Search results for ""Author Julia Taylor""

Fifty women. Fifty inspiring stories. Fifty role models for America’s girls!Spies. Venture capitalists. Pilots and Pulitzer Prize winners. Doctors and diplomats. Economists and engineers. Scientists and CEOs. Teachers. Software developers. Video game makers. And so many more! In this amazing book—based on dozens of interviews—fifty of America’s most successful women, some famous, some not, reveal their tips on how they made it. How they blazed their own trail. How they learned along the way. How they dealt with setbacks and defied the naysayers. Written for girls ages nine and up—girls who will soon enter what is a rapidly evolving economy and a rapidly evolving workforce—Girl to Boss! will inspire, entertain, and inform the next generation of leaders and achievers! Featuring interviews with: -Maureen Dowd, Pulitzer Prize–Winning Columnist for the New York Times -Norah O’Donnell, Anchor, CBS Evening News -Ruth Ben-Ghiat, Historian and Professor, NYU -Noël Bakhtian, Director of Tech Acceleration, Bezos Earth Fund -Carmen Medina, Former Deputy Director, CIA -Ileana Ros-Lehtinen, Former US Representative -Eun Sun Kim, Music Director, San Francisco Opera -Jill Hennessy, Actor, Singer, Songwriter -Dr. Seema Yasmin, Epidemiologist, Stanford University -Vernice “FlyGirl” Armour, First Black Female Combat Pilot -Cynthia Germanotta (Lady Gaga’s Mom), President, Born This Way Foundation -Pam Randhawa, CEO, Empiriko Corp. -Kimberly Smith Spacek, Head of Capital Formation, TechStars -Cynthia Marshall, CEO, Dallas Mavericks, NBA -Benita Fitzgerald Mosley, Olympic Gold Medalist -And many more inspiring women!

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Performing New Lives draws together some of the most original and innovative programs in contemporary prison theatre. Leading prison theatre directors and practitioners discuss the prison theatre experience first-hand, and offer valuable insights into its role, function, and implementation. A wide range of prison theatre initiatives are discussed, from long-running, high-profile programs such as Curt Tofteland's "Shakespeare Behind Bars" in LaGrange, Kentucky, to fledgling efforts like Jodi Jinks' "ArtsAloud" project in Austin, Texas. The book offers unique insights into the many dimensions of the prison theatre experience, including: negotiating the rules and restrictions of the prison environment; establishing trust, teaching performance skills and managing crises; building relationships and dealing with conflicts; and negotiating public performances and public perceptions. Excerpts of interviews with inmates, and a conversation between practitioners in the final chapter, reveal the impact that prison theatre programs have on the performers themselves, as well as audience members, and the wider community. Exploring prison theatre processes and theory with insights into how it works in practice, and how to replicate it, this book is essential reading for drama therapists, theatre artists, and prison educators, as well as academics.

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