Search results for ""Author Keith Hamilton""

Throughout the nineteenth century British governments engaged in a global campaign against the slave trade. They sought through coercion and diplomacy to suppress the trade on the high seas and in Africa and Asia. But, despite the Royal Navy's success in eradicating the transatlantic commerce in captive Africans, the forced migration of labour and other forms of people trafficking persisted. This collection of essays by specialist international, naval and slave trade historians examines the role played by individuals and institutions in the diplomacy of suppression, particularly the personnel of the Slave Trade Department of the Foreign Office and of the Mixed Commission Courts; the changing socio-religious character and methods of anti-slavery activists and the lobbyists; and the problems faced by the navy and those who served with its so-called 'Preventive Squadron' in seeking to combat the trade. Other contributions explore the difficulties confronting British diplomats in their efforts to reconcile their moral objections to slavery and the slave trade with Britain's imperial and strategic interests in Ottoman Turkey, Persia and the Arabian Peninsula; British reactions to the continued exploitation of forced labour in Portugal's African colonies; and the apparent reluctance of the Colonial Office to attempt any systematic reform of the 'master and servant' legislation in force in Britain's Caribbean possessions. The final chapter brings the story through the twentieth century, showing how the interests of the Foreign Office sometimes diverged from those of the Colonial Office, and considering how the changing face of slavery has made it the world-wide issue that it is today.

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This book examines the 'Know How Fund', Britain’s bilateral technical assistance programme in post-communist central and eastern Europe, devised in response to the end of the Cold War.The Know How Fund (KHF) was the technical assistance programme which Margaret Thatcher’s government launched in the spring of 1989 to encourage Poland’s transition from communism to democracy and free-market capitalism. It was subsequently extended to other countries of central and eastern Europe and might be considered a novel experiment in what the US secretary of state, Condoleezza Rice, would later term ‘transformational diplomacy’. Drawing upon still-closed records of the Cabinet Office, the Department for International Development (DFID) and the Foreign and Commonwealth Office, this book explores the political origins of the KHF. In particular, the author examines its influence upon the transitional process in the lands of the former Soviet bloc; its part in attenuating the potentially destabilising effects of revolutionary change in Europe; the interdepartmental cooperation and rivalry to which its administration gave rise in Whitehall; and the links forged between officials and the worlds of business, finance and academe in project design and implementation. The volume offers new insights into Britain’s reactions to the collapse of communism in central Europe and the Soviet Union; the role of aid in the making and conduct of British foreign policy; and the significance of New Labour’s establishment of DFID as a separate government department.This book will be of much interest to students of British Foreign Policy, Diplomacy Studies, European history, Post-Communist Transitions and IR in general.

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The intelligent, intuitive, indomitable, large, black, American male actor explores Shakespeare, race, and America ... not necessarily in that order. Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare’s character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love. American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

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