Search results for ""Author John Poch""

Poetry is exciting, but elusive to most. This is troublesome for Christians because the Bible, John Poch reminds us, is largely composed of poetical verse. In God’s Poems, Poch re-introduces sacred text as purposefully poetic, and explains what that means and invites the reader to with this insight live more thoughtfully and beautifully. But that is not all. Poch as a well-established and regarded poet, turns his eye to contemporary poetry and vindicates its function in a “created and creative world.” Today many have abandoned the genre as a wasteland of misguided voice that really has nothing to say. The poet is a truth-teller, and Poch as devoted writer, teacher, and believer sends out a renewed call to turn to verse as a means of seeing oneself as God’s poeima, or poem (Letter to Ephesians). The depth of self-knowing relates directly to an aptitude to engage the category of poetry at some level. A tragic void is filled with Poch’s effort to exhort the reader to patiently reconnect with poetry even though it has been hijacked by persons who want to be heard more than speak well. (This book is essential, therefore, for aspiring poets.) For faithful readers or those seeking to return, Poch is a place to begin to understand contemporary writers worth knowing and which poets of the past must remain with us. In Virgilian fashion, he can see the panorama behind him and that which lies immediately ahead and instills a recovered love of an eternal medium that will be restored to a state of coherency and enlightened perspective. If Poch has faith in poetry it is because poetry is indeed a source of faith. If Justin Martyr claimed that everything that is true belongs to Christians, Poch shows us that everyone who speaks truth is to some degree a poet. Even God with his revealed wisdom chooses poetry as medium par excellence. It is essential to know how poetry works. “Great poems that we consider literature give us what we never expected. They go beyond the usefulness of conveying a feeling and unveiling beauty; and they tell us who we are.”

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John Poch’s fourth collection of poems, Fix Quiet, is an ambitious exploration in verse of failure, death, and a redemptive beauty found in the surprise of order. From the opening poem, “Shrike,” which is itself a meditation on poetry as paradoxically both predator and prey, to the final love poem, a crown of sonnets, these poems unite the form and function of line, rhyme, syntax, rhetorical wit, and larger architectures, to capture moments in time and name them. Poems that move from the rivers of northern New Mexico to travel across Italy are concerned with how the limitations of time and place wound and disappoint but also how they expand our vision and take us deeper into experience. A river can’t be apprehended easily, but here by faith the poet takes the measure of the headwaters to the sea, of our greatest moving mysteries of love and death.

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