Search results for ""Author Jean-Louis Gaillemin""

Svelte and seductive, the Spine chair, shown on the cover of this book, is one of the most renowned objects in contemporary design. Its creator, Andre Dubreuil, after initially pursuing a career of antique dealer and a painter-decorator, became one of the leading figures of new English design in the mid-1980s, with Mark Brazier-Jones and Tom Dixon. After first working his magic on the rebar, Dubreuil tackled traditional forms, breathing new life into them. This return to citation, ornament, and to "craftsmanship" was carried out without qualms. For him, invention is what counts above all. The history of styles has never caught hold of him because he does not know where his craft will lead tomorrow. It is a craft which, through random experimentation, has been the catalyst for 400 enigmatic furniture objects from 1985 to today: chairs, chests of drawers, mirrors, cabinets, clocks, lanterns, etc. in which dreams, invention and mystery prevail over function.

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Hubert Le Gall is an aesthete with eclectic and unclassifiable talent who refuses to be pigeonholed in a style or trapped by routine. Constantly coming up with new associations of quirky ideas, switching between set design, art, and decoration, Hubert Le Gall takes great delight in playing with traditions and derision, with forms, light and cast shadows, contents and containers, solids and things untied...Pic poissons Pedestal table, Taureau cabinet, Pot de fleurs armchair, Marguerites table, Spot Dog lamp, Dorian mirror, his playful and poetic pieces never fail to enchant or to surprise.

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Egon Schiele lived in Vienna during its last years as capital of the declining Habsburg Empire. Rejected by his family and hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. Schiele died at the age of twenty-eight, yet he left behind him a body of work that sustains a huge public reputation – and myth. This profusely illustrated book delves into both the controversial sexual themes and neglected aspects of Schiele’s art, notably his formal experiments and his later expressionist portraits and allegorical paintings – works that reveal much about the importance of his short career.

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An artist-designer who defies classification, Pucci de Rossi (1947-2013) was a pillar of the European art scene in the 1980s. Originally from Verona, and trained by the American sculptor H. B. Walker, Pucci de Rossi created his first pieces by assembling wooden furniture to make some rather odd-looking and unstable forms, somewhere between thrones and time machines. "My profession was a game to me," he once remarked. "I was cutting, I was making, I was inventing." His first designs, steeped in poetry and humour, recalled the minimalism of Arte Povera as much as Studio Memphis' neobaroque. Jewellery, furniture, sculpture, painting: Pucci's universe knew no limits except those of his own imagination. In his hands, even the most modest materials transcended themselves to become works of great visual and functional power. This was soon recognised; after 1985 he regularly exhibited in Paris, and in New York at the gallery Neotu, founded by Pierre Staudenmeyer. Some of his most notable accomplishments involve designing the layout for the Barbara Bui boutique in Paris, and the palace of the auctioneer Jean-Claude Binoche in Venice. In the 1990s his work was on display at the Downtown Gallery, and in 1994-1995 he collaborated with the CIRVA in Marseille. Shortly prior to his death, Jacques-Antoine Granjon, one of his most faithful collectors, commissioned a sketch for the frontage of the VentePrivee.com building in La Plaine-Saint-Denis. Baptized 'Verona', the metallic skin covering the facade, which was inspired by that drawing, pays tribute to him today. Pucci de Rossi created more than 900 pieces during his lifetime; this book gives him the commemoration he deserves.

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