Search results for ""Author Michael O'Connell""

The case of Stefan Kiszko casts a dark shadow over British justice. Totally unconnected to the murder of which he was convicted - that of a young girl Lesley Molseed - he spent 16 years in prison tormented as a sex-offender and suffering from what one expert described as `delusions of innocence'. As author Michael O'Connell explains, it was in fact the system by which he was ensnared which was suffering from `delusions of guilt'. Kiszko could not have been Lesley's attacker as subsequently established by DNA and the medical fact that he could not produce sperm. But a false confession written for him by a corrupt police officer set in train proceedings from which he was never to recover, dying only a short time after his eventual release. In this book, Michael O'Connell investigates every small detail of the case with especial reference to the foibles of the lawyers, investigators and scientists involved, all of whom either missed or ignored the signs that should have pointed to an early discharge from a misguided prosecution. The book includes the participation of a prosecutor who went on to become Lord Chief Justice and a leading defence barrister who became Home Secretary before his elevation to the House of Lords. Everyone seems to have become caught up in the momentum originally fuelled by policing methods that are hopefully now long gone.

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Startling Figures is about Catholic fiction in a secular age and the rhetorical strategies Catholic writers employ to reach a skeptical, indifferent, or even hostile audience. Although characters in contemporary Catholic fiction frequently struggle with doubt and fear, these works retain a belief in the possibility for transcendent meaning and value beyond the limits of the purely secular. Individual chapters include close readings of some of the best works of contemporary American Catholic fiction, which shed light on the narrative techniques that Catholic writers use to point their characters, and their readers, beyond the horizon of secularity and toward an idea of transcendence while also making connections between the widely acknowledged twentieth-century masters of the form and their twenty-first-century counterparts. This book is focused both on the aspects of craft that Catholic writers employ to shape the reader’s experience of the story and on the effect the story has on the reader. One recurring theme that is central to both is how often Catholic writers use narrative violence and other, similar disorienting techniques in order to unsettle the reader. These moments can leave both characters within the stories and the readers themselves shaken and unmoored, and this, O’Connell argues, is often a first step toward the recognition, and even possibly the acceptance, of grace. Individual chapters look at these themes in the works of Flannery O’Connor, J. F. Powers, Walker Percy, Tim Gautreaux, Alice McDermott, George Saunders, and Phil Klay and Kirstin Valdez Quade.

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Besides being one of America’s most celebrated living authors, George Saunders (b. 1958) is also an excellent interview subject. In the fourteen interviews included in Conversations with George Saunders, covering nearly twenty years of his career, the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December provides detailed insight into his own writing process and craft, alongside nuanced interpretations of his own work. He also delves into aspects of his biography, including anecdotes from his childhood and his experiences as both a student and teacher in MFA programs, as well as reflections on how parenthood affected his writing, the role of religious belief and practice in his work, and how he has dealt with his growing popularity and fame. Throughout this collection, we see him in conversation with former students, fellow writers, mainstream critics, and literary scholars. In each instance, Saunders is eager to engage in meaningful dialogue about what he calls the "big questions of our age." In a number of interviews, he reflects on the moral and ethical responsibility of fiction, as well as how his work engages with issues of social and political commentary. But at the same time, these interviews, like all of Saunders’s best work, are funny, warm, surprising, and wise. Saunders says he has "always enjoyed doing interviews" in part because he views "intense, respectful conversation [as], really, an artform—an exploration of sorts." Readers of this volume will have the pleasure of joining him in this process of exploration.

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Startling Figures is about Catholic fiction in a secular age and the rhetorical strategies Catholic writers employ to reach a skeptical, indifferent, or even hostile audience. Although characters in contemporary Catholic fiction frequently struggle with doubt and fear, these works retain a belief in the possibility for transcendent meaning and value beyond the limits of the purely secular. Individual chapters include close readings of some of the best works of contemporary American Catholic fiction, which shed light on the narrative techniques that Catholic writers use to point their characters, and their readers, beyond the horizon of secularity and toward an idea of transcendence while also making connections between the widely acknowledged twentieth-century masters of the form and their twenty-first-century counterparts. This book is focused both on the aspects of craft that Catholic writers employ to shape the reader’s experience of the story and on the effect the story has on the reader. One recurring theme that is central to both is how often Catholic writers use narrative violence and other, similar disorienting techniques in order to unsettle the reader. These moments can leave both characters within the stories and the readers themselves shaken and unmoored, and this, O’Connell argues, is often a first step toward the recognition, and even possibly the acceptance, of grace. Individual chapters look at these themes in the works of Flannery O’Connor, J. F. Powers, Walker Percy, Tim Gautreaux, Alice McDermott, George Saunders, and Phil Klay and Kirstin Valdez Quade.

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What can we learn from the folk wisdom of our ancestors? For centuries, Irish proverbs or seanfhocail have provided memorable insights into everyday experiences such as love, marriage, happiness and death. In doing so, they give us a unique insight into human nature as well as an understanding of the lives and outlook of our forebears. But is such "timeless wisdom" still relevant in the modern world - or merely the dying echo of a bygone era? In this fascinating book, Aidan Moran and Michael O'Connell reflect on this question and provide a systematic exploration of the psychology of Irish proverbs. In particular, the authors examine a wealth of Irish wisdom about food, drink, weather, money, markets, land, health, happiness, love, marriage and death - all the essentials of life! Thoroughly researched and written in a lively, accessible style, the book is enriched by a selection of beautiful photographs. Often provocative, sometimes witty but never dull, these proverbs will encourage you to slow down and look at the world in a different way. This book is an essential purchase for students of Irish society, people who share a love of folklore, and anyone who is interested in learning more about the meaning and significance of Irish proverbs.

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