Search results for ""Author Kate Bruce"

'Old Bill' began as the cartoon creation of Captain Bruce Bairnsfather: born amidst the carnage of WWI 'Old Bill' lampooned life within the trenches and went on to become a beloved character within the play The Better 'Ole which filled the music halls of the United Kingdom. But who was 'Old Bill'? Certainly, there was no agreement amongst professional historians. So, when John Belcher was handed a collection of documents and photographs by an elderly relative, he was both surprised and intrigued to discover that 'Old Bill' was apparently his great uncle, Thomas Rafferty. This discovery set the author off on a journey to find out more. Who exactly was this remarkable man, a Lance Corporal in the Royal Warwickshire Regiment who had died at the Second battle of Ypres? What was his connection with Bruce Bairnsfather? Why had Bairnsfather denied to his widow Kate that he had known Rafferty as 'Old Bill'? Kate would, all the same, eventually be acknowledged and accepted by the public as the wife of 'Old Bill' and be presented with a Commemorative Peace Medal. Over time, however, Rafferty - the man behind the myth - was quietly forgotten. This book is the culmination of several years' research by John Belcher, his great nephew, that collates a range of evidence to establish Rafferty's claim to be the real 'Old Bill' of the western trenches. All royalties from the sale of this book will be donated to charity.

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Discover the darkly addictive new historical crime based on a twisted true story, from the author of Triflers Need Not Apply'Creepy and compelling' THE TIMES CRIME CLUB'Atmospheric and addictive' CRIME MONTHLY'Sinister. A pulse-pounding read' WOMAN & HOME'A mixture of black humour and psychological insight' SUNDAY TIMES, 'Best Historical Fiction Books of 2023'__________Blood is thicker than water . . . and murder is best kept in the family__________Kate Bender has killed before.She has felt the warm trickle of a man's blood. Known what it is like to hold his life in her hands. But that is in the past.Laying low in a new town, she vows to change. When she gains the locals' trust as an esteemed medium, a life closer to virtue finally seems within reach.But can Kate deny her lingering urges?For while the town praise her promising work, she is drawn to darker business behind closed doors . . .__________'I was absolutely captivated. Chilling, terrifying, utterly addictive, All the Blood We Share is a beautifully written, spellbinding read for 2023' KAREN COLES, author of The AsylumPraise for Camilla Bruce'Extraordinary' The Times'Dark glee and tragedy - you'll gobble this up' Laura Purcell'An amazing book, riveting, heart-breaking and intense. I couldn't put it down' My Favourite Murder Podcast

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Lewis Carroll explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. And although it seems we all know something about Alice and Wonderland, we-like Alice herself upon her first reading of Jabberwocky-find “It fills my head with ideas, but I don’t know what they are.” So as each new generation falls under Carroll’s word spells, each in turn must attempt to understand what Alice and Wonderland might mean in the context of their world and in their time. This collection of twenty-first century speculative fiction stories is inspired by Alice’s Adventures in Wonderland, Alice Through the Looking Glass, The Hunting of the Snark, and to some degree, aspects of the life of the author, Charles Dodgson, and the real-life Alice (Liddell). Enjoy our wild ride down into and back up out of the rabbit hole! Preface by David Day Authors: Patrick Bollivar, Mark Charke, Christine Daigle, Robert Dawson, Linda DeMeulemeester, Pat Flewwelling, Geoff Gander and Fiona Plunkett, Cait Gordon, Costi Gurgu, Kate Heartfield, Elizabeth Hosang, Nicole Iversen, J.Y.T. Kennedy, Danica Lorer, Catherine MacLeod, Bruce Meyer, Dominik Parisien, Alexandra Renwick, Andrew Robertson, Lisa Smedman, Sara C. Walker, James Wood

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'Ronnie has overcome a heart-breaking start in life to achieve great success and no one deserves it more. What a dude, what a life!' - Fiona Bruce'Brilliant...a mercurial memoir of a meritorious life.' - Lemn Sissay For decades, Ronnie Archer-Morgan has brought to life the fascinating, often surprising backstories behind our most cherished heirlooms and household objects on the Antiques Roadshow. Now, he tells his own unlikely story. Born in the fifties to a Sierra Leonean mother battling mental health problems, Ronnie spent his childhood in and out of care. After difficult beginnings, marked by abuse, racism and brushes with both criminals and the police, he got into music, managing to get DJ gigs and, later, worked as a celebrity hairdresser for Vidal Sassoon and Smile in the height of seventies London. A flair for spotting antiques led him to start his own Knightsbridge gallery, ultimately becoming one of the most respected figures in the industry, culminating in a regular spot as an expert on the nation's Sunday favourite, Antiques Roadshow. Told with rich warmth, this is an extraordinary journey from deprivation and abuse to adventure and success against the odds - with stories of the incredible objects which shaped the way.'A surprising story, like many of the objects he appraises on the Antiques Roadshow' - Kate Adie, broadcaster and bestselling author'A fascinating, rollercoaster read, very well told.' - Times

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It has been said that the day of the sermon is over. Kate Bruce argues that the day of the poorly conceived, ill prepared, dull, disconnected, boring, irrelevant, authoritarian, yawn-inducing, patronizing, pontificating, pointless and badly delivered sermon, is indeed over. Imagination can help to engage the hearer in a sermon which seeks to evoke rather than to inform. Imagination frames how we see the world and ourselves in it. As such it has a vital role in how preachers see the preaching task itself, which in turn affects how we go about the task. A theology of imagination is presented to demonstrate the central importance of imagination in the life of faith. Allied to this is an analysis of the sacramental nature of preaching and the role of imagination in enabling the ‘aha, now I get it’ moment of sacramental ‘seeing-as’. Connected to enabling new seeing, preaching in the lyrical voice is defined and discussed along with the importance of preachers shaping sermons for the ear.

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This superb annual anthology of the year’s most outstanding short crime fiction published in the UK is now well into its second decade. Jakubowski has succeeded, once again, in unearthing the best short crime stories of English, Welsh, Scottish and Irish authors (along with a handful of US writers living in the UK, and some expatriate Brits). With this collection he showcases the impressive breadth of British crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of British society, but, above all, there are over 40 wonderful, gripping stories to shock, delight and make you think twice, if not three times. Full list of contributors: Lee Child; Kevin Wignall; Will Carver; Paul Charles; Val McDermid; Paul Johnston; Alison Bruce; Tim Willocks; Maxim Jakubowski; Rhys Hughes; Edward Marston; N. J. Cooper; Michael Z. Lewin; Peter Guttridge; Mary Hoffman; Peter Tremayne; Kate Rhodes; Paul D. Brazill; Ros Asquith; Amy Myers; Alexander McCall Smith; Nina Allan; Peter Turnbull; Jay Stringer; Martin Edwards; Zoë Sharp; Col Bury; David Stuart Davies; Howard Linskey; Susan Everett; Christopher Fowler; Dreda Say Mitchell; Roger Busby; Simon Kernick; Peter Lovesey; David Hewson; Gerard Brennan; Jane Casey; Christopher J. Simmons; Stephen Gallagher; John Lawton.

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A lyrically and formally innovative exploration of desire and its cost/>/>DEED, the follow-up to torrin a. greathouse's 2022 Kate Tufts Discovery Award winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn't always love trans or disabled people back. Written in a broad range of received and invented formsfrom caudate sonnets and the sestina, to acrostics and the burning haibunDEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, in spite of all these complications, t

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For this book Lawrence Harbison has interviewed successful playwrights who have developed relationships with theaters that regularly produce their plays have had at least one major New York production have their plays published by a licensor such as Dramatists Play Service or Samuel French have received commissions and have an agent. Harbison asks each of them the same question: How did you do it? ÊHow I Did ItÊ features an introduction by Theresa Rebeck and interviews with David Auburn Stephen Belber Adam Bock Bekah Brunstetter Sheila Callaghan John Carlani Eric Coble Jessica Dickey Kate Fodor Gina Gionfriddo Daniel Goldfarb Kirsten Greenidge Rinne Groff Lauren Gunderson Michael Hollinger Rajiv Joseph Greg Kotis Neil LaBute Deborah Zoe Laufer Wendy MacLeod Itamar Moses Bruce Norris Lynn Nottage Aaron Posner Adam Rapp J.T. Rogers Lloyd Suh Carl Thomas Sharr White and Anna Ziegler.ÞA valuable tool for playwrights daunted by the extremely difficult task of getting their work produced as well as to playwriting students ÊHow I Did ItÊ is full of stories of how it's done.

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Few names in fashion are as recognisable as that of Calvin Klein. This unique book presents a stunning archive of images that reveal his timeless influence as a designer. From founding the company in New York in 1968, he went on to change the face of fashion, bringing his visionary minimalism to the fore and defining looks for generations. Divided by theme, with characteristic simplicity and sophistication, each of the three sections in this volume looks at one singular element of Klein s approach. In Provocative, we see the most controversial of his campaigns, from Brooke Shields s infamous teenage portraits to the seductive photography of underwear collections. In Minimalist, we understand the simplicity, refinement, and elegance in every collection. And in the final section, we read in the designer s own words the insights behind the campaigns and the secrets behind the successes. This magnificent survey is illustrated with era-defining photographs by many of the trendsetting names in fashion photography, from Irving Penn and Richard Avedon to Bruce Weber and Patrick Demarchelier. In the photographs are the world s most iconic models, from Christy Turlington to Kate Moss, captured in images that would define their careers. Irrespective of time or place, Calvin Klein has an aesthetic and an identity that is simply unrivalled.

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Media screens—film, video, and computer screens—have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject’s field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.

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Issue 30 includes:Fiction by Best American Science Fiction & Fantasy contributor Helena Bell, Vincent Czyz, Maureen Langloss, and Lucas Southworth.Nonfiction by NEA and Camargo Foundation Fellow Don Bogen, death row inmate and essayist Lyle May, Bill Marsh, and Lesley Wheeler.Poetry by NEA Fellows Hadara Bar-Nadav, Bruce Bond, and Jenny Browne; PEN Discovery Award winner Andrea Cohen; Gregory O’Donogue International Prize winner Shangyang Fang; MacArthur “Genius” Edward Hirsch; National Book Critics Circle Award winner Troy Jollimore; Donald Hall Prize winner Kirsten Kaschock; Rilke Prize winner David Keplinger; National Book Critics Circle Award finalist Erika Meitner; Iowa Prize winner Alicia Mountain; Best New Poets contributor Shakthi Shrima, and many others.Translation Folios featuring short fiction by Bangladeshi writer Ruma Modak (trans. Shabnam Nadiya), and poetry by Dutch poet Lucas Hirsch (trans. Donnna Spruijt-Metz), Polish poet Tomasz Różycki (trans. Mira Rosenthal), and Israeli poet Maya Tevet Dayan (trans. Jane Medved). The cover features work by Denver-based artist Kate Petley, who has been featured in twenty-seven solo exhibitions and has received an NEA Rockefeller Foundation Grant (among other honors).

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Featured on Rough Trade's top 20 Books of the Year listLaunched by NME editor and Smash Hits creator Nick Logan in 1980, The Face was Britain’s first youth magazine to present ‘youth subject matter’ beyond music alone. A strong voice of urban identity in the age of Thatcher, it rapidly became an icon of ‘style culture’, the benchmark for the very latest trends in music, fashion, photography and film. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity – embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography and the ‘Buffalo’ styling of Ray Petri. The Face introduced Spandau Ballet and Boy George; Wham! and Sade, and was an early showcase for the works of Robert Mapplethorpe, Bruce Weber and Cindy Sherman. In 1990, The Face featured a 15-year-old Kate Moss on her first cover campaign. Styled by Melanie Ward, The Face published a series of fresh-faced cover images, an antidote to the glossy Vogue models of the time. Other iconic cover stars included David Bowie, Annie Lennox, Prince, George Michael and Adam Ant. Part two shows how in the 1990s, after surviving the Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art, shifting its focus from London to the regions. However, The Face met its eventual demise in 2004. With an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the most influential publications of the 80s and 90s.

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‘This collection of timeless photographs gives us an up close inside look at this uniquely complex man and brilliant iconic artist who forever changed the world. One love…’ – Lenny KravitzRebel Music is a tribute to one of the greatest legends in world music, Bob Marley. In 1975, Kate Simon first photographed Bob Marley and the Wailers at the Lyceum in London, where the now-legendary live performance of ‘No Woman No Cry’ was recorded. They then collaborated throughout the Seventies, with Simon shooting some of the most intimate, enduring and emblematic images ever taken of Marley, including his iconic Kaya album cover.Simon captured it all: portraits of the reggae greats of the Seventies, such as Lee ‘Scratch’ Perry, Bunny Wailer and Peter Tosh; the Exodus Tour, on the road with Bob Marley and The Wailers as they performed across Europe; and the One Love Peace Concert, where Bob famously united Jamaica’s opposing political leaders. Ultimately, in 1981, Simon would ride with the funeral cortege from Kingston to St Ann and Bob Marley’s final resting place.Rebel Music contains over 400 photographs from Simon’s archives, many published here for the first time. Introduced by Patti Smith, with a foreword by Lenny Kravitz and afterword by Keith Richards, a cast of 24 contributors join Simon in sharing the stories behind the images, including ex-Wailers guitarist Junior Marvin and bass player and band leader Aston ‘Family Man’ Barrett; musicians such as Junior Delgado, Steve Jordan, Paul Simonon and Bruce Springsteen; filmmaker Don Letts and producer Danny Sims; and Island Records founder, Chris Blackwell.

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An Illinois Sampler presents personal accounts from faculty members at the University of Illinois at Urbana-Champaign and other contributors about their research and how it enriches and energizes their teaching. Contributors from the humanities, engineering, social and natural sciences, and other disciplines explore how ideas, methods, and materials merge to lead their students down life-changing paths to creativity, discovery, and solutions. Faculty introduce their classes to work conducted from the Illinois prairie to Caribbean coral reefs to African farms, and from densely populated cities to dense computer coding. In so doing they generate an atmosphere where research, teaching, and learning thrive inside a feedback loop of education across disciplines. Aimed at alumni and prospective students interested in the university's ongoing mission, as well as current faculty and students wishing to stay up to date on the work being done around them, An Illinois Sampler showcases the best, the most ambitious, and the most effective teaching practices developed and nurtured at one of the world's premier research universities. Contributors are Nancy Abelmann, Flavia C. D. Andrade, Jayadev Athreya, Betty Jo Barrett, Thomas J. Bassett, Hugh Bishop, Antoinette Burton, Lauren A. Denofrio-Corrales, Lizanne DeStefano, Karen Flynn, Bruce W. Fouke, Rebecca Ginsburg, Julie Jordan Gunn, Geoffrey Herman, Laurie Johnson, Kyle T. Mays, Rebecca Nettl-Fiol, Audrey Petty, Anke Pinkert, Raymond Price, Luisa-Maria Rosu, D. Fairchild Ruggles, Carol Spindel, Mark D. Steinberg, William Sullivan, Richard I. Tapping, Bradley Tober, Agniezska Tuszynska, Bryan Wilcox, Kate Williams, Mary-Ann Winkelmes, and Yi Lu.

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An Illinois Sampler presents personal accounts from faculty members at the University of Illinois at Urbana-Champaign and other contributors about their research and how it enriches and energizes their teaching. Contributors from the humanities, engineering, social and natural sciences, and other disciplines explore how ideas, methods, and materials merge to lead their students down life-changing paths to creativity, discovery, and solutions. Faculty introduce their classes to work conducted from the Illinois prairie to Caribbean coral reefs to African farms, and from densely populated cities to dense computer coding. In so doing they generate an atmosphere where research, teaching, and learning thrive inside a feedback loop of education across disciplines. Aimed at alumni and prospective students interested in the university's ongoing mission, as well as current faculty and students wishing to stay up to date on the work being done around them, An Illinois Sampler showcases the best, the most ambitious, and the most effective teaching practices developed and nurtured at one of the world's premier research universities. Contributors are Nancy Abelmann, Flavia C. D. Andrade, Jayadev Athreya, Betty Jo Barrett, Thomas J. Bassett, Hugh Bishop, Antoinette Burton, Lauren A. Denofrio-Corrales, Lizanne DeStefano, Karen Flynn, Bruce W. Fouke, Rebecca Ginsburg, Julie Jordan Gunn, Geoffrey Herman, Laurie Johnson, Kyle T. Mays, Rebecca Nettl-Fiol, Audrey Petty, Anke Pinkert, Raymond Price, Luisa-Maria Rosu, D. Fairchild Ruggles, Carol Spindel, Mark D. Steinberg, William Sullivan, Richard I. Tapping, Bradley Tober, Agniezska Tuszynska, Bryan Wilcox, Kate Williams, Mary-Ann Winkelmes, and Yi Lu.

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This is a wedding that will change lives – and not just the lives of the bride and the groom. Devon-born London lawyer Kate Densham is to marry her colleague, Robert Harrington. Her father, a senior university professor, is involved in a substantial land deal in which the university is seeking to sell a large chunk of the land it owns to a developer. Kate and her fiancé are acting for the possible buyers of the land. They know that the organisation is involved in criminal activity and has strong ties to the chairman of the local planning committee, and believe they can take effective action against them 'from the inside’... But don’t forget – as all of this is happening, there’s still the wedding to attend. From Matthew Densham, the uncle of the bride, to Celia Harrington, the grandmother of the groom; Phyllis Drayton, friend of the bride’s parents, to Simon Roche, an ex-university friend of the groom; this is a wedding that will impact the lives of all that are involved.

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A thought-provoking combination of visually powerful imagery and comment *Includes 260 stunning photographs by more than 50 international contributors *Keynote essay by Patricia Macdonald *Features an interview with Dan Bailey and George Monbiot *Includes essays by Robert Macfarlane, Owen Logan, Kate Brown, Siobhan Lyons, Andrew Simms, Natasha Myers, Ayelen Liberona, Jared Diamond, Leslie Hook, Adam Nicolson Surveying the Anthropocene presents a range of approaches to image-making concerning the environment by some of the best artist-photographers working worldwide, alongside texts by some of the most illuminating writers on environmental questions, at a pivotal moment in the human relationship with the planet. Photographic approaches to environmental imagery have altered fundamentally in recent decades, largely as a result of increasing socio-ecological awareness. This insightful international survey, with a strong representation from Scotland, considers the varied range of current working practices of a representative selection of artist-photographers, both renowned and emerging, whose image-making explores human-caused environmental change. It concentrates particularly on work which relates to the types of impact, on climate and the web of life, that are sufficiently significant and globally widespread to appear in the future record of the rocks as a new geological epoch - the Anthropocene. The concept of the Anthropocene has engaged the attention and imagination of a wide range of commentators from very different backgrounds and walks of life. It therefore provides an excellent context in which to discuss, in an open and cross-disciplinary way, the range of responses of artist-photographers and cultural writers to our present global situation of multiple, interconnected environmental and social crises - and the options for human ingenuity in addressing these. Contributing photographers Jack Aeby, Antoine d'Agata, Benoit Aquin, Mandy Barker, Olaf Otto Becker, Daniel Beltra , Alex Boyd, Marilyn Bridges, Alicia Bruce, David Buckland, Edward Burtynsky, Anne Campbell, Thomas Joshua Cooper, Cortis & Sonderegger, Dalziel + Scullion, Pedro David de Oliveira Castello Branco, Bryan Debus, Susan Derges, Terry Evans, Tim Flach, Hamish Fulton, Sophie Gerrard, Lorne Gill, Emmet Gowin, Alexander Hamilton, J.J. Harrison, Louis Helbig, Zig Jackson/Rising Buffalo, Chris Jordan, Aleksandr Kupny, Chrystel Lebas, Ayelen Liberona, Timo Lieber, Owen Logan, Patricia & Angus Macdonald, Pradip Malde, Katie Blair Matthews, Meryl McMaster, Gideon Mendel, Richard Misrach, Fabrice Monteiro, Simon Norfolk, Susanne Ramsenthaler, Paul Souders, Jamey Stillings, Thomas Struth, Timm Suess, Klaus Thymann, Chris Wainwright, Greg White, Pinar Yoldas Scientists and photographers, some unnamed, from: Federal government of the United States; United States Department of Energy;, Centers for Disease Control and Prevention, USA: Hannah A. Bullock; Azaibi Tamin;, NASA: including Jeff Schmalz (MODIS) Contributing writers Dan Bailey, Tobia Bezzola, Barbara Bloemink, Kate Brown, Jared Diamond, William A. Ewing, Jared Farmer, Willis E. Hartshorn, Leslie Hook, Siobhan Lyons, Robert Macfarlane, Bill McKibben, George Monbiot, Pete Moore, Jason Arunn Murugesu, Natasha Myers, Adam Nicolson, Andrew Simms

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"Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. Recent collections include: Marc Jacobs, L'Wren Scott, Giles Deacon, Gareth Pugh, Loewe, Christian Dior Haute Couture, Prêt-à-porter, Ski & Baby collections, John Galliano, Comme des Garcons. His recent commissions include: Dita von Teese/Crazy Horse, Bryan Adams, Immodesty Blaize, Take That, Sex and the City 2, Perrier Jouet, Printemps, Ascot, Disneyland, Kylie Minogue, Kate Moss/Met Ball. "With her moulded felt cloche shadowing an eye and pinned with a tremblant diamond cow-parsley sprig, Nadja Auermann, slinking down the stairs of a crumbling Hotel Particulier in Paris for the John Galliano show, defined the fashion moment. Once again, Stephen Jones, millinery magician, had summoned up the spirit of the day. Jones is a deft conjurer, who can draw whimsy from a hat. Steeped in couture lore and craft, he nevertheless propels his art into the future with his ceaseless invention and thistledown touch. His genius is to enhance the mystery, allure, wit of the wearer - although a Jones hat might be a dramatic statement in itself, it will never overpower." - Hamish Bowles, Style Editor, Vogue USA

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Michael Elphick was a young electrician working at the Chichester Theatre when he was discovered by Laurence Olivier, who arranged for him to join the Central School of Drama. It was here where he met Bruce Robinson, who would later cast him in one of the most popular British films of all time – Withnail and I. Elphick’s illustrious career also included major supporting roles in films such as Quadrophenia, The Elephant Man, Gorky Park and Dennis Potter’s Blue Remembered Hills. On television, there was Private Schultz and Boon, which gave his acolyte and friend, Neil Morrissey, his first starring role. One of his characters’ owned houses in Coronation Street whilst another wooed Peggy Mitchell in Eastenders. However, Elphick’s private life was every bit as varied as his acting career. Racked by alcoholism and devastated by the early death of his partner, Julia, Elphick died at the age of 55. And yet, his friends and family will always remember his hugely humorous personality, and everyone he met was left with a ‘Mike Elphick story’...

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""The German word for experience - Erlebnis - the experience of the life, to live through something - underpins this book: making visible scholarly opportunities for richer and deeper contextualizations and examinations of the lived-world experiences of people in everyday contexts as they be, do and become." (Ross Todd, Preface). Information experience is a burgeoning area of research and still unfolding as an explicit research and practice theme. This book is therefore very timely as it distils the reflections of researchers and practitioners from various disciplines, with interests ranging across information, knowledge, user experience, design and education. They cast a fresh analytical eye on information experience, whilst approaching the idea from diverse perspectives. Information Experience brings together current thinking about the idea of information experience to help form discourse around it and establish a conceptual foundation for taking the idea forward. It therefore "provides a number of theoretical lenses for examining people's information worlds in more holistic and dynamic ways." (Todd, Preface)."

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