Search results for ""Author Michael Coffey""

"Riveting ...vibrant and unsparing." --Publishers Weekly (starred and boxed review) "Superb...Startlingly original." --Library Journal (starred review) "Once I started reading these stories, I couldn't stop. They absorbed me thoroughly, with their taut narratives and evocative language--the language of a poet." --JAY PARINI, author of Jesus: The Human Face of God and The Last Station "Sherwood Anderson would recognize this world of lonely, longing characters, whose surface lives Coffey tenderly plumbs. These beautiful stories--spare, rich, wise and compelling--go to the heart." --FREDERIC TUTEN, author of Self Portraits: Fictions and Tintin in the New World "Whether [Coffey is] writing about a sinning priest or a man who's made a career out of branding or about himself, we can smell Coffey's protagonists and feel their breath on our cheek. Like Chekhov, he must be a notebook writer; how else to explain the strange quirks and the perfect but unaccountable details that animate these intimate portraits?" --EDMUND WHITE, author of Inside a Pearl and A Boy's Own Story Among these eight stories, a fan of writer (and fellow adoptee) Harold Brodkey gains an audience with him at his life's end, two pals take a Joycean sojourn, a man whose business is naming things meets a woman who may not be what she seems, and a father discovers his son is a suspect in an assassination attempt on the president. In each tale, Michael Coffey's exquisite attention to character underlies the brutally honest perspectives of his disenchanted fathers, damaged sons, and orphans left feeling perpetually disconnected. Michael Coffey is the author of three books of poems and 27 Men Out, a book about baseball's perfect games. He also co-edited The Irish in America, a book about Irish immigration to America, which was a companion volume to a PBS documentary series. He divides his time between Manhattan and Bolton Landing, New York. The Business of Naming Things is his first work of fiction.

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Beckett’s Children is a lyrical blend of personal memoir, father-son dialogue, and literary investigation that probes the works of Irish writer Samuel Beckett and American poet Susan Howe in search of traces of their long-rumored status as father and daughter. Although Howe has denied the rumor, the possibility that it might be true leads Coffey to a highly original appreciation of her work and a fascinating focus on the dozens of unattended children who wander through Beckett’s oeuvre. The saga of Coffey’s adult son, at various moments on the run in the Indiana woods or incarcerated, shines light on life without parental connection in a cold America. As an adoptee himself, Coffey looks to literature for traces of his own origin story and lineage, a heritage held in secret by a closed adoption system but which, through books and cultural signs, he has been able to decipher in his own way.  Provoc

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