Search results for ""Author Luigi Ghirri""

This rich publication presents the entirety of Luigi Ghirri's In Scale series made at the amusement park Italia in Miniatura, in dialogue with work by the park's creator, Ivo Rambaldi.

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Puglia. Tra albe e tramonti offers a brilliant account of Luigi Ghirri's relationship with Puglia - a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri's career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia's whitewashed streets, luminescent nights, doorways and arches, potted cacti, funfairs, and beaches, as well as a group of artists, critics, and curators who would become his close friends and collaborators. Over the following decade, Ghirri returned to the area almost every year, photographing, exhibiting, and deepening his understanding of its subtle terrain. These photographs, almost all of which are little-known and previously unpublished, capture the textures and rhythms of urban life, delighting in visual coincidence and tactile detail. Their sense of quiet discovery - and the colour film on which they are shot - allude warmly to the area's identity as a popular holiday destination. Ghirri maps the Apulian territory via the traces left by its inhabitants and visitors in images flooded with the distinctive light of Southern Italy - the bright sun and its eloquent shadows, and the otherworldly aura of neon and streetlights after dark. With texts by Adele Ghirri and Arturo Carlo Quintavalle.

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In 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre. Kodachrome has long been out of print and on the 20th anniversary of Ghirri's death, MACK is proud to publish the second edition. 'Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we're looking for.'Francesco Zanot Part amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it's adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world. This new edition of Kodachrome is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri's original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian). 'The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory... to the point at which we might merge with them... The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.' Luigi Ghirri Born in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992. Photography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. He is associate editor of Fantom, photographic quarterly magazine based in Milan and New York.

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A collection of 18 postcards of images from the remarkable oeuvre of the enigmatic Italian photographer Luigi Ghirri. Spanning 1970 to 1992, this curated selection includes many of his classic photographs, as well as lesser-known images. Equally perfect framed or on a fridge, and suited to various occasions - from birthdays to Christmas and tank yous - each pictures attests to Ghirri's own words that 'taking photographs is above all restoring a sense of wonder'.

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The Complete Essays 1973-1991 is a long-awaited collection of short, allusive texts on the curiosities of photography written by the great Italian artist, Luigi Ghirri. Ghirri's writings spiral outwards from his practice, intuitively exploring the subjects at the core of his images - the themes of identity, time, memory, vision, representation, and sense of place. With a taste for the eclectic, he interweaves references as varied as Prince, Dylan, Hendrix, McLuhan, Mallarme, Gulliver, Eggleston, Evans, neo-realist film, Cezanne and Pessoa. Together, the essays offer a unique and comprehensive treatise on the history and theory of photography. Above all, they constitute a special form of autobiography for someone whose ironic wit and gentle style has trickled down to so much of contemporary photography. Luigi Ghirri (1943-1992) started writing about photography from the moment he became a photographer: for his own publications, for Italian magazines and newspapers, as well as private reflections committed to paper, where his thoughts would settle and then often depart in new directions. Born in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992. His first book, Kodachrome (1978), an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre, was re-published by MACK in 2012.

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