Search results for ""Author John Munns""

An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to the cross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church.

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An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church. John Munns is a Fellow of MagdaleneCollege, Cambridge.

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A richly informed volume that deserves the attention of all scholars interested in this remarkable figure. - SEHEPUNKTE First modern study devoted to one of the twelfth-century's most enigmatic, influential and fascinating figures. Henry of Blois (d. 1171) was a towering figure in twelfth-century England. Grandson of William the Conqueror and brother to King Stephen, he played a central role in shaping the course of the civil war that characterized his brother's reign. Bishop of Winchester and abbot of Glastonbury for more than four decades, Henry was one of the richest men in the kingdom, and effectively governed the English Church for a time as Papal Legate. Raised and tonsured at Cluny, he was an intimate friend of Peter the Venerable and later saved the great abbey from financial ruin. Towards the end of his life he presided, albeit reluctantly, over the trial of Thomas Becket. Henry was a remarkable man: an administrator of exceptional talent, a formidable ecclesiastical statesman, a bold and eloquent diplomat, and twelfth-century England's most prolific patron of the arts. In the first major book-length study of Henry to be published since 1932, nine scholars explore new perspectives on the most crucial aspects of his life and legacy. By bringing ecclesiastical and documentary historians together with archaeologists and historians of art, architecture, literature and ideas, this interdisciplinary collection will serve as a catalyst for renewed study of this fascinating man and the world in which he operated.

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First modern study devoted to one of the twelfth-century's most enigmatic, influential and fascinating figures. Henry of Blois (d. 1171) was a towering figure in twelfth-century England. Grandson of William the Conqueror and brother to King Stephen, he played a central role in shaping the course of the civil war that characterized his brother's reign. Bishop of Winchester and abbot of Glastonbury for more than four decades, Henry was one of the richest men in the kingdom, and effectively governed the English Church for a time as Papal Legate. Raised and tonsured at Cluny, he was an intimate friend of Peter the Venerable and later saved the great abbey from financial ruin. Towards the end of his life he presided, albeit reluctantly, over the trial of Thomas Becket. Henry was a remarkable man: an administrator of exceptional talent, a formidable ecclesiastical statesman, a bold and eloquent diplomat, and twelfth-century England's most prolific patron of the arts. In the first major book-length study of Henry to be published since 1932, nine scholars explore new perspectives on the most crucial aspects of his life and legacy. By bringing ecclesiastical and documentary historians together with archaeologists and historians of art, architecture, literature and ideas, this interdisciplinary collection will serve as a catalyst for renewed study of this fascinating man and the world in which he operated.

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