Search results for ""Author Jessica Morgan""

This volume accompanies the exhibition of the same name at Tate Modern, Autumn 2003. Five artists explore the implications of the words "common" and "wealth" which appear to suggest two opposed conditions: the shared or communal versus the private and restricted.

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Published to accompany a groundbreaking exhibition of film and video works at Tate Modern, Time Zones explores questions around the nature of time itself and the way it is perceived in modern culture.

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“Norment’s ringing and vibrating sound system lets us experience a fragile interdependence of bodies and environments.” –New York Times Throughout her career, Oslo-based multimedia artist Camille Norment (born 1970) has probed and explored what she has termed “cultural psychoacoustics,” in particular the socio-cultural valences of three tones: the bell, feedback and the sine wave. Camille Norment: Plexus, the first US publication on the artist, unpacks those sonic phenomena, which together resonate with discrete yet overlapping ideas of time, spirituality and the drone (bell); the decentralization of power, political struggles and cybernetics (feedback); and purity and transcendence (sine wave). With an innovative all-vellum design, the book translates Norment’s sonic sensibility into print-specific terms. In addition to a conversation between curator Kelly Kivland and the artist herself, the volume features contributions from curators and scholars Legacy Russell, Nida Ghouse and David Toop, as well as fragmented texts from a conversation between Fred Moten and Norment.

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A 15th-anniversary edition of Jonas’ landmark monograph documenting her performance response to Aby Warburg Reissued for the 15th anniversary of this volume and during Joan Jonas’ (born 1936) first major US museum show in 15 years, this catalog documents the deep, immersive performance The Shape, the Scent, the Feel of Things, originally commissioned by Dia Art Foundation and responding to German art historian Aby Warburg's essay on his visit to the American Southwest. The book includes a statement from the artist, scene-by-scene descriptions with photos, a conversation between Joan Jonas and Jason Moran (who composed music for the performance) and an essay by Lynne Cooke, a senior curator at the National Gallery of Art, Washington, DC, and former curator at Dia. With a new reflection from the artist looking back on this groundbreaking performance, the anniversary edition is a tangible manifestation of the ongoing significance of Jonas' work.

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A comprehensive study of one of the most versatile artists and acute observers of our time, who fuses art and fashion American artist Sterling Ruby works in a large variety of media, including sculpture, ceramics, painting, and video art. Ruby is influenced by a wide range of sources, including marginalized societies, maximum-security prisons, modernist architecture, artefacts and antiquities, graffiti, waste and consumption, and urban gangs. Through these, he examines the psychological space where individual expression confronts social constraint.

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A conceptually innovative take on Jonas’ performances and installations Published in conjunction with the first major US museum show of Joan Jonas’ art in nearly 15 years, this volume breaks new ground by contextualizing and expanding understandings of Jonas’ body of work through three thematic approaches: the critical notions of gender, being and otherness; the politics of landscape and ecology; and new conceptions of medium specificity and un-specificity. These themes serve as a framework through which to address the rich vocabulary of Jonas’ performances, sculptures, drawings and installations from the early 1970s until today. Inspired by the format of a reader, the monograph presents new writing and scholarship, excerpts from Douglas Crimp's final interview, as well as a selection of drawings and sketches from Jonas’ notebooks, including never-before-published drawings created during the coronavirus lockdown. Born and based in New York, Joan Jonas (born 1936) has taught at UCLA School of the Arts, in Stuttgart, Germany, and at the Massachusetts Institute of Technology, where she is a professor emerita. She has lived and worked in Greece, Morocco, India, Germany, Holland, Iceland, Poland, Japan, Italy, Hungary and Ireland.

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