Search results for ""Author Lisa Morton""

Whether George Romero’s implacable, slow-moving monstrosities or the fleet-footed terrors of 28 Days Later, over the last several decades the zombie has ascended into the upper echelon of the of the movie monster pantheon—an elite tier once reserved only for vampires, werewolves, and Frankenstein’s monster. Featuring over 500 posters, lobby cards, pressbooks, stills, and props from zombie movies across the whole of cinema history, The Art of the Zombie Movie is an eye-popping, entertaining visual history of zombie films written by six-time Bram Stoker Award-winning author Lisa Morton. Included here is the story of the origin and global reach of the zombie feature film; special features, quotes, and interviews from key creators; a survey of such varied subgenres as Blaxploitation, sci-fi, cowboy, and comic zombie films; and a selection of foreign zombie movies from Mexico, Germany, Czechoslovakia, Japan, and other countries. With unprecedented range and detail, this comprehensive collection of zombie movie art begins in 1932 (when The White Zombie, the first true entrant in the genre, was released), explores the renaissance that was launched by George Romero’s Night of the Living Dead, and traces the countless variations, innovations, and reinventions that continue to ensure that the zombie genre will never truly die.

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Calling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism – when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by ‘spirit rappings’; Daniel Dunglas Home, the ‘greatest medium of all time’; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics and paranormal investigations, and is illustrated with engravings, fine art (from beyond) and photographs. Hugely entertaining, it begs the question: is anybody there . . .?

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Trick or Treat is the first book to both examine the origins and history of Halloween and explore in depth its current global popularity. Festivals like the Celtic Samhain and Catholic All Souls’ Day have blended to produce the modern Halloween, which has been reborn in America – but there are also related but independent holidays, especially Mexico’s Day of the Dead. Lisa Morton explores the explosion in popularity of haunted attractions and the impact of events such as the global economic recession, as well as the effect Halloween has had on popular culture through literary works, films and television series. Trick or Treat takes us on a journey from the spectacular to the macabre, making it a must for anyone who wants to peep behind the mask to see the real past and present of this ever more popular holiday.

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In the history of the numinous there are few things more common than the belief in ghosts. From the earliest writings such as the Epic of Gilgamesh to today's ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, now available in B-format paperback, Lisa Morton wrangles together history's most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes.

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"Fascinating. . . . A fun and thorough look at how humans have tried to communicate with the dead over time."—Library Journal "An impressive piece of research. . . . A must-read for anyone fascinated with Spiritualism."—Alma Katsu, author of The Deep and The HungerCalling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism, when Victorians were entranced by mediums and the seance was born. Among our cast are the Fox sisters, teenagers surrounded by “spirit rappings;” Daniel Dunglas Home, the “greatest medium of all time;” Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics and paranormal investigations, and is illustrated with engravings, fine art (from beyond), and photographs. A hugely entertaining contribution from the supernaturally adept Lisa Morton, Calling the Spirits begs the question: is anybody there . . . ?

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Following the success of Weird Women: Volume 1, acclaimed anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers, including George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton.Following the success of their acclaimed Weird Women, star anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers. This volume once again gathers some of the most famous voices of literature—George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton—along with chilling tales by writers who were among the bestselling and most critically-praised authors of the early supernatural story, including Mary Elizabeth Braddon, Vernon Lee, Florence Marryat, and Margaret Oliphant. There are, of course, ghost stories here, but also tales of vampirism, mesmerism, witches, haunted India, demonic entities, and journeys into the afterlife. Introduced and annotated for modern readers, Morton and Klinger have curated more stories sure to provide another "feast of entertaining (and scary) reads" (Library Journal).

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Following their acclaimed Ghost Stories and Weird Women, award-winning anthologists Leslie S. Klinger and Lisa Morton present a new eclectic anthology of ghosty tales certain to haunt the reader long past the closing page.In Haunted Tales, the reader will enjoy discovering masterpieces like Algernon Blackwood’s terrifying “The Kit-Bag,” Oscar Wilde’s delightful “The Canterville Ghost,” and F. Marion Crawford’s horrific “The Screaming Skull,” as well as lesser-known gems by some of literature’s greatest voices, including Virginia Woolf’s “A Haunted House,” H. G. Wells’s “The Story of the Inexperienced Ghost,” and Rudyard Kipling’s “They.” Haunted Tales also resurrects some wonders that have been woefully neglected, including Dinah Mulock’s “M. Anastasius” (which Charles Dickens called “the best ghost story ever written”); E. F. Benson’s “The Bus-Conductor” (the source of one of the most iconic lines in horror); and E. and H. Heron’s “The Story of the Spaniards, Hammersmith” (the debut adventure of Flaxman Lowe, fiction’s first psychic detective). Whether the stories are familiar or overlooked, all are sure to surprise and astonish the reader long past the closing of this book’s cover.

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