Search results for ""Author Linda Coverdale""

'The father of contemporary European detective fiction' Ann Cleeves A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets.A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Death of a Harbour Master.'Compelling, remorseless, brilliant' John Gray'A supreme writer . . . unforgettable vividness' Independent

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Pig Tales is a brilliant satirical novel about a stunning young woman working in a beauty 'massage' parlour. She enjoys extraordinary success at bringing home the bacon (in part due to her increasingly rosy and irresistible backside) until she slowly metamorphoses - into a pig. Rejected by her boyfriend, left to wander the sewers and forage for food in public parks, she takes up with a werewolf with insatiable appetites. They share everything (pizza is a particular favourite; she gets the pizza, he gets the delivery boy) until someone alerts the authorities and tragedy strikes . . . Gender, politics and social hypocrisy all come under scrutiny in this entertaining and enlightening novel. Pig Tales is a Metamorphosis for the present day, a dark fable of political and sexual corruption, and a grim warning of what can happen in a society without a soul.

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At the City Hall in a small town in the South of France, one man starts his campaign to correct the ills that have overtaken his proud nation by lecuring the town's inhabitants on the art of conversation. In the narrator's opinion, "coversation is a specialty that is most eminently French," an art that should be nurtured and practiced, and can help repair France's reputation. Not to mention being a good conversationalist is extremely useful for seducing women, which is how the narrator managed to attract Lucienne, his "superbly lumpish" wife who died two months before giving this lecture. One of the oddest characters in contemporary fiction, the lecturer in this novel can't help but digress about his sad life in the midst of his speech, giving the reader a view of a self-centered man trying to turn one of his greatest faults into a virtue to be forced on everyone else. By turns ironic, hilarious, pathetic, and mortifying, Salvayre's The Lecture is an exuberant example of the exciting fiction being written in France.

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FROM THE BESTSELLING AUTHOR OF THE ADVERSARYLittle Nicolas is a delicate, timid schoolboy, with an excitable, if morbid imagination – the child of an overbearing father. So, two weeks away on the class trip is already enough to fill him with dread. But when a child goes missing, Nicolas’ mind turns to gruesome possibilities, impelling him to take up the role of detective – and edge closer to a truth more shocking than Nicolas’ worst fears. Translated by Linda Coverdale 'There are few great writers in France today, and Emmanuel Carrère is one of them' Paris ReviewElegant, pocket-sized paperbacks, VINTAGE Editions celebrate the audacity and ambition of the written word, transporting readers to wherever in the world literary innovation may be found.

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Lyonel Trouillot’s harrowing novel depicts a night of blazing violence in modern-day Port-au-Prince and recalls hundreds of years of violence stretching back even before the birth of Haiti in the fires of revolution. Three narrators—a madam, a taxi driver, and a post office employee—describe in almost hallucinatory terms the escalating chaos of a bloody uprising that pits the partisans of the Prophet against the murderous might of the great dictator Deceased Forever-Immortal. The drama of promise and betrayal in Haitian life inform’s Street of Lost Footsteps with the grim irony and savage tenderness characteristic of writers for whom the repetitiveness of history has gone beyond tragedy, through farce, and on into insanity. With impressive originality and touching immediacy, Trouillot explores the nature of political oppression, memory, and truth.

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Read this an expansive meditation on death, grief and the limtless reach of the human spirit from the bestselling author of The Adversary ‘Compelling… Carrère has the gift of speaking simply and directly of the essentials’ Evening Standard Beset by arguments and the fear that things between them may be falling apart, writer Emmanuel Carrère and his partner, Hélène, journey to Sri Lanka to spend Christmas along the coast. But when the 2004 tsunami devastates the country, sweeping their friends’ young daughter away, the couple are bound in their search among the dead. As further tragedy strikes back home, with the news that Hélène’s sister is dying of cancer, Carrère turns his characteristic eye to the subject of these two lives, documenting the dramatic effect that their deaths have on those around them. Precise, sober, and suspenseful, Other Lives But Mine offers an intimate portrait of the fragility of life and the restorative processes of grief, that illuminates the astonishing richness of human connection.

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'His artistry is supreme' John Banville'What was he doing there? A hundred times, in the middle of an investigation, he'd had the same feeling of helplessness or, rather, futility. He would find himself abruptly plunged into the lives of people he had never met before, and his job was to discover their most intimate secrets. This time, as it happened, it wasn't even his job. He was the one who had chosen to come, because a teacher had waited for him for hours in the Purgatory at the Police Judiciaire.'When a school teacher from a small coastal town near La Rochelle asks Maigret to help prove he is innocent of murder, the Inspector returns with him to his insular community and finds the residents closing ranks to conceal the truth.'Compelling, remorseless, brilliant' John Gray

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'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.'Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?

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For fans of Patricia Highsmith, Harriet Tyce, Jorn Lier Horst, Fred Vargas and Jean-Patrick Manchette.

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Patrick Chamoiseau first became known to the international literary world with Texaco, the vast and demanding novel that won France's prestigious Goncourt Prize in 1992. Less well known is the fact that Chamoiseau has written a number of extraordinary books about his childhood in Martinique. One of these, Creole Folktales, recreates in truly magical language the stories he heard as a child. Folktales with a twist, fairy tales with attitude, these stories are told in a language as savory as the spicy food so lovingly evoked within these pages. The urchins, dowagers, ne'er-do-wells, and gluttons in these tales are filled with longing for the simple things in life: a full plate, a safe journey, a good night's sleep. But their world is haunted, and the material comforts we take for granted are the stuff of dreams for them, for there are always monsters waiting to snatch away their tasty bowl of stew—or even life itself. Some of these monsters are familiar: the wicked hag, the envious neighbor, the deceitful suitor, the devil who gobbles up unwary souls. Others may be surprising, and their casual appearance in these tales makes them all the more frightening—like an unexpected glimpse into a fun-house mirror. But in contrast to these folktales' more fantastic creations, the white plantation owner and the slave ship's captain remind us that these are stories of survival in a colonized land. A marvelous introduction to a world, both real and imaginary, that North Americans have ignored for far too long.

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'Compelling, remorseless, brilliant' John Gray What was it about him that had struck Maigret so forcefully? . . . Little John had cold eyes! . . . Four or five times in his life, he had met people with cold eyes, those eyes that can stare at you without establishing any human contact.Persuaded to sail to New York by a fearful young law student, Maigret finds himself drawn into the city's underworld, and a wealthy businessman's closely guarded past.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

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'Compelling, remorseless, brilliant' John Gray A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging.On the edge of a forest: a man hanging from every branch.A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from François Villon's Ballade of the Hanged Men.On a trip to Brussels, Maigret unwittingly causes a man's suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself.This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret.'One of the greatest writers of the twentieth century' Guardian

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An innocent man’s gripping personal account of terrifying confinement by the Moroccan military during the reign of a formidable twentieth-century despot In 1967 Tahar Ben Jelloun, a peaceful young political protestor, was one of nearly a hundred other hapless men taken into punitive custody by the Moroccan army. It was a time of dangerous importance in Moroccan history, and they were treated with a chilling brutality that not all of them survived. This powerful portrait of the narrator’s traumatic experience, written with a memoirist’s immediacy, reveals both his helpless terror and his desperate hope to survive by drawing strength from his love of literature. Shaken to the core by his disillusionment with a brutal regime, unsure of surviving his ordeal, he stole some paper and began secretly to write, with the admittedly romantic idea of leaving some testament behind, a veiled denunciation of the evils of his time. His first poem was published after he was unexpectedly released, and his vocation was born.

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