Search results for ""Author Joan Dejean""

The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented - that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliere, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'ecole des femmes made him the first modern writer to have his sex life disected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.

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Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French tradition, where the Sapphic presence is especially pervasive. Tracing re-creations of Sappho through translation and fiction from the mid-sixteenth century to the period just prior to World War II, DeJean shows how these renderings reflect the fantasies and anxieties of each writer as well as the mentalité of his or her day.

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As the end of the 20th century approaches, many predict that it will mirror the 19th-century decline into decadence. The author of this text finds a closer analogy with the culture wars of France in the 1690s - the time of a battle of the books known as the Quarrel between the Ancients and Moderns. The book reassesses current culture wars from perspective of that earlier fin de siecle, and re-reads the 17th century Quarrel from the vantage of 20th-century warring "ancients" and "moderns". In so doing, DeJean shows that a fin de siecle taking place in the shadow of culture wars can be more a source of constructive cultural revolution than of apocalyptic gloom and doom. Just as the first fin de siecle's battle of the books served as the spark which set off the Enlightenment, introducing radically new sexual and social politics which laid the groundwork for modernity, so current culture wars can result in radical, liberating changes, if we take an active stand against our own "ancients" who seek to stifle such reforms.

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As the end of the 20th century approaches, many predict that it will mirror the 19th-century decline into decadence. The author of this text finds a closer analogy with the culture wars of France in the 1690s - the time of a battle of the books known as the Quarrel between the Ancients and Moderns. The book reassesses current culture wars from the perspective of that earlier fin de siecle, and re-reads the 17th century Quarrel from the vantage of 20th-century warring "ancients" and "moderns". In so doing, DeJean shows that a fin de siecle taking place in the shadow of culture wars can be more a source of constructive cultural revolution than of apocalyptic gloom and doom. Just as the first fin de siecle's battle of the books served as the spark which set off the Enlightenment, introducing radically new sexual and social politics which laid the groundwork for modernity, so current culture wars can result in radical, liberating changes, if we take an active stand against our own "ancients" who seek to stifle such reforms.

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In 17th-century France, aristocratic women were valued by their families as commodities to be married off in exchange for money, social advantage or military alliance. Once married, they became legally subservient to their husbands. The duchesse de Montpensier - a first cousin of Louis XIV - was one of very few exceptions, thanks to the vast wealth she inherited from her mother, who died shortly after Montpensier was born. In the daring letters presented in this bilingual edition, Montpensier condemns the alliance system of marriage, proposing instead to found a republic that she would govern, "a corner of the world in which ...women are their own mistresses", and where marriage and even courtship would be outlawed. Her pastoral utopia would provide medical care and vocational training for the poor, and all the homes would have libraries and studies, so that each woman would have "a rooom of her own" in which to write books. Joan DeJean's lively introduction and accessible translation of Montpensier's letters - four previously unpublished - allow us unprecedented access to the courageous voice of this extraordinary woman.

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