Search results for ""Author Janet Catherine Berlo""
Fowler Museum of Cultural History,U.S. Transcultural Pilgrim: Three Decades of Work by Jose Bedia
Jose Bedia is an artist, practitioner, and devotee whose work emanates from his diverse and often systematic religious journeys, experiences, and encounters. Transcultural Pilgrim invites the reader into Bedia's spiritual worlds, which range from his Cuban birthplace to Central Africa and to the indigenous Americas, as revealed in his distinctive and frequently autobiographical visual language. The power and immediacy of Bedia's large-scale paintings and drawings and the material complexity of his installations immediately draw the viewer into his work. Judith Bettelheim and Janet Catherine Berlo have worked closely with Bedia for years, studying his journeys and their complex representations in his art, as well as the ethnographic collections which inspire him.
£29.99
University of Nebraska Press Quilting Lessons: Notes from the Scrap Bag of a Writer and Quilter
In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words. A severe case of writer’s block forced her to abandon a book manuscript midstream; she found herself quilting instead. Scorning the logic, planning, and order of scholarship and writing, she immersed herself in freewheeling patterns and vivid colors. For eighteen months she spent all day, every day, quilting. This book penetrates to the very heart of women’s lives, focusing on their relationships to family and friends, to work, to daily tasks. It is a search for meaning at midlife, a search for an integration of career and creativity.
£10.99
Oxford University Press Native North American Art
An innovative survey of Native North American art history which fully incorporates substantive new research and scholarship, and examines such issues as gender, representation, the colonial encounter, and contemporary arts. By encompassing both the sacred and secular, political and domestic, the ceremonial and commercial, it shows the importance of the visual arts in maintaining the integrity of spiritual, social , political, and economic systems within Native North American societies. This exciting new investigation explores the indigenous arts of the US and Canada from the early pre-contact period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. The richness of Native American art is emphasized through discussions of basketry, wood and rock carvings, dance masks, and beadwork, alongside the contemporary vitality of paintings and installations by modern artists such as Robert Davidson, Emmi Whitehorse, and Alex Janvier. 'the best guide yet to understanding the complexities of Native North American art . . . a solidly ground, sophisticated history, combining art history, anthropology, and cultural studies . . . splendidly well-written . . . useful and timely.' Gerald McMaster, Curator of Art, Canadian Museum of Civilization
£21.99
University of Washington Press Wild by Design: Two Hundred Years of Innovation and Artistry in American Quilts
Wild by Design explores the American tradition of freewheeling, improvisational, often asymmetrical quilts, whose makers experimented boldly with design, color, and pictorial motifs. It examines both the aesthetics and the social history of quilts from the early nineteenth century to the present, including Amish, African American, and modern art quilts. From the state fair to the clothesline, women have sought ways to exhibit the beauty and optical effects of their quilts. The "quilting frolic" of the nineteenth century was for many women an alternative to the art academy and the salon. Janet Berlo reminds us that quilts were a valued form of artistic expression, meant to be shared and admired among the company of other women. Over fifty applique and pieced quilts are illustrated, chosen from the collections of the International Quilt Study Center for their outstanding visual qualities. Each is accompanied by a lively dialogue among quilt experts that illustrates the varied dimensions of quilts as aesthetic objects of the highest order and as reflections of the lives and societies of their makers. This multifaceted analysis of quilts sheds light on the histories of women, textiles, and American art and culture.
£26.99
University of Washington Press Not Native American Art: Fakes, Replicas, and Invented Traditions
The faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity. Based on decades of research as well as interviews with curators, collectors, restorers, replica makers, reenactors, and Native artists and cultural specialists, Not Native American Art examines the historical and social contexts within which people make replicas and fakes or even invent new objects that then become "traditional." Berlo follows the unexpected trajectories of such objects, including Northwest Coast carvings, "Navajo" rugs made in Mexico, Zuni mask replicas, Lakota-style quillwork, and Mimbres bowl forgeries. With engaging anecdotes, the book offers a rich and nuanced understanding of a surprisingly wide range of practices that makers have used to produce objects that are "not Native American art."
£32.40
Rizzoli International Publications Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection
Accompanying a major exhibition, this stunning volume serves as an introduction to North American Indian art and a rare opportunity to see this comprehensive and superb private collection. A glorious testament to the infinite beauty, diversity, and historical significance of Native American culture, Indigenous Beauty presents outstanding examples of art made by tribes across the North American continent. This aesthetically rich and inclusive collection offers a broad view of American Indian art, including sculpture from the Northwest Coast; ancient ivories from the Bering Strait region; Yup’ik and Alutiiq masks from the Western Arctic; Katsina dolls from the Southwest Pueblos; Southwest pottery; sculptural objects from the Eastern Woodlands; Eastern regalia; Plains regalia and pictographic arts; and Western baskets. David Penney’s introduction and texts by other renowned experts offer insight into the visual and material diversity of the collection, providing a greater understanding of the social and cultural worlds from which these works came. This magnificent survey is both an invaluable resource and a visual pleasure.
£38.68
