Search results for ""Author Juliet Winters Carpenter""

Tokyo may be the capital of Japan, but Kyoto is its heart and soul. The rich textures of twelve centuries of culture seem to have woven themselves into the very air. How else could you explain the centuries-old feel of the Gion quarter, where geisha still ply their trade? Or the quiet dignity of the cobblestone back streets lined with traditional wooden houses? Seeing Kyoto captures all the elegance and charm of Japan's most beloved city with dozens of stunning images. One can imagine the days when aristocrats and samurai inhabited these neighborhoods. With

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From Shion Miura, the award-winning author of The Great Passage, comes a rapturous novel where the contemporary and the traditional meet amid the splendor of Japan’s mountain way of life. Yuki Hirano is just out of high school when his parents enroll him, against his will, in a forestry training program in the remote mountain village of Kamusari. No phone, no internet, no shopping. Just a small, inviting community where the most common expression is “take it easy.” At first, Yuki is exhausted, fumbles with the tools, asks silly questions, and feels like an outcast. Kamusari is the last place a city boy from Yokohama wants to spend a year of his life. But as resistant as he might be, the scent of the cedars and the staggering beauty of the region have a pull. Yuki learns to fell trees and plant saplings. He begins to embrace local festivals, he’s mesmerized by legends of the mountain, and he might be falling in love. In learning to respect the forest on Mt. Kamusari for its majestic qualities and its inexplicable secrets, Yuki starts to appreciate Kamusari’s harmony with nature and its ancient traditions. In this warm and lively coming-of-age story, Miura transports us from the trappings of city life to the trials, mysteries, and delights of a mythical mountain forest.

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Bestselling author Keiichiro Hirano offers a timeless ode to love’s fragility and its resilience in this delicate, award-winning novel. Classical guitarist Satoshi Makino has toured the world and is at the height of his career when he first lays eyes on journalist Yoko Komine. Their bond forms instantly. Upon their first meeting, after Makino’s concert in Tokyo, they begin a conversation that will go on for years, with long spells of silence broken by powerful moments of connection. She’s drawn by Makino’s tender music and his sensitivity, and he is intrigued by Yoko’s refinement and intellect. But neither knows enough about love to see it blooming nor has the confidence to make the first move. Will their connection endure, weaving them back together like instruments in a symphony, or will fate lead them apart? Blending the harmonies of Kazuo Ishiguro’s Nocturnes and the sensuality of Ian McEwan’s Enduring Love, At the End of the Matinee is an enchanting and thought-provoking love story.

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An award-winning story of love, friendship, and the power of human connection. Kohei Araki believes that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years of creating dictionaries, it’s time for him to retire and find his replacement. He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department. Along with an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the words that connect us all.

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'A gorgeously entertaining, provocative book' Chicago TribuneIt is 4am when the ambulance comes to take the man's wife away - although no-one has called it, and there is nothing wrong with her. As he sets out to find her, he finds himself in the corridors of a vast underground hospital, where he encounters sinister medics, freakish sexual experiments and the unmistakable feeling of being watched. Even when he is suddenly appointed as the hospital's chief of security, reporting to a man who thinks he is a horse, he will not give up his search. Secret Rendezvous is a nightmarish satire of bureaucracy, medicine and modern life. 'Reads as if it were the collaborative effort of Hieronymus Bosch, Franz Kafka and Mel Brooks' Chicago Sun Times

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At the age of 30, Kaoru Nonomura left his family, his girlfriend, and his job as a designer in Tokyo to undertake a year of ascetic training at Eiheiji, one of the most rigorous Zen training temples in Japan. This book is Nonomura's recollection of his experiences. After writing Eat Sleep Sit, Kaoru Nonomura returned to his normal life as a designer, but his book has maintained its popularity in Japan, selling more than 100,000 copies since its first printing in 1996. Beautifully written, and offering fascinating insight into this culture.

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When his wife returns to her parents house to have their second child, an unnamed narrator and his son are left to manage by themselves. Instead of absence, what the father and son begin to notice is a strange noise opening up between them, reverberating through their home, their television set, and the books they read at night. The wood outside their home hums with it, too: leaves fall from branches which are already naked, trees wriggle when walked past, and the hills on the horizon rise and fall in a building rhythm.Ono's stories teeter on the edge of something unsayable, exploring repetition and contradiction to sketch compelling, otherworldly characters. The strange sound which hums through the twinned narratives is distilled in Carpenter's translation, which masterfully employs the rhythms and echoes of the English language to convey Ono's sense that something is coughing, laughing, turning under the words on the page.

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Minae Mizumura’s An I-Novel is a semi-autobiographical work that takes place over the course of a single day in the 1980s. Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family’s arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the “I-novel,” a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English—and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.

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From Shion Miura, award-winning author of The Easy Life in Kamusari, comes a spirit-lifting novel about tradition, first love, and ancient lore in a Japanese mountain village. It’s been a year since Yuki Hirano left home—or more precisely, was booted from it—to study forestry in the remote mountain village of Kamusari. Being a woodsman is not the future he imagined, but his name means “courage,” and Yuki hopes to live up to it. He’s adapting to his job and learning constantly. In between, he records local legends—tales pulsing with life, passion, and wondrous gods. Kamusari has other charms as well. One of them is Nao. Yuki’s crush on the only other young single person in the village isn’t a secret. Yet how impressed can she be with someone at least five years younger who makes less money and doesn’t even own a car? More daunting, she’s in love with another man. Finally finding his place among the villagers, a feeling deepened by his crush, Yuki seems headed for a dream life of adventure and camaraderie—and Nao could be the missing piece of that dream.

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'One of Japan's most venerated writers' David MitchellIn this unnerving fable from one of Japan's greatest novelists, a recluse known as 'Mole' retreats to a vast underground bunker, only to find that strange guests, booby traps and a giant toilet may prove even greater obstacles than nuclear disaster.'As is true of Poe and Kafka, Abe creates an unexpected impulsion. One continues reading, on and on' New Yorker'Abe's depiction of the deadly game of survival is hilarious but at the same time leaves us with a chilling sense of apprehension about the brave new world that awaits us' Los Angeles TimesTranslated by Juliet Winters Carpenter

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'One of Japan's most venerated writers' David MitchellIn this unnerving fable from one of Japan's greatest novelists, a recluse known as 'Mole' retreats to a vast underground bunker, only to find that strange guests, booby traps and a giant toilet may prove even greater obstacles than nuclear disaster.'As is true of Poe and Kafka, Abe creates an unexpected impulsion. One continues reading, on and on' New Yorker'Abe's depiction of the deadly game of survival is hilarious but at the same time leaves us with a chilling sense of apprehension about the brave new world that awaits us' Los Angeles Times

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With a deeply-imbedded indebtedness to their father Morimasa Morimoto, a self-made man in post-war Japan, two sisters struggle to uphold a family legacy. Sakiko moves to the fantastically free United States. Fragile and unsure in 1960s San Francisco, she clings to her brazen artist husband for stability. Hiroko, headstrong and irreverent, uses her father's money to move to New York, promising to become a famous artist. Intolerant of weakness in others, she crumbles in the face of her own shortcomings. From catty carpooling moms to manipulative stoners, abortions to adultery, White Elephant is a vivid book from a seasoned artist turned writer. Mako Idemitsu, daughter of Rockefeller-esque petroleum executive Sazo Idemitsu, reconfigures her own family discord to reflect on the binds of being female in this gorgeous English translation. Born and raised in Tokyo, Japan, Mako Idemitsu immigrated to the United States in 1963 where she met and married abstract expressionist painter Sam Francis. Disillusioned with housewife life she picked up an 8mm camera and became a pioneer in experimental video and the feminist art movement of the 1970s. Internationally acclaimed, her work has been featured in major museums worldwide and is included in the MOMA's permanent collection. This is her debut novel. Award-winning translator Juliet Winters Carpenter has rendered the works of Abe Kobo, Fumiko Enchi, and Minae Mizumura. Within the year she will be the first person to have won the prestigious Japan-US Friendship Commission Prize for the Translation of Japanese Literature twice.

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This internationally bestselling book took the world by storm on its publication. Covering the discovery of new love, first heartache and the end of an affair, these poems mix the ancient grace and musicality of the tanka form with a modern insight and wit. With a light, fresh touch and a cool eye, Machi Tawara celebrates the small events in a life fully lived and one that is wonderfully touched by humour and beauty. This book will stay with you through the day, and long after you have finished it.

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Minae Mizumura’s An I-Novel is a semi-autobiographical work that takes place over the course of a single day in the 1980s. Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family’s arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the “I-novel,” a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English—and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.

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Winner of the Kobayashi Hideo Award, The Fall of Language in the Age of English lays bare the struggle to retain the brilliance of one's own language in this period of English-language dominance. Born in Tokyo but raised and educated in the United States, Minae Mizumura acknowledges the value of a universal language in the pursuit of knowledge yet also embraces the different ways of understanding offered by multiple tongues. She warns against losing this precious diversity. Universal languages have always played a pivotal role in advancing human societies, Mizumura shows, but in the globalized world of the Internet, English is fast becoming the sole common language of humanity. The process is unstoppable, and striving for total language equality is delusional-and yet, particular kinds of knowledge can be gained only through writings in specific languages. Mizumura calls these writings "texts" and their ultimate form "literature." Only through literature and, more fundamentally, through the diverse languages that give birth to a variety of literatures, can we nurture and enrich humanity. Incorporating her own experiences as a writer and a lover of language and embedding a parallel history of Japanese, Mizumura offers an intimate look at the phenomena of individual and national expression.

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Winner of the Kobayashi Hideo Award, The Fall of Language in the Age of English lays bare the struggle to retain the brilliance of one's own language in this period of English-language dominance. Born in Tokyo but raised and educated in the United States, Minae Mizumura acknowledges the value of a universal language in the pursuit of knowledge yet also embraces the different ways of understanding offered by multiple tongues. She warns against losing this precious diversity. Universal languages have always played a pivotal role in advancing human societies, Mizumura shows, but in the globalized world of the Internet, English is fast becoming the sole common language of humanity. The process is unstoppable, and striving for total language equality is delusional-and yet, particular kinds of knowledge can be gained only through writings in specific languages. Mizumura calls these writings "texts" and their ultimate form "literature." Only through literature and, more fundamentally, through the diverse languages that give birth to a variety of literatures, can we nurture and enrich humanity. Incorporating her own experiences as a writer and a lover of language and embedding a parallel history of Japanese, Mizumura offers an intimate look at the phenomena of individual and national expression.

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