Search results for ""Author Martin Amis""

Back in a facsimile edition is Martin Amis’s closet passion project, first published in 1982: a compulsive gamer’s guide to arcades and beating your younger self’s high scoreIn this offbeat book, introduced by Stephen Spielberg, acclaimed author Martin Amis explores how 1980s video games took a generation by storm. Delving into the electric atmosphere of the arcades where he misspent his youth, he asks: Why did Space Invaders invade our hearts and minds? How much time, loose change and sex appeal did they cost us? And most importantly, which secret cheats and tactics must we master to reach the next level?Part cautionary tale, part celebration of a lifelong addiction, this is an essential manual for many a self-confessed cyber geek, computer nerd and joystick junkie.

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Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition.While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry’s atrocious attempts at novels have brought him untold success. Prizes, prestige and wealth abound, and from far below Tull can only watch, stewing in torment. Until, that is, resentment turns to revenge. Consumed by the question of how one writer can really hurt another, Tull’s quest for an answer will unleash increasingly violent urges on both writers’ lives. ‘A funny, vicious portrait of literary London’ Evening Standard

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Charles Highway, a precociously intelligent and highly sexed teenager, is determined to sleep with an older woman before he turns twenty. Rachel fits the bill perfectly and Charles plans his seduction meticulously, sets the scene with infinite care - but it doesn't come off quite as Charles expects...

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Martin Amis publicó su primer artículo sobre los atentados del 11 de septiembre de 2001 pocos días después de que tuvieran lugar. Pero ha seguido merodeando alrededor de aquel día en ensayos posteriores, en críticas de libros y de películas, y en dos espléndidos relatos, Los últimos días de Mohamed Atta ?que vuela a inmolarse con un vientre lleno de excrementos que no puede expulsar desde hace meses?, y En el Palacio del Fin, donde los dobles del hijo y sucesor de un dictador actúan cada día como si fueran él. Textos sobre la caída en el horror, aquí recopilados, junto con una crónica de sus viajes en el año 2007 con Tony Blair a Belfast y Washington, a Bagdad y a Basora. Y en el centro, un ensayo más largo, Terror y aburrimiento: la mente dependiente, un despiadado análisis del fundamentalismo islamista, y la confusa ?o perpleja? respuesta de Occidente. Muchas de las opiniones de Amis son urticantes, feroces, y a veces estridentes; su escritura es sutil, elegante, y llena de ingenio (

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At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion makers, leaders and crackpots with characteristic discernment and wit.Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner's sybaritic fortress and sanitised image are penetrated. There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.

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Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

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Writer, Samson Young, is staring death in the face, and not only his own. Void of ideas and on the verge of terminal decline, Samson’s dash to a decaying, degenerate London has brought him through the doors of the Black Cross pub and into a murder story just waiting to be narrated. At its centre is the mesmeric, doomed Nicola Six, destined to be murdered on her 35th birthday. Around her: the disreputable men who might yet turn out to be her killer. All Samson has to do is to write Nicola’s story as it happens, and savour in this one last gift that life has granted him. 'A true story, a murder story, a love story and a thriller bursting with humour, sex and often dazzling language' Independent

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‘A phenomenal writer’ Sunday TimesAn intoxicating comedy about youth, the 1970s, the sexual revolution and its aftermath.Summer, 1970. Sex is very much on everyone's mind. Keith Nearing - a bookish twenty-year-old, in that much disputed territory between five foot six and five foot seven - is on holiday and struggling to twist the seventies’s emerging feminism towards his own ends. Torn between three women, his scheming doesn't come off quite as he expects.'Read it: it is hilarious, often wonderfully perceptive, uncompromisingly ambitious and written by a great master of the English language' Financial Times

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Martin Amis first wrote about September 11 a week later in a piece for The Guardian beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.' He has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Palace of the End' and 'The Last Days of Muhammad Atta'. All are collected here, together with an expanded account of his travels with Tony Blair in 2007 - to Belfast, to Washington, and to Baghdad and Basra.'We are arriving at an axiom in long-term thinking about international terrorism,' he writes: 'the real danger lies, not in what it inflicts, but in what it provokes. Thus by far the gravest consequence of September 11, to date, is Iraq... Meanwhile, September 11 continues, it goes on, with all its mystery, its instability, and its terrible dynamism.'

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Tod. T. Friendly is living his life backwards. Doctor Friendly has just died, but after weeks of improving in the hospital, he is sent home to his affable, melting-pot, primary-colour existence in suburban America. From the fresh-cut lawns of his retirement to the hustle of New York, and then the boat back to war-torn Europe, Friendly carries with him a secret. Trapped in his body from grave to cradle, Friendly’s consciousness can only watch as he struggles to make sense of the good doctor’s most ambitious project yet – the final solution.SHORTLISTED FOR THE BOOKER PRIZE'Amis's most daring and ambitious novel' Daily Telegraph

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Six friends are determined to escape for a debauched weekend in the countryBlitzed on uppers, downers, blue movies and bellinis, the six twenty-something friends ensconced at Appleseed Rectory for the weekend are reeling in an hallucinatory haze of sex and seduction. But mysterious ‘Johnny’ begins to unsettle the other guests. And as Friday melts into Saturday and Saturday spirals into Sunday and sobriety sets in, the romp descends into something altogether more sinister. 'It's transfixing - At first it's funny. It teases, exaggerates, deliberates. Then it becomes ferocious, stricken, moving' The Times ‘Very funny, extremely clever’ Guardian

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Mike Hoolihan tiene nombre de hombre, voz profunda y modales que nadie definiría como femeninos, pero es mujer y le gustan los hombres, aunque siempre ha elegido a los que menos le convenían. Y luego ha tenido que ahogar sus tribulaciones en torrentes de alcohol. Pero en la actualidad está en dique seco, pues su hígado ya no puede soportar una sola gota más de consuelo. Y como Mike también es detective en el cuerpo de policía de una ciudad americana, tiene que enfrentarse ahora al peor caso de su vida sin nada que suavice un poco los atroces bordes de la realidad. Aunque, como ella misma dice, tras haber investigado cientos de crímenes, peor es un concepto muy elástico, que siempre puede dar cabida a algo más.La muerta, como decía Martin Amis en "Campos de Londres", siempre hay una muerta, es la bellísima Jennifer Rockwell, hija del jefe de Mike, que tenía veintisiete años, era científica su área de trabajo era la astrofísica, y vivía desde hacía años con Trader Faulkner, un joven

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‘The best thing Martin Amis has done in fiction for years’ Literary Review There were conjugal visits in the slave camps of the USSR. Valiant women would travel continental distances, over weeks and months, in the hope of spending a night, with their particular enemy of the people, in the House of Meetings. The consequences of these liaisons were almost invariably tragic. House of Meetings is about one such liaison. It is a triangular romance: two brothers fall in love with the same girl, a nineteen-year-old Jewess, in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle. ‘It is difficult not to be impressed by this compact tour de force’ Observer

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Of all the great novelists writing today, none shows the same gift as Martin Amis for writing non-fiction – his essays, literary criticism and journalism are justly acclaimed. The Rub of Time comprises superb critical pieces on Amis’s heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump’s rise to power is that Martin Amis is there to write about him.

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Charles Highway is every mother’s worst nightmare. Precociously intelligent, mercilessly manipulative and highly sexed, Charles devotes the last of his teenage years to bedding girls and evading the half-arsed overtures of his distant parents. That is, until, he meets the aloof, wildly unattainable, Rachel. As Charles’s twentieth birthday – and the Oxford entrance exams – loom, his plans for seducing Rachel will draw him into a private collection of obsessional notes and observations: the eponymous ‘Rachel Papers’. WINNER OF THE SOMERSET MAUGHAM AWARD'Scurrilous, shameless and very funny' The Times Literary Supplement‘Amis has brought off the feat of satirizing his contemporaries while making them both funny and, in a bizarre way, moving’ Peter Ackroyd

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'Martin Amis is a seriously good writer, and never on better form than now. Experience, the book of his life, may be the book of his life' Daily Telegraph **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY** In this remarkable work of autobiography, the son of the great comic novelist Kingsley Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final one of his death.Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers.

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WITH A NEW INTRODUCTION BY CLAIRE LOWDONCharles Highway is every mother's worst nightmare. Precociously intelligent, mercilessly manipulative and highly sexed, Charles devotes the last of his teenage years to bedding girls and evading the half-arsed overtures of his distant parents. That is, until, he meets the aloof, wildly unattainable, Rachel.As Charles's twentieth birthday - and the Oxford entrance exams - loom, his plans for seducing Rachel will draw him into a private collection of obsessional notes and observations: the eponymous 'Rachel Papers'.WINNER OF THE SOMERSET MAUGHAM AWARD'Scurrilous, shameless and very funny' The Times Literary Supplement'Amis has brought off the feat of satirizing his contemporaries while making them both funny and, in a bizarre way, moving' Peter Ackroyd

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'Utterly compelling' GuardianLife...is shapeless, it does not point to and gather round anything, it does not cohere. Artistically, it's dead. Life's dead.So begins a love letter to life, a resuscitation of sorts, encountering vibrant characters from Saul Bellow, to Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated Amis' twenties, the alluringly amoral Phoebe Phelps.Amis addresses our burning questions: how to live, how to grieve, and how to die?

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An ex-circus strongman, veteran of Warsaw, 1939, and Notting Hill rough-justice artist, meets his own personal holocaust and 'Einsteinian' destiny; maximum boredom and minimum love-making are advised in a 2020 epidemic; a virulent new strain of schizophrenia overwhelms the young son of a 'father of the nuclear age'; evolution takes a rebarbative turn in a Kafkaesque love story; and the history of the earth is frankly discussed by one who has witnessed it all. The stories in this collection form a unity and reveal a deep preoccupation: '"Einstein's Monsters" refers to nuclear weapons but also to ourselves,' writes Amis in his enlightening introductory essay, 'We are Einstein's monsters: not fully human, not for now.'

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'Other People had me purring with pleasure' The TimesLike a ghost or a fugitive, Mary roams through London - pursuing and pursued by memory and forgetting, by the compelling Amy Hide and the charming Mr Wrong...Martin Amis sustains an unnervingly high degree of suspense as Mary and the reader yearn to grasp what has happened to Mary's past and ponder what its loss has gained her. Unfolding is a metaphysical thriller where jealousy guarded secrets jostle with startling insights. Other People is ambitious and accomplished, heralding for Amis an unexpected new direction as a novelist and for the rest of us an experience not to be missed.

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Fuelled by innumerable cigarettes, Martin Amis provides dazzling portraits of contemporaries and mentors alike: Larkin and Rushdie; Greene and Pritchett; Ballard and Burgess and Nicholson Baker; John Updike - warts and all. Vigorously zipping across to Washington, he exposes the double-think of nuke-speak; in New Orleans the Republican Convention gets a going over. And then there's sport: he visits the world of darts and its disastrous attempt to clean itself up; dirty tricks in the world of chess; and some brisk but vicious poker with Al Alvarez and David Mamet. Sex without Madonna, expulsion from school, a Stones gig that should have been gagged, on set with Robocop or on court with Gabriela Sabatini, this is Martin Amis at his electric best.

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'A terrifying, painfully funny Swiftian exercise in moral disgust' ObserverSmooth-talking, sensual and self-deluded, Gregory Riding leads an existence of formidable foppishness, his days and nights a series of effortless, titillating conquests and tireless sex - sister, employers, acquaintances are but co-stars among a cast of thousands to have passed through his busy bed. Meanwhile, Gregory's foster brother, Terry, has to make do with the leavings as he trawls through life in a miasma of grief, burdened by an unmentionable past and the unlikelihood of ever having a good time in bed. But when Success swivels her capricious gaze roles are reversed with and the Riding brothers find their lives dramatically changed. ‘An instantly recognizable voice, penetrating, loquacious, slightly hysterical, upsetting, rising above the basso pseudo-profundo babble of his competitors like filed fingernails scraping down glass‘ Sunday Times

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In Martin Amis's short stories whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay, apart from the beleaguered 'straight' community; in 'Career Move', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor of Mars', a sardonic robot gives us some strange news about life in the solar system. In 'Let Me Count the Times' a man has a mad affair with himself. 'Heavy Water', portrays the exhaustion of working-class culture, and 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler.

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'Martin Amis at his best... Wonderful... Extravagantly funny’ GuardianWhen 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; the porno tycoon, Cora Susan; and Royce Traynor, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zizhen; his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King.'As funny as Dead Babies, as blackly portentous as London Fields and as satirically on-the-nail as Money' Mail on Sunday

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Poet and pervert, Humbert Humbert becomes obsessed by twelve-year-old Lolita and seeks to possess her, first carnally and then artistically, out of love, 'to fix once for all the perilous magic of nymphets'. Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all of these? Humbert Humbert's seduction is one of many dimensions in Nabokov's dizzying masterpiece, which is suffused with a savage humour and rich, elaborate verbal textures.

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The fully restored fiftieth anniversary editionForeword by Martin AmisFirst published by William Heinemann in 1962, A Clockwork Orange is widely acknowledged as one of the most influential books of the twentieth century. This special edition, compiled and edited by Andrew Biswell, Burgess's biographer, restores the text of the novel as Burgess originally wrote it, and includes a selection of interviews, articles, reviews and other previously unpublished material.

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Everyone is always out there searching for someone and something, usually for a lover, usually for love. And this is a love story. But the murderee - Nicola Six - is searching for something and someone else: her murderer. She knows the time, she knows the place, she knows the motive, she knows the means. She just doesn't know the man. London Fields is a brilliant, funny and multi-layered novel. It is a book in which the narrator, Samson Young, enters the Black Cross, a thoroughly undesirable public house, and finds the main players of his drama assembled, just waiting to begin. It's a gift of a story from real life...all Samson has to do is write it as it happens.

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A sharp twist on the noir genre from one of England’s finest fiction writers'I worked one hundred murders,' says Detective Mike Hoolihan, an American policewoman. 'In my time I have come in on the aftermath of maybe a thousand suspicious deaths, most of which turned out to be suicides, accidentals or plain unattendeds. So I've seen them all: jumpers, stumpers, dumpers, dunkers, bleeders, floaters, poppers, bursters. But of all the bodies I have ever seen none has stayed with me, in my gut, like the body of Jennifer Rockwell. I say all this because I am part of the story I am going to tell, and I feel the need to give you some idea of where I'm coming from.' Night Train is a mystery story which lingers in the reader's mind even after Mike Hoolihan declares the case closed.‘Tough, noir, Chandleresque’ Independent ‘Night Train is both delicate and bruising - a long drawn-out blue note. The book hangs around in the mind like smoke in a jazz club’ Telegraph Magazine

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Amidst the horrors of Auschwitz, German officer, Angelus Thomsen, has found love. But unfortunately for Thomsen, the object of his affection is already married to his camp commandant, Paul Doll. As Thomsen and Doll’s wife pursue their passion – the gears of Nazi Germany’s Final Solution grinding around them – Doll is riven by suspicion. With his dignity in disrepute and his reputation on the line, Doll must take matters into his own hands and bring order back to the chaos that reigns around him. ‘It is exceptionally brave…. Shakespearean…. It’s exciting; it’s alive; it’s more than slightly mad. As the title suggests, it is dreadfully interesting.’ Sunday Times

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Lionel Asbo has just won £139,999,999.50 on the Lottery. A horribly violent, but horribly unsuccessful criminal, Lionel’s attentions up to now have all been on his nephew, Desmond Pepperdine. He showers him with fatherly advice (‘carry a knife’) and introduces Des to the joys of internet porn. Meanwhile, Des desires nothing more than books, a girl to love and to steer clear Uncle Li’s psychotic pitbulls, Joe and Jeff. But Lionel’s winnings are not necessarily all good news. For Des has a secret, and its discovery could unleash his uncle’s implacable vengeance. ‘One of Amis's funniest novels’ New Yorker‘A book that looks at us, laughs at us, looks at us harder, closer, and laughs at us harder and still more savagely’ Observer

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John Self is a consumer extraordinaire. Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. But John’s excesses haven’t gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success. 'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian

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Koba the Dread is the successor to Amis's celebrated memoir, Experience. It addresses itself to the central lacuna of twentieth-century thought: the indulgence of communism by Western intellectuals. In between the personal beginning and the personal ending, Amis gives us perhaps the best one hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible. The author's father, Kingsley Amis, was 'a Comintern dogsbody' (as he would come to put it) from 1941 to 1956. His second-closest, and later in life his closest friend, was Robert Conquest, whose book The Great Terror was second only to Solzhenitsyn's The Gulag Archipelago in undermining the USSR. Amis's remarkable memoir explores these connections. Stalin said that the death of one person was tragic, the death of a million a mere 'statistic'. Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin's aphorism.

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Like John Updike, Martin Amis is the pre-eminent novelist-critic of his generation. The War Against Cliché is a selection of his reviews and essays over the past quarter-century. It contains pieces on Cervantes, Milton, Donne, Coleridge, Jane Austen, Dickens, Kafka, Philip Larkin, Joyce, Waugh, Lowry, Nabokov, F. R. Leavis, V. S. Pritchett, William Burroughs, Anthony Burgess, Angus Wilson, Saul Bellow, Philip Roth, Shiva and V. S. Naipaul, Kurt Vonnegut, Iris Murdoch, Norman Mailer, Gore Vidal, Don DeLillo, Elmore Leonard, Michael Crichton, Thomas Harris - and John Updike. Other subjects include chess, nuclear weapons, masculinity, screen censorship, juvenile violence, Andy Warhol, Hillary Clinton, and Margaret Thatcher.

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