Search results for ""Author Jane Draycott""

Cleopatra Selene, daughter of Cleopatra VII of Egypt and Mark Antony, was the only member of the Ptolemaic dynasty to survive after her parents were defeated by the future Roman emperor Augustus at the Battle of Actium. Paraded as a prisoner in a Roman triumph, then brought up in the household of Augustus’ sister Octavia, she would marry a North African prince, becoming co-ruler of the Roman client-state of Mauretania. Jane Draycott recreates the life and times of a woman who became a powerful ruler in her own right at a time when most women were marginalised, and whose remarkable life shines new and revelatory light on Roman politics, society and culture in the early years of the Empire.

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The Kingdom of Jane Draycott's fifth collection is clearly a world we know, altered a little by Draycott's distinctive, prismatic lyricism, whose loving attention to place and our moment is skewed in a way that opens the world afresh. Here are England's towns and countryside, roads and ports and sushi chains, yards and herbs, an airport and a columbarium, and poems that consider art in a time of plague by way of meditation on Titian, Apollinaire and Derek Jarman.

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"Over", Jane Draycott's third book, takes its title from a sequence of twenty-six poems based on the international phonetic alphabet: Alpha, Bravo, Charlie, Delta - In these and other pieces, Draycott creates a world of echoing voices and reflections. She evokes the mirrors and doorways, dreams and night-time journeys that transform the familiar: entrances into a different reality. "Over" explores liminal places where ocean meets land, land drops to ravine, lives intersect in piazzas. The poems cross thresholds between what is finished and what is 'not over yet', between present and past and, in an extract from her new translation of the medieval dream-vision Pearl, between a sunlit garden and the mysterious landscape of the world to come.

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As the only daughter of Roman Triumvir Marc Antony and Egyptian Queen Cleopatra VII, Cleopatra Selene was expected to uphold traditional feminine virtues; to marry well and bear sons; and to legitimize and strengthen her parents’ rule. Yet with their parents’ deaths by suicide, the princess and her brothers found themselves the inheritors of Egypt, a claim that placed them squarely in the warpath of the Roman emperor. “Supported by a feast of visual and literary references” (Caroline Lawrence), Cleopatra’s Daughter reimagines the life of Cleopatra Selene, a woman who, although born into Egyptian royalty and raised in her mother’s court, was cruelly abandoned and held captive by Augustus Caesar. Creating a narrative from frescos and coinage, ivory dolls and bronzes, historian and archaeologist Jane Draycott shows how Cleopatra Selene navigated years of imprisonment on Palatine Hill—where Octavia, the emperor’s sister and Antony’s fourth wife, housed royal children orphaned in the wake of Roman expansion—and emerged a queen. Despite the disrepute of her family, Cleopatra Selene in time endeared herself to her captors through her remarkable intellect and political acumen. Rather than put her to death, Augustus wed her to the Numidian prince Juba, son of the deposed regent Juba I, and installed them both as client rulers of Mauretania in Africa. There, Cleopatra Selene ruled successfully for nearly twenty years, promoting trade, fostering the arts, and reclaiming her mother’s legacy—all at a time, Draycott reminds us, when kingship was an inherently male activity. A princess who became a prisoner and a prisoner who became a queen, Cleopatra Selene here “finally attains her rightful place in history” (Barry Strauss). A much-needed corrective, Cleopatra’s Daughter sheds new and revelatory light on Egyptian and Roman politics, society, and culture in the early days of the Roman Empire.

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This collection travels many paths and by-ways, beside some of which lie burning cars, or a young man speechless on a forest floor, or girls lost far from home. And there is a lighthouse...Travellers pass along these ways, in the darkness, in transit, hoping for safe passage through unknown territory. All are imagined with what Sean O'Brien describes as Draycott's 'quizzical, exultant, exact music'. The Night Tree is Jane Draycott's second book of poems, following Prince Rupert's Drop, a Poetry Book Society Recommendation short listed for the Forward Prize in 1999, and two smaller collections, Tideway (Two Rivers Press, 2002, illustrated by Peter Hay) and No Theatre (Smith/Doorstop) short listed for the Forward Prize for Best First Collection 1997.

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A long-awaited re-issue, beautifully redesigned, of Jane Draycott's 'Tideway', a mesmeric sequence of poems about London's working river in a time of transition, with paintings by Peter Hay specifically created for the first edition as companion pieces to the poems. The River Thames can be a dangerous place to work: powerful tides, strong winds, difficult bridges and paralysingly cold water. At the turn of the millennium, Jane Draycott spent several weeks with the London watermen on the city's tugs, barges, and salvage vessels - a community of highly skilled men and women watching their working landscape and their futures change around them week by week: docklands transformed, slipways built over, warehouses converted to luxury apartments. 'Tideway' brings the poems written during that time together with Hay's light-filled paintings and the transcribed words of the watermen themselves. "What Draycott manages in two sentences contains a world. It isn't just the concise audacity of the imagery created here that is persuasive... [her] confidence secures the registers and makes a fine, clear lyric. Moreover, she makes significance out of insignificance. Say it out loud; you'll want to sing it in time. Time's the theme." David Morley

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Poet and artist Henri Michaux (1899-1984) was one of the most original and influential figures of twentieth century French poetry, hailed by Allen Ginsberg as 'master' and 'genius' and by Borges as 'without equal in the literature of our time'. In his vividly strange narratives Michaux creates a dream-like, mercurial world of wry invention unlike any other, idiosyncratic, resistant and philosophical. Often dramatic and incantatory in his poetics, he was also an extremely private person, shunning publicity, writing as he put it for all those 'suffering from their imaginations.' In Storms under the Skin Jane Draycott translates poems and prose-poems from Michaux's volumes 1927-54, including extracts from his best-loved creations Plume and the haunting realm of Les Emanglons, alongside poems written on the eve of war in Europe and during the Occupation.

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Jane Draycott's translation of Pearl reissued as a Carcanet Classic. A Poetry Book Society Recommended Translation. In a dream landscape radiant with jewels, a father sees his lost daughter on the far bank of a river: `my pearl, my girl’. One of the great treasures of the British Library, the fourteenth-century poem Pearl is a work of poetic brilliance; its account of loss and consolation has retained its force across six centuries. Jane Draycott in her new translation remakes the imaginative intensity of the original. This is, Bernard O’Donoghue says in his introduction, `an event of great significance and excitement’, an encounter between medieval tradition and an acclaimed modern poet.

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Saint Christina the Astonishing was born into a poor Belgian family in 1150. She 'died' aged 22 but at her requiem she rose from her coffin and flew away like a bird, wanting to escape the smell of sinful humanity. This was the first of many mad, disobedient exploits in her long and remarkable life. Jane Draycott and Lesley Saunders retell - through their own poems as well as brief extracts from medieval religious writers - Christina's story as a woman's search for selfhood. The book includes artworks from Peter Hay, which he created for the original edition in direct response to the poetry. First published in 1998 and long out of print, this new edition makes Jane Draycott and Lesley Saunders' sensual and exhilarating poetic collaboration available once more. 'Ascetic and excessive, exasperating, sometimes absurd, the life of the little-known St Christina provokes fantasies and questions. Was she a wonder worker? Or an anorexic, fuelled by hatred of the flesh? Or a powerful woman whose legendary flights set her free from her time and her place? Rather than offering pieties or diagnoses, Lesley Saunders and Jane Draycott, invite us to a feast of soul food. Their two distinctive voices meet the voices of the Middle Ages in an extraordinary blend of the sacred and the profane, the rapt and the irreverent, playful, sensual and deeply felt.' Philip Gross 'Poetry as exciting as this is rare: fusing an earthy sensuality with the spiritual, it lets us hear Christina's voice ringing clearly from the rafters.' Robyn Bolam

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Sir Stanley Spencer (1891–1959) was undoubtedly one of the most admired and influential English painters of the twentieth century. Cookham was a major influence on both his life and painting and his reference to the place as ‘a village in Heaven’ is reflected in his famous series of paintings of Biblical scenes featuring local people.The 2017 Cookham Festival’s Stanley Spencer Poetry Competition invited poets to find inspiration for their own art in the work of this remarkable man. Stanley Spencer Poems: An Anthology publishes a selection from the entries to the competition chosen by its judges, Jane Draycott, Carolyn Leder, and Peter Robinson. From this gathering, the shortlist of commended entries and the prize winners were then drawn. These carefully selected poems are presented here with an introduction by Peter Robinson, featuring photographs of the artist at work, reflecting this painter’s extraordinary life and works.

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