Search results for ""Author KEY""

When Kageyama loses a bet and has to confess to Hinata, a girl who goes by the nickname "Shade", his curious request is met with a nod as she timidly opens her legs. The raw depiction of their first awkward experience is only the first beautifully crafted story, as the author presents many more portrayals of young love in their third anthology. A masterclass of unforgettable stories full of imperfect love combined with breathtaking character designs that readers will never forget. Ranging from lovey-dovey first loves at the stroke of New Year’s to tawdry love affairs of a woman sleeping with her best friend's boyfriend, Key's angelic muses shine with flawless figures and smooth skin, but might crack under the pressure.

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While not the first aircraft manufacturer in Britain, Bristol had the distinct advantage of being created by a well-established businessman, rather than an enthusiastic aviator, by the name of Sir George White. Bristol grew rapidly, from a few hangars at the influential Larkhill in Wiltshire to a new site at Filton, and, up to 2012, was one of the key aviation design, development and manufacturing locations in Britain. Thanks to the many talented designers, engineers, test pilots, not to mention the vision of Sir George over a century ago, Bristol has made its mark on the aviation industry with revolutionary aircraft, and a number of firsts and records along the way. Both military and civilian aircraft and the engines, piston, turboprop and jet have benefited from the standard in engineering excellence that was set on the hallowed turf of Filton. This book explores the history of the company, and the aircraft that it produced.

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The desire for airliners that could fly faster and higher than all that had gone before them was ingrained into the commercial aviation world from the end of the Second World War. The STAC (Supersonic Transport Advisory Committee) was formed in October 1956 and would be in charge of development of and responsible for the many manufacturers that would be needed to build an aircraft named Concorde. Bearing in mind the complexity of the aircraft, Concorde was one of the world's safest considering the distances it travelled and the eye-watering speed at which it flew. This made the loss of the Air France Concorde in 2000 a particularly unfitting beginning of the end' for the airliner which courted controversy right to the final . It was a combination of factors that saw the airliner enter retirement three years later but the bottom line is that Concorde was getting old and, despite being built like the proverbial brick out-house', constant supersonic cycles take their toll, and that kind of punishment would not be expected of a military aircraft, let alone a civilian one. The Concorde was an incredible achievement from the outset, built by two different nations that overcame every technical problem that arose (which were innumerable) to produce, by far, the most iconic airliner ever built. This book explores the failures, triumphs and history of this aircraft, from its beginning to its end.

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Curtiss, as a company, contributed a great deal in establishing the US aircraft industry firmly on the world stage, but behind every great company is usually one forward thinking man, and in this case, it was Glenn Hammond Curtiss. By the end of World War One, the company had built over 10,000 aircraft. Glenn Curtiss would remain a director until his premature death in 1930\. In 1929, the company merged to become Curtiss-Wright. The lack of research and development invested in the company leading up to the jet age also saw the premature demise of Curtiss-Wright itself. The aircraft Curtiss-Wright created leading up to World War Two were not the best, but the company's business-like approach to aircraft manufacturing meant that it could produce large numbers for a variety of customers, foreign included, at a reasonable price. However, in 1947, its one attempt at breaking into the area of jet aircraft had failed and the aviation side of Curtiss-Wright was sold to North American Aviation. This new book edition of Aeroplane's Curtiss Company Profile 1907-1947 showcases the aircraft of this manufacturer from the start of operations until the end.

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In the latter half of World War Two, the War Cabinet sanctioned the formation of a committee to consider a post-war world of air transport. Appointed to chair the group, which included politicians, engineers, businessmen and aircraft builders, was John Theodore Cuthbert Moore-Brabazon (later Lord Brabazon of Tara). This was an inspired choice, as Brabazon was the first man in Britain to hold a Private Pilot's Licence. He had advocated and promoted aviation in Britain from the earliest days. The Brabazon Committee also had the foresight to embrace an emerging method of propulsion: gas-turbine or jet engine technology. They, rightly, placed piston-engines - which were quite advanced at the time - at the forefront but made a case for the gas-turbine. This enabled Geoffrey de Havilland and Ronald Bishop to begin building a pure-jet airliner to be powered by engines designed by Frank Halford. A very brave move from de Havilland and one that gave Britain the lead over the rest of the world. The de Havilland DH 106 Comet aircraft made history as the first jet airliner to fly and also as the first to off er a scheduled jet passenger service. Even though more than sixty years have elapsed since that first flight, the story of the Comet continues to excite and inspire.

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One of the many ingredients required for creating a great aircraft company is the ability to diversify, and this was just one of the strengths that would keep the Fairey Aviation Company in business from 1915 through to 1960. Like so many other aircraft manufacturers of the day, it found its feet by taking on sub-contract work, and, while this was being carried out, it began to build on its own aircraft portfolio. Fairey did not just sit back and produce aircraft in line with specifications, they designed new features that would be incorporated in all aircraft in the future. The company's greatest, and most surprising, success story came about when the ubiquitous Swordfish, affectionately known as the Stringbag' entered production in 1936. The company's venture into rotary wing aircraft would eventually become its undoing, despite huge technical achievements being achieved in a very short space of time. Soaked up by Westlands in 1960, the legacy of the company's final aircraft, the Rotodyne, still lives on today, and only now, in the 21st Century, is the world really ready for such a fantastic machine. This book explores the fascinating history of the company and the aircraft it produced.

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It seems incredible that a mere 33 years separates the maiden flights of the Barnes Wallis-designed R.100 airship from the beautiful VC10 airliner. It is also remarkable that, in 2013, the latter is still in service, albeit in dwindling numbers, but still representing a company that was formed 102 years ago! Although the VC10 was prefixed with BAC by the time of its entry into service, the aircraft represents the rapid rise of Vickers, which actually embarked on its first aeronautical project in 1908, before establishing an official aviation department in 1911. Vickers produced over 70 different types of aircraft during a 49-year period, not including a host of sub-variants, the Wellington, for example, having 19 alone. Not all were successful, but every one contributed, however small, another nugget of experience, which was either ploughed into the next aircraft or stored away for the future. An ability to think outside the box', was another of Vickers' fortes. A good example of this was not only employing Barnes Wallis, but having such faith in his ideas, which must have seemed quite radical at the time, especially his perseverance and ultimate success with geodetic construction. Wallis had no shortage of critics and many dyed in the wool' employees of Vickers, during the early days, left the company because of his ideas. However, history has shown us that he was right about geodetics, and like Hawker with its Hurricane and Supermarine with its Spitfire, only God knows what the RAF would have done without the Wellington at the beginning of the Second World War. This book gives readers an insight into the aircraft produced by Vickers, as well as a history of the aircraft company itself.

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Founded in 1910 by Alliott Verdon Roe, A.V. Roe and Company Limited built its first military aircraft two years later. By 1914, the company was literally flying when it designed the first of many iconic aircraft in the shape of the Avro 504, which sold in colossal numbers and was the key factor in keeping the company in the aviation industry after the end of the First World War, while many others fell by the wayside. In 1936, Avro became part of the new Hawker Siddeley group and within two years was operating a new factory at Chadderton, where, together with Newton Heath, all focus was on building the Anson, Blenheim and later the Manchester. Following production of just 200 Manchesters, attention turned to one of the greatest bombers of the Second World War, the Lancaster, of which over 7,300 were built. This caused further expansion at Avro's main Woodford base, part use of Ringway and a shadow' factory at Yeadon under Avro control throughout the war years. Although an obvious contraction of orders took place during the post-war years, Avro was, thanks to its earlier successes, a big player in the British aviation industry and would continue to produce an iconic range of military aircraft. The last hurrah was the delightful 748 which just scrapes into this publication as the final example of an aircraft solely designed by Avro, while some still remain in service today. Of the company's big three, examples of the 504, Lancaster and Vulcan also remain airworthy as testimony to what they achieved, the men who flew them and the great aircraft manufacturer that designed and built them. Many more are extent in museums across the world. This company profile is one of several that will have to be divided into two parts, one military and one civilian, although there will be some crossover, as many types served in both capacities. Avro deserves two entries in the series, and this book gives a good grounding to the huge and diverse range of aircraft that this once proud manufacturer produced.

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It may be hard to imagine in 2012, but Great Britain was once filled with a plethora of aircraft manufacturers. One hundred years ago, the seeds of many of them were being sown, as the demand for aircraft gained pace following the outbreak of the First World War. Not all survived following the armistice and the subject of this book, Supermarine, only kept going by the skin of its teeth and certainly did not settle into a profitable aircraft manufacturing business until the mid to late 1920s. However, with the genius mind of Reginald Joseph Mitchell on board, the company could do no wrong and without doubt, the company's most famous and well-known product was the Spitfire. The colossal orders received for the fighter set the company on a steady post-war course which, once again, was a period that saw other companies fall by the wayside. Following Mitchell's demise, we must not forget the man who carried the baton, Joe Smith, who developed the Spitfire and Seafire into a machine that remained in production for ten years, ultimately ending its service career in Korea. Smith did not just ride on that back of Mitchell's designs and was responsible for the Spiteful, Seafang and the Attacker to name but a few. This book gives readers an insight into the aircraft produced by Supermarine, and those that did not quite make it, as well as a history of the aircraft company itself.

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At the time of the One-Eleven's first flight, BAC seemed to have stolen a march on its American rivals. It was comfortably ahead of the similarly configured DC-9, and the Boeing 737 was barely a gleam in Boeing's eye at the time. So why was it that Douglas went on to sell over 1,000 DC-9s (to say nothing of the developed MD-80 and Boeing 717) while BAC shifted only 244 One-Elevens? The answer to that question is just one part of the fascinating tale of the One-Eleven. Also told in these pages is the full story of its concept and design against the troubled background of the industry's consolidation and of its entry into service. So sturdy was the One-Eleven's construction that its service life continued into the 21st century. At least two examples remain airworthy and leading active lives. The One-Eleven was undoubtedly a great British achievement, yet anybody studying the aircraft's history is left with the feeling that it represents an opportunity lost; this book explores why.

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Successful aircraft manufacturer de Havilland began design development of the Vampire in 1941, to assess the feasibility of jet propulsion as a means of powering fighter aircraft. Rolling off the production line too late to see action in World War Two, this jet fighter was a popular aircraft in operational squadrons. Easy to fly, maintain and build, unprecedented numbers of orders followed. The Vampire quickly found its niche as a ground-attack aircraft and remained at the forefront of RAF service until the early 1950s when it assumed an advanced training role. Alongside its development, the Sea Vampire, Venom and Sea Venom adopted specific roles for the armed services, the latter two achieving a new company designation. Many were still in service decades after they were manufactured. This new book edition of Aeroplane Icons: Vampire charts the development of de Havilland's Vampire through the design and development stages of its lifespan.

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While many airliners from the Second World War have either disappeared completely or only survived as remnants in a museum, approximately 55 Constellations out of the 856 built still survive today, and two of them, both C-121s, are airworthy. A real head turner, the Connie' raised the bar in both performance, economy and passenger comfort and can arguably be described as one of the most beautiful airliners ever built. The Lockheed Constellation was an aircraft that broke the mould when it came to early airliner design. The standard approach of a straight, tubular fuselage and a conventional tail and wing arrangement is still the tried and tested configuration of all airliners to this day. The US military's enthusiasm also helped to advance the development of the Constellation which, in turn, benefitted civilian airlines with the arrival of the Super Constellation and the definitive variant, the Starliner, which sadly came too late to make a huge impression as, from the mid-1950s onwards, the trend swung rapidly towards jet power. With the arrival of the jet, Constellations were replaced by the major operators although a number remained in passenger service into the late 1960s, and the last passenger-carrying flight did not take place until 1978 in the Dominican Republic. Delve into the story of this beautiful aircraft with this fully illustrated history.

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Finding Out, Fourth Edition introduces readers to lesbian-gay-bisexual-transgender-queer (LGBTQ) studies. By combining accessible introductory and explanatory material with primary texts and artifacts, this text/reader explores the development and growth of LGBTQ identities and the interdisciplinary nature of sexuality studies. Now available in a digital ebook format, the fourth edition has been thoroughly updated to include a new chapter on "Trans Lives and Theories", and new readings. Chapters include more discussions of important and current issues in LGBTQ studies such as the emergence of non-binary identities, and issues of race and class, making Finding Out, Fourth Edition an even more comprehensive introduction to the field.

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A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art’s collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of “perceptual drift”: a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson’s Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher’s Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh’s Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.Distributed for the Cleveland Museum of Art

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Designed to meet the requirements for students at GCSE and A level, this accessible educational edition offers the complete text of The History Boys with a comprehensive study guide. Highlights of Andrew Bruff's guide include:- detailed analyses of character, theme and structure;- a clear introduction to the context of the play and its author;- key quotations and activities both for the student working alone and in the classroom.An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's award-winning and hugely popular play, staffroom rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it, about education and its purpose.

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