Search results for ""Author Lucy Inglis""

'Lucy Inglis has done a wonderful job bringing together a wide range of sources to tell the history of the most exciting and dangerous plants in the world. Telling the story of opium tells us much about our faults and foibles as humans – our willingness to experiment; our ability to become addicts; our pursuit of money. This book tells us more than about opium; it tells us about ourselves.' - Peter Frankopan, author of The Silk Roads‘The only thing that is good is poppies. They are gold.’ Poppy tears, opium, heroin, fentanyl: humankind has been in thrall to the ‘Milk of Paradise’ for millennia. The latex of papaver somniferum is a bringer of sleep, of pleasurable lethargy, of relief from pain – and hugely addictive. A commodity without rival, it is renewable, easy to extract, transport and refine, and subject to an insatiable global demand. No other substance in the world is as simple to produce or as profitable. It is the basis of a gargantuan industry built upon a shady underworld, but ultimately it is a farm-gate material that lives many lives before it reaches the branded blister packet, the intravenous drip or the scorched and filthy spoon. Many of us will end our lives dependent on it. In Milk of Paradise, acclaimed cultural historian Lucy Inglis takes readers on an epic journey from ancient Mesopotamia to modern America and Afghanistan, from Sanskrit to pop, from poppy tears to smack, from morphine to today’s synthetic opiates. It is a tale of addiction, trade, crime, sex, war, literature, medicine and, above all, money. And, as this ambitious, wide-ranging and compelling account vividly shows, the history of opium is our history and it speaks to us of who we are.

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In Georgian London: Into the Streets, Lucy Inglis takes readers on a tour of London's most formative age - the age of love, sex, intellect, art, great ambition and fantastic ruin. Travel back to the Georgian years, a time that changed expectations of what life could be. Peek into the gilded drawing rooms of the aristocracy, walk down the quiet avenues of the new middle class, and crouch in the damp doorways of the poor. But watch your wallet - tourists make perfect prey for the thriving community of hawkers, prostitutes and scavengers. Visit the madhouses of Hackney, the workshops of Soho and the mean streets of Cheapside. Have a coffee in the city, check the stock exchange, and pop into St Paul's to see progress on the new dome.This book is about the Georgians who called London their home, from dukes and artists to rent boys and hot air balloonists meeting dog-nappers and life-models along the way. It investigates the legacies they left us in architecture and art, science and society, and shows the making of the capital millions know and love today.'Read and be amazed by a city you thought you knew' Jonathan Foyle, World Monuments Fund'Jam-packed with unusual insights and facts. A great read from a talented new historian' Independent'Pacy, superbly researched. The real sparkle lies in its relentless cavalcade of insightful anecdotes . . . There's much to treasure here' Londonist'Inglis has a good ear for the outlandish, the farcical, the bizarre and the macabre. A wonderful popular history of Hanoverian London' London HistoriansIn 2009 Lucy Inglis began blogging on the lesser-known aspects of London during the Eighteenth Century - including food, immigration and sex - at GeorgianLondon.com. She lives in London with her husband. Georgian London is her first book.

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'Lucy Inglis has done a wonderful job bringing together a wide range of sources to tell the history of the most exciting and dangerous plants in the world. Telling the story of opium tells us much about our faults and foibles as humans – our willingness to experiment; our ability to become addicts; our pursuit of money. This book tells us more than about opium; it tells us about ourselves.' - Peter Frankopan, author of The Silk Roads‘The only thing that is good is poppies. They are gold.’ Poppy tears, opium, heroin, fentanyl: humankind has been in thrall to the ‘Milk of Paradise’ for millennia. The latex of papaver somniferum is a bringer of sleep, of pleasurable lethargy, of relief from pain – and hugely addictive. A commodity without rival, it is renewable, easy to extract, transport and refine, and subject to an insatiable global demand. No other substance in the world is as simple to produce or as profitable. It is the basis of a gargantuan industry built upon a shady underworld, but ultimately it is a farm-gate material that lives many lives before it reaches the branded blister packet, the intravenous drip or the scorched and filthy spoon. Many of us will end our lives dependent on it. In Milk of Paradise, acclaimed cultural historian Lucy Inglis takes readers on an epic journey from ancient Mesopotamia to modern America and Afghanistan, from Sanskrit to pop, from poppy tears to smack, from morphine to today’s synthetic opiates. It is a tale of addiction, trade, crime, sex, war, literature, medicine and, above all, money. And, as this ambitious, wide-ranging and compelling account vividly shows, the history of opium is our history and it speaks to us of who we are.

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Over the course of his career, William Scott painted more than 1,000 works in oil, all of which are catalogued in this four-volume publication, which covers the artist’s output from 1928 to 1986. Each work is accompanied by a catalogue note giving reasons for the dating together with any documentary material relevant to its history, much of it published here for the first time. An enormous amount of new information has been unearthed during the six years of research that has gone into this important project, research that not only reveals a great deal more than was previously known about the artist’s life and work but also about how both these aspects of his career had a bearing on the wider context of contemporary British art. The artist’s own papers and many previously unpublished letters and lecture notes have been made available by his family especially for this project. This landmark work will provide scholars and collectors with a vital tool for further research, and all lovers of Scott’s art with a source of inspiration and insight.

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