Search results for ""Author John Greening""

Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another. Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry. Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns. Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers. JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

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Formed of sixty fifteen-line stanzas, this haunting and consistently entertaining collection can be read like a journal, tracking lines of thought through time and space, painting detailed, witty and moving pictures of a countryside and life that lie unchanged, even through periods of great upheaval political, ecological and cultural.

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Growing up on the Isle of Lewis, Iain Crichton Smith spoke only Gaelic until he was five. But at school in Bayble and then Stornoway, everything had to be in English. Like many islanders before and since, his culture is divided: two languages, two histories entailing exile, a central theme of his poetry. His divided perspective sharply delineates the tyranny of history and religion, of the cramped life of small communities; it gives him a tender eye for the struggle of women and men in a world defined by denials. Deer on the High Hills: Selected Poems includes forty years' work and proves that big themes - love, history, power, submission, death - can be addressed without the foil of irony and acquire resonance when given a local habitation and a voice that risks pure, impassioned speech. Editor John Greening provides indexes, a preface and an essay on the life and work of this important poet.

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The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.

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Poets have grappled with the vexed question of what constitutes Englishness since time immemorial, and the poetry of the past century has seen perhaps some of the biggest evolutions in national identity. Contraflow takes a completely new approach to the subject of Englishness, and in this stimulating and entertaining anthology two poetic currents flow against each other, so that different decades merge, well-known stanzas brushing shoulders with more neglected verse. What emerges is an extraordinary mosaic of poetic responses to English history, culture and landscape - satirical, visionary, lyrical, comic, political, meditative - yet one which offers a recognisable picture of a land both united and divided through a hundred years. A Guardian and Sunday Times poetry book of the year.

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JOHANN WOLFGANG VON GOETHE was a monumental European presence - dramatist, impresario, novelist, essayist, scientist, administrator and extraordinarily prolific poet. This selection from his early and middle years includes the 'The Sorcerer's Apprentice' (the title of which became famous a hundred years later through Dukas' well-known orchestral piece) and also highlights the dramatic element in Goethe's poetry (a speech from Faust and a monologue from an unfinished play about Prometheus). Several poems set to music by Brahms and Schubert are also featured. John Greening's ingenious translations offer refreshing new angles for those who are already familiar with Goethe's poetry and are an excellent introduction for those coming to it for the first time.

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