Search results for ""Author Michael Kennedy""
SelfMadeHero Tumult
“Incredible, inspiring, infinitely readable” — Craig Thompson, author of Blankets “The story was tremendous, a real page-turner. And I loved Michael Kennedy’s artwork.” — Frank Quitely “[Tumult] reads like an art house thriller. An ode to cinema, it has shades of Jim Jamusch or a hipster Hitchcock, and some of the boldest, most original art I’ve seen in years” — Christian Ward “Unique, thrilling and illustrated with gusto” — Michael Allred "Tumult is the coolest indie movie on paper. Oblique, funny and beautiful work from two future comic stars!” — Sean Phillips Adam Whistler has it all, so why does he feel so empty? When he breaks his ankle on a Mediterranean holiday he impulsively ends his relationship, toppling himself into emotional free fall. At a house party he meets—and beds—the lovely Morgan. But when he encounters her a few days later she has no memory of him and introduces herself as Leila. Leila has dissociative identity disorder, or multiple personalities. People are being murdered and Leila fears that Morgan, the personality Adam first met, is the killer. He doesn’t believe that any part of her is capable of it, so he sets out to unravel the mystery of her past. Tumult is a stylish, contemporary psychological thriller in the vein of Alfred Hitchcock and Patricia Highsmith.
£15.29
RCPsych/Cambridge University Press A Clinician's Brief Guide to Dementia and the Law
£25.42
Royal Irish Academy Documents on Irish Foreign Policy, v. 13: 1965-1969
The thirteenth volume in the Documents on Irish Foreign Policy (DIFP) series runs from April 1965 to July 1969. It covers the Fianna Fáil governments of Seán Lemass (April 1965 to November 1966) and Jack Lynch (November 1966 to July 1969) in which Frank Aiken was Minister for External Affairs. The four years and three months covered by DIFP XIII saw significant changes in the international context in which Ireland conducted its foreign policy. In 1965 the hope of the Department of External Affairs was that Ireland would enter the European Economic Community (EEC) before 1970. EEC entry would take place alongside that of Britain, an Anglo-Irish Free Trade Area (AIFTA) having come into operation in 1966, cementing trade between Ireland and its principal trading partner. Overall, the United Nations would remain the benchmark of global Irish foreign policy. Peacekeeping, advocating nuclear non-proliferation and ensuring the proper financing of the United Nations as well as promoting decolonisation and the universality of the United Nations system within the bipolar world of the Cold War remained central to 1960s Irish foreign policy. These assumptions were thrown out of balance by the continuing refusal of France to facilitate the expansion of the EEC and EEC membership remained out of reach for Ireland. Dublin’s fragile relations with Belfast were destabilised with the emergence of new social and political forces in Northern Ireland and the recurrence of sectarian violence. The Department of External Affairs proved initially unable to respond comprehensively to this new environment in Northern Ireland, which was the precursor to the outbreak of the Troubles in 1969. Improved economic and political relations with London were affected by local and international economic difficulties and also as a consequence of events in Northern Ireland. At the United Nations, superpower politics constrained Irish attempts to follow up the success of the 1968 Nuclear Non- Proliferation Treaty with a major policy initiative on the financing of international peacekeeping missions.
£45.00
Oxford University Press The Oxford Dictionary of Music
Now available in paperback and with over 10,000 entries, the Oxford Dictionary of Music (previously the Concise Oxford Dictionary of Music) offers broad coverage of a wide range of musical categories spanning many eras, including composers, librettists, singers, orchestras, important ballets and operas, and musical instruments and their history. Over 250 new entries have been added to this edition to expand coverage of popular music, ethnomusicology, modern and contemporary composers, music analysis, and recording technology. Existing entries have been expanded where necessary to include more coverage of the reception of major works, and to include key new works and categories, such as multimedia. Entry-level web links are listed and regularly updated on a dedicated companion website, expanding the scope of the dictionary. The dictionary now also includes two useful appendices, one listing French, German, and Italian musical terms with their English translations, and an abbreviations list for letters commonly used in musical scores and musical writing. The Oxford Dictionary of Music is the most up-to-date and accessible dictionary of musical terms available and an essential point of reference for music students, teachers, lecturers, professional musicians, as well as music enthusiasts.
£13.99
£17.99