Search results for ""Author Michael Dirda""

A passionate lifelong fan of the Sherlock Holmes adventures, Pulitzer Prize-winning critic Michael Dirda is a member of The Baker Street Irregulars--the most famous and romantic of all Sherlockian groups. Combining memoir and appreciation, On Conan Doyle is a highly engaging personal introduction to Holmes's creator, as well as a rare insider's account of the curiously delightful activities and playful scholarship of The Baker Street Irregulars. On Conan Doyle is a much-needed celebration of Arthur Conan Doyle's genius for every kind of storytelling.

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On vacation from school, Denis goes to stay at Crome, an English country house inhabitated by several of Huxley's most outlandish characters--from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive HISTORY OF CROME. Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, CROME YELLOW is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too irnonic to be called satire and too scornful to be called irony."

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This is not your father's list of classics. In these delightful essays, Pulitzer Prize winner Michael Dirda introduces nearly ninety of the world's most entertaining books. Writing with affection as well as authority, Dirda covers masterpieces of fantasy and science fiction, horror and adventure, as well as epics, history, essay, and children's literature. Organized thematically, these are works that have shaped our imaginations. "Love's Mysteries" moves from Sappho and Arthurian romance to Soren Kierkegaard and Georgette Heyer. In other categories, Dirda discusses not only Dracula and Sherlock Holmes but also the Tao Te Ching and Icelandic sagas, Frederick Douglass and Fowler's "Modern English Usage". Whether writing about Petronius or Perelman, Dirda makes literature come alive. "Classics for Pleasure" is a perfect companion for any reading group or lover of books.

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It is the story of the Galactic Empire, crumbling after twelve thousand years of rule. And it is the particular story of psycho-historian Hari Seldon, the only man who can see the horrors the future has in store: a dark age of ignorance, barbarism and violence that will last for thirty thousand years. Gathering together a band of courageous men and women, Seldon leads them to a hidden location at the edge of the galaxy where he hopes they can preserve human knowledge and wisdom against all who would destroy them. Asimov went on to add numerous sequels and prequels to the trilogy, building up what has become known as the Foundation series, but it is the original three books, first published in the Forties and Fifties, which remain the most powerful, imaginative and breathtaking.

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This important work, first published in 1934, is a concise statement of Pound’s aesthetic theory. It is a primer for the reader who wants to maintain an active, critical mind and become increasingly sensitive to the beauty and inspiration of the world’s best literature. With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. ABC of Reading displays Pound’s great ability to open new avenues in literature for our time.

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The first book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly LinkRamsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Around a mysterious death is woven a glittering, fantastical, cunningly contrived trilogy of novels: "Fifth Business", often described as Robertson Davies' finest novel; "The Manticore", and "World of Wonders". Luring the reader down labyrinthine tunnels of myth, history and magic, "The Deptford Trilogy" provides an exhilarating antidote to a world from where 'the fear and dread and splendour of wonder have been banished. 'His books will be recognized with the very best works of this century' - "The New York Times" Book Review.

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Homer's two epics of the ancient world, The Iliad and The Odyssey, tell stories as riveting today as when they were written between the eighth and ninth century B.C. This edition employs Samuel Butler's classic translations of both texts. The Iliad, which tells of the siege of Troy by the Greeks, is an unforgettable tale of nations at war and of the courage and compassion heroic soldiers show upon the field of battle.The Odyssey is the story of the Greek hero Odysseus and the many marvels and challenges he encounters during his ten-year voyage home to Ithaca after the end of the Trojan War.

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Widely praised for his recent translations of Boethius and Ariosto, David R. Slavitt returns to Ovid, once again bringing to the contemporary ear the spirited, idiomatic, audacious charms of this master poet. The love described here is the anguished, ruinous kind, for which Ovid was among the first to find expression. In the Amores, he testifies to the male experience, and in the companion Heroides—through a series of dramatic monologues addressed to absent lovers—he imagines how love goes for women. “You think she is ardent with you? So was she ardent with him,” cries Oenone to Paris. Sappho, revisiting the forest where she lay with Phaon, sighs, “The place / without your presence is just another place. / You were what made it magic.” The Remedia Amoris sees love as a sickness, and offers curative advice: “The beginning is your best chance to resist”; “Try to avoid onions, / imported or domestic. And arugula is bad. / Whatever may incline your body to Venus / keep away from.” The voices of men and women produce a volley of extravagant laments over love’s inconstancy and confusions, as though elegance and vigor of expression might compensate for heartache.Though these love poems come to us across millennia, Slavitt’s translations, introduced by Pulitzer Prize winner Michael Dirda, ensure that their sentiments have not faded with the passage of time. They delight us with their wit, even as we weep a little in recognition.

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