Search results for ""Author Joseph Leo Koerner""
Reaktion Books Caspar David Friedrich and the Subject of Landscape
Caspar David Friedrich (1774 1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe's first truly modern artist. His melancholy landscapes, often peopled by lonely wanderers, represent experiments towards a radically subjective art, one in which, as Friedrich wrote, the painter depicts not what he sees before him, but what he sees within him. Yet in their awesome power to capture the individuality of visible forms Friedrich's pictures also accept and express the irredeemable otherness of Nature. Winner of the 1992 Mitchell Prize for the History of Art, this compelling and highly original book is now made available in a compact pocket format. Beautifully illustrated, "Caspar David Friedrich and the Subject of Landscape" is the most comprehensive account ever published in English on this most fascinating of nineteenth-century masters.
£25.00
Princeton University Press Bosch and Bruegel: From Enemy Painting to Everyday Life
In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.
£52.20
The University of Chicago Press The Moment of Self-Portraiture in German Renaissance Art
In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany. "[A] dazzling book...He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." --Anthony Grafton, New Republic "Rich and splendid...Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self- Portrait it holds up a mirror to the modern fable of identity." -- Bruce Boucher, The Times "Remarkable and densely argued." --Marcia Pointon, British Journal of Aesthetics "Herculean and brilliant...Will echo in fields beyond the Sixteenth-Century and Art History." --Larry Silver, Sixteenth Century Journal "May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point...Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." --Willibald Sauerlander, New York Review of Books
£52.00
John Wiley and Sons Ltd Art and Religious Reform in Early Modern Europe
The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond. Eight essays by leading scholars in the field Brings art historians and historians into productive dialogue Broad chronology, from the sixteenth to the eighteenth century Broad geographical coverage Richly illustrated
£24.00
Yale University Press Artists in Exile: Expressions of Loss and Hope
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile—forced or voluntary—as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book’s four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones—like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters—but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (09/01/17–12/31/17)
£35.00
Royal Academy of Arts Lucian Freud: The Self-portraits
In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable... really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Essays by leading authorities - including those who knew him well - explore Freud's life and work, and analyse the importance of self-portraiture in his practice and the intensity that he maintained when studying his own.
£31.50
