Search results for ""Author James Graham""

Has architectural theory become a historical phenomenon to be anthologized and studied as another passing phase in the history of the discipline? Do the current commonplace watchwords of "practice" and "research" mark the end of theory's place in architectural discourse? This edited volume posits the contrary-that theory remains urgent and even unavoidable, so ingrained in architectural practice and pedagogy that it remains a vital if sometimes latent influence. Architectural theory is not confined to its supposed heyday in the decades leading up to the year 2000; it has persisted and expanded as the stakes of theoretical discussions have transformed. 2000+: The Urgencies of Architectural Theory collects new essays from a range of the most compelling architectural historians and theorists of the moment, including Lucia Allais, Beatriz Colomina, Mark Cousins, Arindam Dutta, John Harwood, Catherine Ingraham, Mark Jarzombek, Mari Lending, Spyros Papapetros, Felicity Scott, Pelin Tan, Bernard Tschumi, Eyal Weizman, Mark Wigley, and Mabel Wilson. Brought together for a conference marking the end of Wigley's tenure as dean of Columbia University's Graduate School of Architecture, Planning and Preservation, these thinkers chart new directions and points of critical importance for theory in architecture.

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It’s time to change the game. The country that gave the world football has since delivered a painful pattern of loss. Why can’t England’s men win at their own game? The team has the worst track record for penalties in the world and manager Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take team and country back to the promised land. James Graham’s ‘rousing new play’ (Tatler) is a fast-moving portrayal of Gareth Southgate’s reign as England football manager that presents a gripping examination of both nation and game. Uplifting, funny and more entertaining than a World Cup final. This edition was published to coincide with the West End transfer of Dear England in October 2023, following its world premiere at the National Theatre in June 2023.

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In this volume, Graham investigates the relation between land and nationalism in South African and Zimbabwean fiction from the 1960s to the present. This comparative study, the first of its kind, discusses a wide range of writing against a backdrop of regional decolonization, including novels by the prize-winning authors J.M Coetzee, Nadine Gordimer, Bessie Head, Chenjerai Hove, and Yvonne Vera. By employing a range of critical perspectives—cultural materialist, feminist and ecocritical—this book offers new ways of thinking about the relationship between literature, politics and the environment in Southern Africa.The return of land has been central to the material and cultural struggles for decolonization in Southern Africa, yet between the advent of democracy in Zimbabwe (1980) and South Africa (1994) and Zimbabwe’s decision to fast-track land redistribution in 2000, it has been limited land reform rather than widespread land redistribution that has prevailed. During this period nationalist discourses of reconciliation and economic development replaced those of revolution and decolonization. This book develops a critique of both forms of nationalistic narrative by focusing on how different and often opposing idea of land and nation are reflected, refracted and even refused in the fictions.

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This country doesn't need a constitution, never has, never will. We have History as our guide. In tough times, the British do what we have always done. We muddle through. Britain’s most prominent political dramatist James Graham achieved the impossible in bringing the backroom world of MPs, whips and fractured political parties to the stage. Originally staged at the National Theatre, This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament. In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament. With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the party line and the end goal of winning government. This House premiered at the Cottesloe Theatre at the National Theatre in 2012. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown across six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of This House was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a foreword by Baroness Ann Taylor.

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This country doesn't need a constitution, never has, never will. We have History as our guide. In tough times, the British do what we have always done. We muddle through. This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament. In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament. With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Award-winning playwright James Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the part line and the end goal of winning government.

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Labour MP David Lyons cares about modernisation and "electability"... his constituency agent, Jean Whittaker cares about principles and her community. Set away from the Westminster bubble in the party's traditional northern heartlands, this is a clash of philosophy, culture and class against the backdrop of the Labour Party over 25 years, as it moves from Kinnock through Blair into Corbyn... and beyond? This razor-sharp political comedy from James Graham was produced by Michael Grandage Company and Headlong and received its world Premiere at the Noël Coward Theatre in September 2017.

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In The Triumph of Improvisation, James Graham Wilson takes a long view of the end of the Cold War, from the Soviet invasion of Afghanistan in December 1979 to Operation Desert Storm in January 1991. Drawing on deep archival research and recently declassified papers, Wilson argues that adaptation, improvisation, and engagement by individuals in positions of power ended the specter of a nuclear holocaust. Amid ambivalence and uncertainty, Mikhail Gorbachev, Ronald Reagan, George Shultz, and George H. W. Bush—and a host of other actors—engaged with adversaries and adapted to a rapidly changing international environment and information age in which global capitalism recovered as command economies failed. Eschewing the notion of a coherent grand strategy to end the Cold War, Wilson paints a vivid portrait of how leaders made choices; some made poor choices while others reacted prudently, imaginatively, and courageously to events they did not foresee. A book about the burdens of responsibility, the obstacles of domestic politics, and the human qualities of leadership, The Triumph of Improvisation concludes with a chapter describing how George H. W. Bush oversaw the construction of a new configuration of power after the fall of the Berlin Wall, one that resolved the fundamental components of the Cold War on Washington’s terms.

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This book distils a lifetime’s study of Viking art. Written by a leading authority, it introduces all the intricate and beautiful art styles of the Viking age. It ranges in time from the first major Viking expeditions overseas around AD 800 to the general establishment of Christianity in Scandinavia some 300 years later. The opening chapter introduces the geographical and historical background to Viking culture; thematic chapters then describe and illustrate the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork, elaborate wood-carvings and the famous Gotland picture-stones are all discussed. Viking art ranges in scale from ship burials to decorated weapons and finely crafted jewelry; all feature here, alongside Viking architecture and archaeological traces left by Vikings across continental Europe and beyond. The final chapter examines Viking art in relation to pagan mythology, the conversion to Christianity, and the Viking legacy for later artistic movements. First published in 2013 and now revised and updated throughout, this volume is a modern classic that serves as a definitive guide for all those interested in the vibrant artistic culture of this fascinating period in European history.With 224 illustrations

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James Graham is a multi award-winning playwright and screenwriter.His play This House gained critical acclaim, enjoyed a sell-out run at the National Theatre's Olivier in 2013 and its 2017 West End revival was Olivier-nominated. It was chosen by popular vote as the best play of the 2010s by Methuen Drama. His play Dear England won Best New Play at the 2024 Olivier Awards.James created theatre history when his two plays Ink, about the early days of Rupert Murdoch, and Labour of Love, a romantic political comedy, played in theatres next to each other in the West End in 2017. James won an Olivier award in 2018 for Labour of Love and Ink transferred to Broadway in 2019, receiving six Tony award nominations.James' play The Vote (Donmar Warehouse) aired in real time on TV in the final 90 minutes of the 2015 polling day and was BAFTA-nominated. His most recent television film, Brexit: An Uncivil War (Channel 4/HBO) is nominated fo

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Winner of the 2022 Critics' Circle Award for Best New Play Nominated for the 2022 Olivier Award for Best New Play “A man should never turn down two things. Sex, and appearing on television." 1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they’re about to open up a new frontier in American politics, and transform television news forever… Best of Enemies is the electric new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon. This revised and updated edition was published to coincide with the West End transfer to the Noel Coward Theatre in November 2022.

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The catalogue focuses on the entire non-numismatic contents of the Cuerdale hoard (discovered in 1840), together with all the other hoards and single-finds of gold and silver artefacts (ornaments and ingots) of Viking character in the British Museum, found in Britain and Ireland, up to the end of the year 2000, with each piece individually catalogued and illustrated. There is also a full chapter discussing the coins from Cuerdale, together with summary descriptions. Written by the leading authority on the subject, James Graham-Campbell is Emeritus Professor of Medieval Archaeology, University College London and a Fellow of the British Academy. This catalogue complements both that by D. M. Wilson on the Anglo-Saxon Ornamental Metalwork, 700-1100, in the British Museum (London, 1964) and that by James Graham-Campbell on The Viking-Age Gold and Silver of Scotland (AD 850-1100) (Edinburgh, 1995).

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In the fall, pumpkins are everywhere: in the garden, in the supermarkets, and on doorsteps. But do you know how they grow from a tiny yellow seed to a pumpkin? In this classic Level 1 Let's-Read-and-Find-Out picture book, Wendy Pfeffer's lively text combines with James Graham Hale's beautiful watercolors to bring readers into the pumpkin patch to show them how little seeds transform into big pumpkins. Now rebranded with a new cover look, this book includes a find out more section with activities such as an experiment to show how plants use roots to drink water from the ground and a recipe for roasted pumpkin seeds. Both text and artwork were vetted for accuracy by Barbara J. Bromley, Mercer County Horticulturist. This is a Level 1 Let's-Read-and-Find-Out, which means the book explores introductory concepts perfect for children in the primary grades and supports the Common Core Learning Standards and Next Generation Science Standards. Let's-Read-and-Find-Out is the winner of the American Association for the Advancement of Science/Subaru Science Books & Films Prize for Outstanding Science Series.

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This book provides a full overview of the archaeology of the Vikings in Scotland, incorporating many results from the recent period of intense fieldwork and excavation. This work has necessitated a thorough re-appraisal of our knowledge of the process, nature and extent of Scandinavian settlement in Scotland. Concentrating on the Viking and Late Norse periods which span the eight to thirteenth centuries in northern and western Scotland, the chronological range allows for the Norse impact to be placed in its wider context, commencing with the native background. The scope of the book will enable Scotland, archaeologically one of the best documented areas of the Viking world, to be placed in the overall context of the period in Europe. Fully illustrated with over ninety photographs, figures and distribution maps, this book will be accessible to students and teachers of the Viking Age, and the archaeology and history of Scotland, as well as to the general reader. * First survey of Viking Archaeology in over 50 years * Written by two Viking experts

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The election and inauguration of Donald J. Trump as the president of the United States of America have provoked an unprecedented intensity of reflection in virtually all academic disciplines. The professions of architecture and planning, faced with the phenomenon of a self-proclaimed "builder-in-chief," have found themselves facing a series of fundamental questions, both old and new. How should we think, teach, and practice under a developer presidency? What sort of walls will we and won't we choose to build? What are our commitments of critical thought, and what obligations should we turn our energies toward? The essays gathered in And Now explore the nature of architecture's many long-standing complicities. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); and it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed-designing and building the boundaries between the "haves" and the "have-nots." This fundamental reality of architectural practice need not inspire either nihilism or defensiveness but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.

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This book is a collection of essays at the intersection of architecture and climate change. Neither a collective lament nor an inventory of architectural responses, the essays consider cultural values ascribed to climate and ask how climate reflects our conception of what architecture is and does. Which materials and conceptual infrastructures render climate legible, knowable, and actionable, and what are their spatial implications? How do these interrelated questions offer new vantage points on the architectural ramifications of climate change at the interface of resiliency, sustain- ability, and ecotechnology? Climates also contains a dossier of precedents for thinking about architecture and climate change drawn from a number of leading practitioners. New approaches to understanding climate in architecture make this book invaluable.This publication is a project by The Avery Review, a journal produced by the Office of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation.

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You could argue that Dennis Amiss’ seven-decade cricket career started the day he was born, when his parents named him after not one but two celebrated cricketers.Or maybe it started when he was 7, sneaking into the Birmingham Cooperative Society to play a few matches with his friends – as long as they avoided the groundskeeper!Or perhaps it was on 7 April 1958; not only his fifteenth birthday, but also his first day as a professional cricketer.Whatever day you start on, there’s no denying that Amiss has had an extraordinary career. He is one of England’s cricketing greats, with 100 first-class hundreds to his name and a place as one of Wisden’s Cricketers of the Year. Hugely well-respected on and off the pitch, he didn’t shy away from controversy, taking part in the 1982 ‘Rebel Tour’ of Apartheid South Africa, and somehow ending up in the midst of the battle between World Series Cricket and the England Cricket Board.Not Out at Close of Play is the story of how passion, commitment and practice – and no small amount of stubbornness! – took a boy from the backstreets of Birmingham to worldwide cricket stardom.

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Blood Wedding. Concerned with love that cannot become marriage among the primitive hill people of Castile, this is a play of the workings of tremendous passions and tribal ritual toward an inescapable tragic end. Yerma. “The whole tragic burden of Yerma is measured by the deepening of her struggle with the problem of frustrated motherhood.” —From García Lorca, by Edwin Honig. The House of Bernarda Alba. Again about “women whom love moves to tragedy,” Bernarda Alba tells of the repression of five daughters by a domineering mother, of how their natural spirits circumvent her but bring violence and death.

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