Search results for ""Author John Barber""

ATRAPADO SIN EL DELOREAN MÁQUINA DEL TIEMPO EN 1972! Marty ha viajado al pasado para descubrir por qué su tío Joey acabó en prisión, pero ahora está atrapado en 1972! Su DeLorean ha desaparecido, y por si eso no fuera suficiente desgracia, Biff le obliga a convertirse en ladrón junto a Joey. La víctima: la madre de Doc! Continúa esta nueva aventura guionizada por Bob Gale (uno de los creadores de la trilogía original) y John Barber, con dibujo de Marcelo Ferreira.

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All civil engineers and construction professionals concerned with the construction process have both professional and legal duties to take care, not only of their own health and safety at work, but the health and safety of others who might be put at risk. Health and Safety in Construction offers clear guidance on the responsibilities of construction professionals for health and safety in construction. Construction professionals need to work together to ensure consistently high standards and this essential guide will help achieve a measured and effective response to this challenge. Health and Safety in Construction is an invaluable resource for the client, designer and contractor working together on construction projects.

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Take the guesswork out of color mixing!With just 25 common paint colors, you can make 2,400 different hues, and they are all illustrated in this comprehensive guide. That’s 2,400 hues for each medium—oils, acrylics, and watercolors—with each hue visually represented for your easy reference. Better yet, each color mix uses only two paint colors, so matching results are easy to obtain and your colors remain vibrant and true, not muddied by too many pigments as you often get from mixes with many paint colors.Pro mixing tips for each type of paint are included to help you achieve winning results. This simple-to-master color mixing system will help you find and mix just the right color, every time!

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The 2nd of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. Behind every great Iron Man stands a dedicated group of artists - and now, their secrets are revealed. In The Art of Iron Man 2, you'll find everything from preliminary sketches to fully rendered 3-D images; storyboards to intricate set designs; and all the heroes, villains and technology you've ever imagined! All of Iron Man's new armors, all of Whiplash's weapons, Tony Stark's lab and more are profiled with art and commentary from creators (including comic book fan-favorite Adi Granov). Plus: an unbelievable fold-out section, and the never-before-seen artwork of the movie's thrilling climax.

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This book recounts one of the greatest tragedies of the twentieth century: the siege of Leningrad. It is based on the searing testimony of eyewitnesses, some of whom managed to survive, while others were to die in streets devastated by bombing, in icy houses, or the endless bread queues. All of them, nevertheless, wanted to pass on to us the story of the torments they endured, their stoicism, compassion and humanity, and of how people reached out to each other in the nightmare of the siege. Though the siege continues to loom large in collective memory, an overemphasis on the heroic endurance of the victims has tended to distort our understanding of events. In this book, which focuses on the "Time of Death", the harsh winter of 1941-42, Sergey Yarov adopts a new approach, demonstrating that if we are to truly appreciate the nature of this suffering, we must face the full realities of people's actions and behaviour. Many of the documents published here – letters, diaries, memoirs and interviews not previously available to researchers or retrieved from family archives – show unexpected aspects of what it was like to live in the besieged city. Leningrad changed, and so did the morals, customs and habits of Leningraders. People wanted at all costs to survive. Their notes about the siege reflect a drama which cost a million people their lives. There is no spurious cheeriness and optimism in them, and much that we might like to pass over. But we must not. We have a duty to know the whole, bitter truth about the siege, the price that had to be paid in order to stay human in a time of brutal inhumanity.

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