Search results for ""Author Matthew Vollmer""

All Of Us Together In The End is a lyrical examination of transformation after loss, by a writer the New York Times calls "irresistible" and "utterly convincing."Vollmer’s family memoir shimmers with wonder and enchantment and begins with the death of his mother from early-onset Alzheimer’s and Parkinson’s. Soon after, flashing lights and floating orbs appear in the woods surrounding his family’s home in rural North Carolina, where his widowed father lives. Formative memories of having been raised in the Seventh-day Adventist church resurge in Vollmer’s mind, hastening self-reexamination and reckoning.He corresponds with a retired geology professor about “ghost lights,” which supposedly occur more in North Carolina than any other American state. He scrolls TikTok. He contacts an eccentric shaman who lives in Spain to have transcendental psychotherapy administered over Zoom. And then Jolene emerges, a woman endeared for decades to Vollmer’s father, holding secrets to their family’s past.Amidst the turmoil and loneliness of the pandemic, All of Us Together in the End is a poignant and often humorous investigation into belief set in a time where it seems people will believe anything. It is an elegiac affirmation of the awesome, strange, otherworldly ways our loved ones remain alive to us, even when they are out of reach.

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In our bureaucratized culture, we’re inundated by documents: itineraries, instruction manuals, permit forms, primers, letters of complaint, end-of-year reports, accidentally forwarded email, traffic updates, ad infinitum. David Shields and Matthew Vollmer, both writers and professors, have gathered forty short fictions that they’ve found to be seriously hilarious and irresistibly teachable (in both writing and literature courses): counterfeit texts that capture the barely suppressed frustration and yearning that percolate just below the surface of most official documents. The innovative stories collected in Fakes—including ones by Ron Carlson (a personal ad), Amy Hempel (a complaint to the parking department), Rick Moody (Works Cited), and Lydia Davis (a letter to a funeral parlor)—trace the increasingly blurry line between fact and fiction and exemplify a crucial form for the twenty-first century.

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