Search results for ""Author Mark Davis""

Fossil fuels are bad. Illegal immigration is necessary for the economy. Free markets are arbitrary and cruel. Christians are intolerant. Men and women are exactly the same. The dogma preached by the far left has gone mainstream and the results are frightening: Most of what you hear these days is flat-out wrong. Mark Davis pulls apart the tenets of liberal dogma in Upside Down, a right-side-up correction of everything that's wrong with today's topsy-turvy world.

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A refund guarantee is an essential component of almost every shipbuilding project, without which the buyer will be unwilling or unable to proceed. There is no standard form of refund guarantee in universal usage, and both the form and substance of refund guarantee instruments vary widely from case to case. The ambiguity or uncertainty of the meaning of refund guarantee instruments, against a backdrop of a sharp downturn in the shipping markets, has led to numerous disputes in recent years concerning refund guarantees, which have been the subject of a number of important decisions of the English Courts. This is the first English law text book dedicated to the subject of refund guarantees. It provides essential guidance as to the issues arising and the pitfalls to be avoided. It analyses the specimen form of guarantee annexed to Bimco’s NEWBUILDCON form, and covers topics such as the circumstances in which the liability of the guarantor may be discharged, and when a builder may be entitled to obtain an injunction to restrain payment under a refund guarantee.It will be an essential and practical guide for those engaged in the shipbuilding industry, including shipbuilders, shipowners, banks and insurance companies, P&I clubs, and those advising them.

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A stranger has come To share my room in the house not right in the head, A girl mad as birds – Dylan Thomas, ‘Love in the Asylum’ With the advent of ‘care in the community’ for the mentally afflicted, the self-contained villages for the apparently insane have now been consigned to the history books. These once bustling Victorian institutions were commonly known in the nineteenth and early twentieth centuries as the ‘county asylum’ or the ‘pauper lunatic asylum’, and were an accepted and essential part of society for nearly two centuries. It is difficult to believe that in 1914 there were 102 such asylums, accommodating over 100,000 patients, the majority of whom lived their entire lives under care and treatment. Today, with the exception of those that have already been demolished, these buildings now lie empty and derelict, or have been converted for contemporary living. Through this photographic book we journey into the inner sanctum of a world of lost dreams, where hope was more often than not unwillingly traded for an uncomfortable acceptance.

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Prior to the nineteenth century, Bradford was very much a backwater. After that it was to become the metropolis of the worsted industry and enjoyed a prosperity scarcely equalled by any other portion of the kingdom. It was said at the time that the real energy of Yorkshire centred in Bradford. The times of growth were astounding and in 1897, when the town received its city status, Bradford truly was magnificent.Wherever you go in Bradford you cannot escape its rich industrial past. Many of the old mills remain, either converted to housing or awaiting demolition. Bradford Through Time goes to show us in many ways what we have lost, many of the older images display a way of life that appears rich and energetic with a real pride. You may be forgiven for thinking in some cases that we have gone backwards and not forwards in time.

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Almost forgotten by time, tucked away beyond the sight of the passerby, there is a little piece of old England, which was for many years a forgotten wilderness. If it were not for a weather-beaten plaque on the gatepost few would realise that beyond the rusted gates there lies, in unmarked paupers’ graves, 2,861 former patients of the once formidable Menston Asylum. To be admitted to a lunatic asylum in the nineteenth century was fraught with danger, and in many cases meant a life sentence hidden away from society. It is estimated as many as 30 per cent of the asylum population was incarcerated incorrectly and up until 1959 there was no form of appeal. Looking into the faces of the long dead, the forgotten former inmates of this once bustling institution, it is impossible not to feel a certain sadness at their plight. Abandoned by an intolerant society and their families these people all had one thing in common, when death came there was no one to shed a tear or collect their remains. They were given a pauper’s funeral and forgotten, until now.

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Do you know where your money is? More importantly, do you know what your money is doing? Most of us feel confident that we know what money is. But few of us feel confident in taking responsibility for what our money does. We hand over the power of money to banks and mainstream finance with real, often damaging, consequences for people and planet. A unique collaboration between an academic and a practitioner, this book tells the story of money, from ancient Athens to the Bitcoin revolution, to explain how crowdfunding is the way for people to reclaim the power of their money in pursuit of a fairer and greener society.

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The inimitable Charles Dickens is regarded by many as the finest novelist of the Victorian era. His ability to weave magic with words makes him as popular as ever. Born in 1812 in what many would describe as humble circumstances, he went on to create some of the world’s best-known fictional characters in his impressive collection of novels. It is a testament to his huge following that when he died just over 150 years ago in June 1870, his grave at Westminster Abbey was kept open for three days so the many thousands of people who mourned his passing could pay their last respects. It has been said that Dickens’ geographical knowledge of London was both extensive and encyclopaedic; he knew it all, from Bow to Brentford. He drew his knowledge from experience: he visited the magistrates’ courts, observed the poverty and injustice of the workhouses and prisons, and was a hearty campaigner for the wretched and downtrodden. Here was the man who brought Scrooge to the Christmas table, and he never left. The place that inspired Dickens during his most prolific writing was, of course, good old London Town. Join us as we mark the sesquicentennial anniversary of his death and explore Charles Dickens’ very own landscape.

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A victim of the Nazis, then the communists. Twice a refugee, yet always remaining a committed socialist. In countless ways, Zygmunt Bauman lived the political upheavals of the twentieth and twenty-first centuries. He was an actor within them. Bauman’s own lived history informed his politics, which found expression in varying degrees in his sociology, as he wrote extensively on socialism, democracy, bureaucracy, morality, Europe and the Jewish experience. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of history and politics by drawing upon previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The second volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, History and Politics will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

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The sociological imagination and the artistic imagination have been historically intertwined, at once reciprocal and conflicting, complementary and tensional. This connection is nowhere more apparent than in the work of Zygmunt Bauman. His conception and practice of sociology were always infused with a literary and artistic sensibility. He wrote extensively on the relationship between sociology and the arts, and especially on sociology and literature; he frequently drew on literary writers in his exploration and elucidation of sociological problems; and he was an avid and passionate consumer and practitioner of art, especially film and photography. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of culture and art, including previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The first volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, Culture and Art will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

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A victim of the Nazis, then the communists. Twice a refugee, yet always remaining a committed socialist. In countless ways, Zygmunt Bauman lived the political upheavals of the twentieth and twenty-first centuries. He was an actor within them. Bauman’s own lived history informed his politics, which found expression in varying degrees in his sociology, as he wrote extensively on socialism, democracy, bureaucracy, morality, Europe and the Jewish experience. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of history and politics by drawing upon previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The second volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, History and Politics will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

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The sociological imagination and the artistic imagination have been historically intertwined, at once reciprocal and conflicting, complementary and tensional. This connection is nowhere more apparent than in the work of Zygmunt Bauman. His conception and practice of sociology were always infused with a literary and artistic sensibility. He wrote extensively on the relationship between sociology and the arts, and especially on sociology and literature; he frequently drew on literary writers in his exploration and elucidation of sociological problems; and he was an avid and passionate consumer and practitioner of art, especially film and photography. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of culture and art, including previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The first volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, Culture and Art will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

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FOR 134 YEARS, THE MURDERS committed in London’s East End by the infamous ‘Jack the Ripper’ have baffled the world. The Ripper murders commenced in August and continued freely until the beginning of November 1888 when inexplicably the murders stopped. Five women were brutally murdered and savagely mutilated in and around Whitechapel. The killer was never caught despite the very best intentions of the police and thousands of would-be detectives following his trail. Since 1888, much has changed and the crime scene locations known to the Ripper and his victims would be quite unrecognisable to them now. Equally, to the modern-day Londoner or visitor, the locations would remain largely unknown…until now. True crime and social historians Richard C Cobb and Mark Davis return to the Whitechapel of 1888 to see what remains from this dark time in London’s history and to take the reader on a step-by-step tour of the modern world of Jack the Ripper. Using the original police reports, state of the art photographs, unseen images and diagrams, they present the truth about what actually happened in the autumn of 1888 and take a look at other victims that may have been killed by the same man. Cobb and Davis give the reader a real sense of how the past meets the present in arguably London’s most vibrant and cultural quarter - where the shadow of the Ripper is never too far away.

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