Search results for ""Author Julia Sanches""

'Shows girlhood as it really was: brutal and tender, intimate and lonely, magical and utterly gross' Anna Beecher'Sensual and dirty, absurdist and tragic. Abreu's talent is thrilling to witness' Irish TimesStuck in a working-class neighbourhood, high up among Tenerife's volcanoes, a ten-year-old girl dreams of hitching a ride to the faraway beach.Instead she hangs out with her best friend, Isora. She likes everything about Isora. From the colour of her arms and her hair and her eyes to the way she writes the letter g with a huge tail. But she envies her too. Envies her grits and gut; her periods and her pubes; the way she is growing up at full tilt without her.As the summer goes on and the heat becomes ever more oppressive, friendship simmers into obsession, desire into intimate violence.'The sentences blast off the pages. Hilarious, devastating and brilliantly attuned to the erotics of friendship' Jamel Brinkley'As sultry as the summer weather. Abreu beautifully evokes an era, in which Pokémon and Bratz dolls give way to sexual discovery' GuardianTranslated by Julia Sanches.

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"[A] firecracker of a debut."—The New York Times"Andrea Abreu’s debut novel about two girls in the summer heat of Tenerife is perfect for these dog days."—Shreya Chattopadhyay, The New York Times Book ReviewMy Brilliant Friend meets Blue is the Warmest Color in this lyrical debut novel set in a working-class neighborhood of the Canary Islands—a story about two girls coming of age in the early aughts and a friendship that simmers into erotic desire over the course of one hot summer. High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island’s posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town. It’s summer, 2005, and our ten-year-old narrator is consumed by thoughts of her best friend Isora. Isora is rude and bossy, but she’s also vivacious and brave; grownups prefer her, and boys do, too. That's why sometimes she gets jealous of Isora, who already has hair on her vagina and soft, round breasts. But she's definitely not jealous that Isora’s mother is dead, nor that Isora's fat, foul-mouthed grandmother has her on a diet, so that she is constantly sticking her fingers down her throat. Besides, she would do anything for Isora: gorge herself on cakes when her friend wants to watch, follow her to the bathroom when she takes a shit, log into chat rooms to swap dirty instant messages with strangers. But increasingly, our narrator finds it hard to keep up with Isora, who seems to be growing up at full tilt without her—and as her submissiveness veers into a painful sexual awakening, desire grows indistinguishable from intimate violence.Braiding prose poetry with bachata lyrics and the gritty humor of Canary dialect, Dogs of Summer is a story of exquisite yearning, a brutal picture of girlhood and a love song written for the vital community it portrays.

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NAMED A "FALL 2020 MUST-READ" AND ONE OF THE "BEST BOOKS OF FALL 2020" BY TIME, VULTURE, THE BOSTON GLOBE, COSMOPOLITAN, WIRED, TOR AND MOREElectrifying and provocative, visceral and profound, a powerful literary debut novel about a young woman whose compulsion to eat earth gives her visions of murdered and missing people—an imaginative synthesis of mystery and magical realism that explores the dark tragedies of ordinary lives.Set in an unnamed slum in contemporary Argentina, Eartheater is the story of a young woman who finds herself drawn to eating the earth—a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother’s death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Eartheater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.Surreal and haunting, spare yet complex, Eartheater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind—the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss.Translated from the Spanish by Julia Sanches

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Shortlisted for the 2022 Queen Sofía Spanish Institute Translation Prize Shortlisted for the Premio Valle-Inclan prize for its translation Through war and its aftermaths, a woman fights to keep her daughters safe. Like peasants through the ages, she desperately slashes and burns in order to make a place for her children to return to. A country girl sees her village sacked and her beloved father disappeared. She is taken to the mountains to join the guerrillas, who force her to give up the baby she conceives. Surviving the rebellion, and now a woman, she sets out to find her daughter, travelling across the Atlantic with meagre resources. She returns to a community in which civilians, the militia and the ex-guerrilla fighters have to live together in a society riddled with distrust, fear and hypocrisy. Hernandez's narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.

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"[A] firecracker of a debut."—The New York Times"Andrea Abreu’s debut novel about two girls in the summer heat of Tenerife is perfect for these dog days."—Shreya Chattopadhyay, The New York Times Book ReviewMy Brilliant Friend meets Blue is the Warmest Color in this lyrical debut novel set in a working-class neighborhood of the Canary Islands—a story about two girls coming of age in the early aughts and a friendship that simmers into erotic desire over the course of one hot summer. High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island’s posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town. It’s summer, 2005, and our ten-year-old narrator is consumed by thoughts of her best friend Isora. Isora is rude and bossy, but she’s also vivacious and brave; grownups prefer her, and boys do, too. That's why sometimes she gets jealous of Isora, who already has hair on her vagina and soft, round breasts. But she's definitely not jealous that Isora’s mother is dead, nor that Isora's fat, foul-mouthed grandmother has her on a diet, so that she is constantly sticking her fingers down her throat. Besides, she would do anything for Isora: gorge herself on cakes when her friend wants to watch, follow her to the bathroom when she takes a shit, log into chat rooms to swap dirty instant messages with strangers. But increasingly, our narrator finds it hard to keep up with Isora, who seems to be growing up at full tilt without her—and as her submissiveness veers into a painful sexual awakening, desire grows indistinguishable from intimate violence.Braiding prose poetry with bachata lyrics and the gritty humor of Canary dialect, Dogs of Summer is a story of exquisite yearning, a brutal picture of girlhood and a love song written for the vital community it portrays.

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THE BESTSELLING LITERARY SENSATION FROM BRAZIL'A blaze of heat, love and risk that will leave you reeling.' DBC Pierre'An extraordinary writer.' Misha GlennyLONGLISTED FOR THE EDINBURGH FESTIVAL FIRST BOOK AWARDA FINANCIAL TIMES AND SPECTATOR BOOK OF THE YEARCapturing the texture of life growing up in the favelas of Rio de Janeiro, the stories in The Sun on My Head tell us of days lived under incredible heat - and under the shadow of a ubiquitous drug culture, the constant threat of the police, and the confines of poverty, violence and racism. They are also hauntingly beautiful portrayals of friendship, romance and momentary release from the oppressions of everyday life. The Sun on My Head is a debut work of great talent and sensitivity, a daring evocation of life in the favelas by a rising star rooted in the very community he portrays.

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Permafrost's no-bullshit lesbian narrator is an uninhibited lover and a wickedly funny observer of modern life. Desperate to get out of Barcelona, she goes to Brussels, 'because a city whose symbol is a little boy pissing was a city I knew I would like'; as an au pair in Scotland, she develops a hatred of the colour green. And everywhere she goes, she tries to break out of the roles set for her by family and society, chasing escape wherever it can be found: love affairs, travel, thoughts of suicide. Full of powerful, physical imagery, this prize-winning debut novel by acclaimed Catalan poet Eva Baltasar was a word-of-mouth hit in its own language. It is a breathtakingly forthright call for women's freedom to embrace both pleasure and solitude, and speaks boldly of the body, of sex, and of the self.

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"[A] vibrant and punchy novel . . . Through Falero’s lovable characters, readers will meditate on violence and respectability within the death-trap of runaway capitalism. Head-on against the grim indignities of an unequal world, Falero’s poetic novel embraces humor and empathy." —Kirkus Reviews (starred review)A modern picaresque novel and vivid satire on social mobility where the lives of two Brazilian supermarket stock clerks are upturned after their small-time marijuana business takes off.In the favelas of Porto Alegre, Brazil, marijuana is hard to come by. Supermarket stock clerks Pedro and Marques spend their days unloading trucks, restocking shelves, and dreaming of a better life, of breaking the cycle of poverty that has afflicted their families and their community. Well-acquainted with the drug dealers in their neighborhood and seeing an opportunity to earn a little extra cash, they decide to start a weed-dealing operation. The economic hierarchies of Porto Alegre are turned upside down as, almost accidentally, the two men build a thriving enterprise and get rich, quickly. Distribution grows from dime bags to kilos, and Pedro and Marques begin to plan for a future where low-wage work will never again be a necessity for them and their families. All too soon however, their operation starts attracting outsider attention, and cracks in their carefully crafted and seemingly untouchable world begin to show, culminating in one final, lethal showdown. A witty, voice-driven, and electrifying portrait of poverty and a canny examination of the ethics of drug dealing and low-wage labor in the underbelly of Brazil, Pedro and Marques Take Stock is a contemporary picaresque novel of class and crime.

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NAMED A "FALL 2020 MUST-READ" AND ONE OF THE "BEST BOOKS OF FALL 2020" BY TIME, VULTURE, THE BOSTON GLOBE, COSMOPOLITAN, WIRED, TOR AND MOREElectrifying and provocative, visceral and profound, a powerful literary debut novel about a young woman whose compulsion to eat earth gives her visions of murdered and missing people—an imaginative synthesis of mystery and magical realism that explores the dark tragedies of ordinary lives.Set in an unnamed slum in contemporary Argentina, Eartheater is the story of a young woman who finds herself drawn to eating the earth—a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother’s death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Eartheater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.Surreal and haunting, spare yet complex, Eartheater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind—the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss.Translated from the Spanish by Julia Sanches

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From Venezuelan reporter Paula Ramón comes a powerful memoir about one woman’s complicated relationship with her family as her beloved homeland collapses into ruin. In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate. Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo—until, one by one, they each made the unbearable choice to leave the home they love. In the end, it was Ramón’s mother, a widow, who stayed behind, loyal to the only home she’d ever known. In this heartbreaking mix of lived experience, family chronicle, and journalistic essay, Paula Ramón explores the anguish of her own relationships set against the staggering collapse of a country. Motherland is a uniquely human account about the ties that bind—and the fragile concept of home.

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From Venezuelan reporter Paula Ramón comes a powerful memoir about one woman’s complicated relationship with her family as her beloved homeland collapses into ruin. In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate. Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo—until, one by one, they each made the unbearable choice to leave the home they love. In the end, it was Ramón’s mother, a widow, who stayed behind, loyal to the only home she’d ever known. In this heartbreaking mix of lived experience, family chronicle, and journalistic essay, Paula Ramón explores the anguish of her own relationships set against the staggering collapse of a country. Motherland is a uniquely human account about the ties that bind—and the fragile concept of home.

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"This is much more than a survival story. It is the story of how the scars of a woman can be and are passed through generations. It is about being a woman, a mother, and a daughter."--Gabriela Almeida, Continente "An infinite work."--O Estadao de Sao Paulo A groundbreaking use of storytelling to bear witness to the Holocaust features three generations of women's own voices--Lili's diary written upon liberation from Auschwitz; daughter Noemi Jaffe exploring the power of memory, survival, and bearing witness; and granddaughter Leda, Noemi's daughter, on the significance of the Holocaust and Jewish identity seventy years after the war.

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