Search results for ""Author Kenneth Baker""

There have been serious complaints since Vatican II that many Catholics do not know the basic teaching of the Church on the essentials of the faith, such as the Ten Command-ments, the Seven Sacraments, the Sacrifice of the Mass and the twelve articles of the Creed. That was one of the main reasons for the production of the Catechism of the Catholic Church, which was mandated by Blessed John Paul II and published in the 1990s. After Vatican II there was much emphasis on preaching that explains the daily readings from the Bible. That is what we now call a “homily.” Traditionally a sermon has been preaching on some point of doctrine or morals, illustrated and supported by quotes from the Bible. An unintended and unanticipated result of the homily has been the neglect of sermons and a lack of preaching on the fundamentals of the Catholic faith. When the Catechism appeared, some bishops, like Cardinal John J. O’Connor of New York, gave sermons based on it for over a year. The 54 doctrinal sermons in this book are presented in the hope that priests will make use of them to prepare real sermons that explain the basic truths of the Catholic faith. The sermons follow the basic outline of the Catechism: Creed, Sacraments, Commandments, and the Our Father. The purpose of these sermons is to promote a better understanding in the minds of the faithful of the beauty and depth of truth contained in our holy Catholic faith. The grasp of that truth should result in an increase of faith, hope and charity.

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In this revealing look at the history of assassinations, Kenneth Baker examines over a hundred political and religious murders or attempted murders, ranging from Julius Caesar to President Kennedy to Osama bin Laden. Assassins hope to change the world, but rarely succeed: Baker concludes that the assassination of Franz Ferdinand in Sarajevo in June 1914 was the only one that changed the history of the world. Other assassinations, whether of monarchs, politicians, dissidents, clerics, journalists or others at best give only a glancing blow at history. The author concludes that, in Macbeth's words, an assassination `is a poisoned chalice.' Kenneth Baker also reveals that since 1945 there have been fewer individual assassins working alone; now assassinations are more likely to be carried out by political and religious terrorists, or by the security services of certain states to eliminate dissidents. Not only Russia and Israel, but the USA, the UK and others have resorted to targeted killings when they consider their security is under threat. On Assassinations shows how we have moved from the era of individual assassinations, through to terror groups' murders and now onto state-sponsored targeted killings

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The purpose of this little book is to answer certain questions that many people have about the nature of death. Most people feel that there is something wrong about death. We all want to live a happy life and we do not want to die. Life is experienced as something very good and we want to preserve it. But the reality is that man is by nature mortal, which means that he is destined to die sooner or later. The fact is that we begin to die the moment we are conceived in our mother’s womb. Man is unlike all other animals, because he has a soul endowed with intelligence and free will. Because man’s soul is spiritual, it is immortal. Death is the separation of that soul from the body; the body decays and returns to the dust from which it was taken, but the soul continues to live and is in the hands of God. But what happens to the soul after death? There are two possibilities—heaven or hell. We know from divine revelation and from the infallible teaching of the Church that the soul after death goes immediately to heaven (perhaps first for a time to purgatory to be totally cleansed and sanctified), or immediately to hell, a state or place of eternal misery. The next life is a life without time—it is a perpetual now, with no before and after. It has a beginning but not end. It is also unchangeable, that is, souls in heaven are there forever and they cannot lose it; souls in hell are there forever and they can never be freed from it. This is a very serious and certain reality for each one of us. The most important thing we will ever do is to die, and to die in the state of God’s grace so that we are his friends and will be admitted to his presence, which is what is meant by heaven. Therefore we must prepare ourselves to die in the grace of God, which is our ticket to heaven. We do that by doing God’s will for us, which means to keep his commandments, especially to love God above all things and practice love of neighbor. This short book will help people think about their death and how important it is for their permanent happiness. It will help them to arrange their life in such a way that they will live it as God wants them to live it and so ultimately obtain eternal life with God because: “no eye has seen, nor ear heard, nor the heart of man conceived, what God has prepared for those who love him” (1 Cor. 2:9).

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As he turns 100, the definitive monograph of Wayne Thiebaud's work is now available in a reformatted, accessibly priced edition, and including his most recent paintings. This is the most comprehensive monograph to date on Wayne Thiebaud, with new works added, in a reformatted size. Spanning the length of his career from the 1950s to the present, the book has been made in close collaboration with the artist. Thiebaud selected the works himself, making the book an act of autobiography in a sense. At age 100, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality. Required reading for those who have a healthy appetite for provocative art. -Bloomberg Business This comprehensive monograph of more than 200 illustrations can literally be considered eye candy. American artist Wayne Thiebaud is famed for his brightly coloured canvases of cakes, diner pies, pastries, ice cream cones, candy and brightly coloured gumball machines. . . . Whether still lifes or landscapes, Thiebaud's paintings are akin to visual Prozac; you simply cannot be in a bad mood looking at them. -Kansas City Magazine While Thiebaud is best known for his heavily pigmented still lifes of cakes, pies, and candies, [this] book shows his broader range, from vibrant landscapes depicting highways and farmland to portraits of solitary figures. . . The texts examine Thiebaud's influences as well as his impact on the art world and the individual viewers of his work. -Architectural Digest

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“In giving these meditations, my desire was to explain the Spiritual Exercises of St. Ignatius; I was not attempting to present pious meditations and theological considerations, no matter how useful they may be. I attempted to give these meditations on the Spiritual Exercises the kind of theological foundation that my listeners had the right to expect, without falling into the kind of theological investigations that really have nothing directly to contribute to the purpose of spiritual exercises.” These words are used by the author who is probably the greatest theologian the Catholic Church has produced in recent centuries. He brings his enormous learning and his unequaled theological acumen to bear on what is probably one of the most influential spiritual works of Roman Catholicism. The combination is as fascinating as it is important. The subject matter is, of course, very controversial. Has St. Ignatius anything to say for modern Christians? Jesuits the world over maintain that he has, others suggest that his writing is totally confined to a particular, and unfortunate, period of Church history. Karl Rahner has been compelled to write with a force and simplicity we do not usually associate with him. Here is a compelling series of meditations which take us out of the stodgy surroundings of so much Christian spirituality, and certainly one of Rahner’s greatest works.

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A profoundly timely and moving personal essay by one of America’s leading art critics Walter De Maria's Lightning Field (1977) is one of the 20th century's most significant works of art. Situated in a remote area of desert in southwestern New Mexico, it comprises 400 polished, stainless-steel poles (spaced 220 feet apart) installed in a grid measuring one mile by one kilometer. A sculpture to be explored on foot, The Lightning Field is intended to be experienced over an extended period of time. Critic Kenneth Baker visited The Lightning Field numerous times over the course of the past 30 years in order to write this text. Inspired and challenged by this remarkable artwork, Baker speculates on the course of our contemporary human condition. But, rather than building on ideas in narrative sequence, he deploys quotation to effect multiple perspectives and points of view. Baker's citations and elegantly crafted prose are arrayed––in a metaphorical parallel to De Maria's choreographing of the vast landscape of the American Southwest––to create a compelling text.

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British artist Andy Goldsworthy, known for creating art outdoors and from natural materials, has now built a 2,278-foot stone wall at Storm King Art Center, a sculpture park on the Hudson River in Mountainville, New York. This sensitive and detailed response to the land—former farmland in an area once rich in stone walls—is one of his most impressive and important permanent artworks. The book’s stunning color photographs show the wall from every vantage point and in all four seasons, and document ephemeral work made around it. Kenneth Baker’s essay considers the Storm King wall in the context of Goldsworthy’s other work.

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