Search results for ""Author Mario Levrero""

Levrero's writing is distinguished by its bounteous imagination, and nowhere more so than in this 1970 story collection. From the Escher-like grammatical maze of The Boarding House' to the Lewis Carroll-esque The Basement', this book explores uncanny domestic spaces, using the structures of the stories themselves as tools for re-inventing narrative possibility.

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An eccentric novelist decides to go back to basics on his journey of self- improvement: he will strip out the literary aspect of his writing and simply improve his handwriting. The novelist begins to keep a notebook of handwriting exercises, hoping that if he is able to improve his penmanship, his personal character will also improve. What begins as a mere physical exercise becomes involuntarily coloured by humorous reflections and tender anecdotes about living, writing, and the sense - and nonsense - of existence. The first book by Mario Levrero to be translated into English, Empty Words is the perfect introduction to a major author and a significant point of reference in Latin American writing today.

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'Perhaps the luminous novel is this thing that I started writing today, just now. Maybe these sheets of paper are a warm-up exercise. [...] But it's quite possible that if I go on writing - as I usually do - with no plan, although this time I know very well what I want to say, things will start to take shape, to come together. I can feel the familiar taste of a literary adventure in my throat. I'll take that as confirmation, then, and start describing what I think was the beginning of my spiritual awakening - though nobody should expect religious sermons at this point; they'll come later. It all began with some ruminations prompted by a dog.' A writer attempts to complete the novel for which he has been awarded a big fat Guggenheim grant, though for a long time he succeeds mainly in procrastinating - getting an electrician to rewire his living room so he can reposition his computer, buying an armchair, or rather, two: 'In one, you can't possibly read: it's uncomfortable and your back ends up crooked and sore. In the other, you can't possibly relax: the hard backrest means you have to sit up straight and pay attention, which makes it ideal if you want to read.' Insomniacs, romantics and anyone who's ever written (or failed to write) will fall in love with this compelling masterpiece told by a true original, with all his infuriating faults, charming wit and intriguing musings.

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