on flesh-and-blood mothers, whose support and inspiration help to shape our first thoughts. The poems move among scenes as varied as World War II, divorce, the Vietnam War, 9/11, and the imagined end of the world. The book concludes with a crown of sonnets about the poet’s mother and his childhood in the South, showing in its way how all human life begins as female. Umbilical is the fifteenth winner of the annual New Criterion Poetry Prize. The New Criterion is recognized as one of the foremost contemporary venues for poetry that pays close attention to form. Building upon its commitment to serious poetry, The New Criterion established this annual prize in 2000.

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'An insightful playbook for getting out of the permacrisis we seem mired in’ - Walter Isaacson‘A sensible plan for reform that can help us create a fairer and more equitable world’ - Sheryl SandbergDo you feel like we’re in a permacrisis? Chances are you feel some anxiety about the state of the world. Gordon Brown, Mohamed A. El-Erian and Michael Spence certainly did. Three of the most internationally respected and experienced thinkers of our time, these friends found their pandemic Zooms increasingly focused on a cascade of crises: sputtering growth, surging inflation, poor policy responses, an escalating climate emergency, worsening inequality, increasing nationalism and a decline in global co-operation. They shared their fears and frustrations. And the more they talked, the more they realised that while past mistakes had set the world on this bumpy course, a better path leading to a brighter future exists. Informed by their different perspectives, they sought a common goal: achievable solutions to fix our fractured world. This book is the product of that thinking. At the heart of today’s permacrisis are broken approaches to growth, economic management, and governance. While these approaches are broken, they are not beyond repair. An explanation of where we’ve gone wrong, and a provocative, inspiring plan to do nothing less than change the world, Permacrisis: A Plan to Fix a Fractured World, written with Reid Lidow, sets out how we can prevent crises and better manage the future for the benefit of the many and not the few. The longer a problem goes unresolved, the worse it will get; that’s what happens in a permacrisis – and that’s why we must act now.

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'An insightful playbook for getting out of the permacrisis we seem mired in’ - Walter Isaacson‘A sensible plan for reform that can help us create a fairer and more equitable world’ - Sheryl SandbergDo you feel like we’re in a permacrisis? Chances are you feel some anxiety about the state of the world. Gordon Brown, Mohamed A. El-Erian and Michael Spence certainly did. Three of the most internationally respected and experienced thinkers of our time, these friends found their pandemic Zooms increasingly focused on a cascade of crises: sputtering growth, surging inflation, poor policy responses, an escalating climate emergency, worsening inequality, increasing nationalism and a decline in global co-operation. They shared their fears and frustrations. And the more they talked, the more they realised that while past mistakes had set the world on this bumpy course, a better path leading to a brighter future exists. Informed by their different perspectives, they sought a common goal: achievable solutions to fix our fractured world. This book is the product of that thinking. At the heart of today’s permacrisis are broken approaches to growth, economic management, and governance. While these approaches are broken, they are not beyond repair. An explanation of where we’ve gone wrong, and a provocative, inspiring plan to do nothing less than change the world, Permacrisis: A Plan to Fix a Fractured World, written with Reid Lidow, sets out how we can prevent crises and better manage the future for the benefit of the many and not the few. The longer a problem goes unresolved, the worse it will get; that’s what happens in a permacrisis – and that’s why we must act now.

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In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy. The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information. This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300?1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces. In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver.

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