Search results for ""Author JoAnn McGregor""

This is the story of 150 years of conflict and contested claims over control and access to the waters and banks of the River Zambezi, one of Africa's longest and most important rivers. This book is a history of claims to the Zambezi, focussed on the stretch of the river extending from the Victoria Falls downstream into Lake Kariba, which today constitutes the border between Zambia and Zimbabwe. It is a story of150 years of conflict over the changing landscape of the river, in which the tension between the Zambezi's 'river people' and more powerful others has been central. The Zambezi is one of Africa's longest and most important rivers - securing access to its waters and control over its banks, traffic and commerce were crucial political priorities for leaders of precolonial states no less than their colonial and postcolonial successors. The book is about the ways in which the course of the Zambezi has shaped history, its shifting role as link, barrier or conduit, the political, economic and cultural uses of the technological projects that have transformed the landscape, and their legacies in the conflicts of today. By investigating how the claims made today by Zambezi 'river people' relate to longer history of claims and appropriations, the book contributes to long-standing debates over the relationship between geography and history, landscape and power. JOANN MCGREGOR is a Lecturer in Geography at University College London

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Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fashion studies, and global cultural history.The editors of this volume seek to answer questions such as: How can researchers use museum collections to reveal traces of past self-fashioning that are obscured by racialized forms of knowledge and institutional practice? How can archival, visual, oral, ethnographic, and online sources be deployed to capture the diversity of African sartorial pasts? How can scholars and curators decolonize the Eurocentric frames of thinking encapsulated in historic collections and current curricula? Can new collections of African fashion decolonize museum practice?From Moroccan fashion bloggers to upmarket Lagos designers, the voices in this ground-breaking collection reveal fascinating histories and geographies of circulation within and beyond the continent and its diasporic communities.

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