Search results for ""Author Michael Holroyd""

Eustace is undisputed patriarch of the Farquhar family. That is, he would be if everyone stopped mumbling, let him get on with his shaving and find his way downstairs. It's not Henry's fault that he snores and that his marriage has collapsed. Or that he failed to get into the cricket team. But he has made up for it and is now a faster motorist than ever he was bowler. He is a good father too and one day, when he wakes up from day-dreaming, his son Kenneth will thank him. It is good that Anne sleeps with a whistle in her mouth - how else could she terrify the burglars? As for Mathilda she would love to like her mother, but prefers going for long walks with the dog. But what will happen to them all if the dog dies? A devastating postscript follows the story. Placing this eccentric family in isolation after two world wars and at the beginning of our aggressive financial culture, it turns comedy into tragedy. This novel brings a very personal addition to the biographer's remarkable career.

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This 1997 revised and updated biography of the celebrated artist, using the mass of new material which has come to light since Holroyd's two-volume first edition in the mid 1970s, reveals the complete story of John and his circle, from one of our great biographers. John studied at the Slade with his sister Gwen before both of them went to Paris. He lived and worked at feverish speed and his drawings were astonishing for their fluid lyrical line, their vigor and spontaneity. His life became a complex tale of two cities, London and Paris, of two wives and many families. 'The age of Augustus John was dawning,' Virginia Woolf wrote of the year 1908, which saw many portraits of writers and artists and small glowing oil panels of figures in a landscape. His most striking work was done in the years before the First World War and when he died in 1961 his death was treated as a landmark signaling the end of a distant era.

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'As deft and devastating as a piece of non-fiction writing in miniature as you’re ever likely to read ... A collection to be savoured, its urbanity, wisdom and humorous probing best digested at leisure' Daily Telegraph In Facts and Fiction, Michael Holroyd reflects on the eccentricities of the art of writing about others. With characteristic playfulness and guilefulness, he considers the ways in which lives can be written about, with all the subtle differences of design and intention that this entails. From Rudyard Kipling to forgetfulness, the glories of Mary Norton’s Borrowers books to fellow biographers like Richard Holmes and Alexander Masters, Holroyd tackles an eclectic range of topics with wit, warmth and humour. This is a unique insight into the mind of a master.

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Eminent Victorians marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.

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FROM THE BESTSELLING AUTHOR OF REBECCA. 'Miss du Maurier creates on the grand scale . . . observation, sympathy, courage, a sense of the romantic, are here' OBSERVER 'It is my pick of the Spring biographical material for sheer entertainment value . . . a gifted story teller' KIRKUS REVIEWS 'Daphne du Maurier has no equal' SUNDAY TELEGRAPH When Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer with the acclaimed Gerald: A Portrait and as a novelist. Here, she further explores her fascinating family history.The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca.Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby.

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'It is right that, after more than one hundred years, she should have her say' John Carey, Sunday Times Twelve days before her twenty-fourth birthday, on the foggy morning of Saturday 12 January 1901, Ida Nettleship married Augustus John in a private ceremony at St Pancras Registry Office. The union went against the wishes of Ida’s parents, who aspired to an altogether more conventional match for their eldest daughter. But Ida was in love with Augustus, a man of exceptional magnetism also studying at the Slade, and who would become one of the most famous artists of his time. Ida’s letters – to friends, to family and to Augustus – reveal a young woman of passion, intensity and wit. They tell of the scandal she brought on the Nettleship family and its consquences; of hurt and betrayal as the marriage evolved into a three-way affair when Augustus fell in love with another woman, Dorelia; of Ida’s remarkable acceptance of Dorelia, their pregnancies and shared domesticity; of self-doubt, happiness and despair; and of finding the strength and courage to compromise and navigate her unorthodox marriage. Ida is a naturally gifted writer, and it is with a candour, intimacy and social intelligence extraordinary for a woman of her period that her correspondence opens up her world. Ida John died aged just thirty of puerperal fever following the birth of her fifth son, but in these vivid, funny and sometimes devastatingly sad letters she is startlingly alive on the page.

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