Search results for ""Author John Hearne""

Mark Lattimer is chopped by a stranger in the heat of a riot. He has been attacked because he looks white and middle class, though he is a politically committed lawyer working for the poor and the nationalist movement in Jamaica. Now he is trapped, brought to bleed his life away in a small, airless room, cut off from doctors, ambulances, police. As he dies, he talks to his companions, his black lover and a fellow party worker, and drifts into memories of his past: his privileged childhood, his time in London and the RAF, his affairs and marriage and the moment when he gives his allegiance to the poor. But now what meaning can be given to his life and death? First published fifty years ago, "Voices Under the Window" is reissued in association with the Calabash International Literary Festival Trust as a work that, in the words of Colin Channer, is a 'Molotov cocktail that ignites important questions of race and power ...questions still burning in Kingston today.' In his insightful introduction, Kwame Dawes finds in "Voices", a novel that is wholly contemporary in its treatment of the personal and the political, that lives because it is a 'deftly crafted work full of a sense of place and time, a work of psychological intensity and literary elegance.'

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Set in a colonial Caribbean country in the post-war years, Stranger at the Gate has the narrative drive of a Hemingway novel, the ominous sense of fate of classical Greek tragedy, a sensuous appreciation of a landscape, domestic interiors and food that draws on Hearne’s own Jamaica, and an acute, if indulgent, portrayal of the white and light-brown landed and commercial elite. Stranger at the Gate was originally published in 1956 by Faber and Faber, and is part of the Peepal Tree Caribbean Modern Classics series.The stranger is a revolutionary leader escaping from certain death in a Francophone Caribbean state that has suffered a counter-coup aided by the big state to the north. As a leading member of a small communist party in the imagined state of Cuyuna, Roy McKenzie, has the dangerous task of hiding the escaped Etienne and then getting him off the island to be picked up by a passing Polish ship. McKenzie, a lawyer, a light brown man of elite background, radicalised by his wartime experiences, has to acknowledge that his party’s roots among the black working class are very shallow, and that his only hope of helping Etienne is to turn to his friends among the very elite he is supposedly committed to destroy. When he involves his oldest friend, Carl Brandt, and the woman who becomes his lover, in his mission, he sets in train a sequence of events that test the boundaries of the personal and the political in the deepest and most tragic ways.Set in a colonial Caribbean country in the post-war years, Stranger at the Gate has the narrative drive of a Hemingway novel, the ominous sense of fate of classical Greek tragedy, a sensuous appreciation of a landscape, domestic interiors and food that draws on Hearne’s own Jamaica, and an acute, if indulgent, portrayal of the white and light-brown landed and commercial elite.When Hearne’s novel was first published it was heavily criticised by Caribbean radicals for its evasive politics. Reading Stranger at the Gate over 60 years later, those reservations must still apply, but the passing of time allows us to see what a fine handler of character, structurer of narrative and fine writer of prose John Hearne was; and his portrayal of the Caribbean upper-class – at least in its own self-perceptions – is unrivalled, and still pertinent, since this is a class that has scarcely gone away.The cover of Stranger at the Gate features Ralph Campbell's, Gully (oil on canvas, 1951). Courtesy of the University of the West Indies Library, Mona, Jamaica.

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A fast-paced extra-terrestrial adventure: Martin Ryan discovers that his parents are aliens. When they disappear, he and his friends must find them and prevent the destruction of the human race.

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Indigo McCloud’s sister Peaches is every adult's favourite child: pretty, golden-haired, polite and charming. But the children of Blunt know better: Peaches and her sisters are a gang of bullies who will stop at nothing to get their way. This is the story of Indigo’s battle to stop his sisters. Leaping across the rooftops of Blunt, he tries to keep one step ahead of their wicked schemes –but he has to tangle with 437 hungry geese, an avalanche of toilets, curry farts, bungling policemen, vicious eels, a pig in a witch's hat, a three legged spider with a toilet brush and a dangerous villain in odd socks …

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