Search results for ""Author Mason Leaver-Yap""

Since the late 1980s, Renée Green’s multifaceted practice has imagined and expanded the ways in which art can surface and give form to underwritten histories, collective memory, and circuits of cultural exchange. Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships to language, knowledge, and constitutions of selfhood, while at the same time, indicating other ways of being and becoming. Green’s work came to prominence and circulated within the social and political flows between the world and the Americas, a concept that includes the United States, Central and South America, as well as the Caribbean. Her practice continues to investigate the distribution and relay of art and ideas, and how these are braided with histories of migration and legacies of displacement, and the aesthetic forms and poetics that stem from these. In one of most comprehensive catalogues of her work since 2010, Inevitable Distances presents recent writing on Green’s work with some of Green’s early texts and influences. Indicating the encounters and distances travelled in a life’s journey, both this publication and the exhibition it catalogues puts her artistic production into a speculative and, at times, fictional constellation. This book is co-published by DAAD Artists-in-Berlin Program, Berlin; Hatje Cantz; and KW Institute for Contemporary Art.

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This book reveals the work of the artist and activist Yto Barrada. Her artistic practice draws upon the roles of activist, educator, architect, botanist and anthropologist to explore expressions of communality and individual being. The exhibition presented at Mathaf focuses on the threads of regeneration and growth moving between architecture, urban transformation, horticulture, experimental education and home economics. Weaving together these interdisciplinary methods of making and discovery, the exhibition articulates desires for equality, self-expression and exploration. The artist’s personal and collective experiences of Tangier are expressed through a multitude of mediums to investigate the structures and systems of life in that city. These work in parallel with similar investigations by the artist into systems in the US, to compose a critical and poetic reading of overlooked histories and realities. Barrada’s works in this exhibition offer an open dialogue on the possible restitution of basic democratic ideals such as shelter, sustenance and communality. Barrada’s work offers a mode of associative thinking and making, emphasising the right to exist, learn and shape the world around us. In the galleries, her works live together, presenting starting points for possible collective narratives, which recirculate within the spaces as a composition and as new stories in themselves. Text in English and Arabic.

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