Search results for ""Author Jan Kott""

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

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Tadeusz Kantor (1915–90) was renowned for his revolutionary theater performances in both his native Poland and abroad. Despite nominally being a Catholic, Kantor had a unique relationship with Jewish culture and incorporated many elements of Jewish theater into his works. In Kaddish, Jan Kott, an equally important figure in twentieth-century theater criticism, presents one of the most poignant descriptions of what might be called “the experience of Kantor.” At the core of the book is a fundamental philosophical question: What can save the memory of Kantor’s “Theatre of Death”—the Image, or the Word/Logos? Kott’s biblical answer in Kaddish is that Kantor’s theatre can be saved in its essence only by the Word, the Logos. This slim volume, Kott’s final work, is a distilled meditation that casts light on how two of the most prominent figures in Western theater reflected on the philosophy of the stage.

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