Search results for ""Author James Fenimore Cooper""

HarperCollins is proud to present its range of best-loved, essential classics. ‘Death and honour are thought to be the same, but today I have learned that sometimes they are not.’ Set in frontier America in the midst of the French-Indian war, as the French are attempting to overthrow an English fort, Cooper’s story follows Alice and Cora Munro, pioneer sisters who are trying to find their way back to their father, an English commander. Guided by an army major and Magua, an Indian from the Huron tribe, they soon meet Hawk-eye, a frontier scout and his Mohican Indian companions Chingachgook and Uncas. Magua is not all that he seems and the sisters are kidnapped. In The Last of the Mohicans, Cooper sets Indian tribe against Indian tribe and lays bare the brutality of the white man against the Mohicans.

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Written in 1826, but set in 1757,The Last of the Mohicansportrays ordinary men and women caught in the crossfires of the French and Indian War, when France and Great Britain battled for control of North America.

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The English and the French are at war in North America. Two sisters,Cora and Alice, want to visit their father. They begin their journey with the English officer, Duncan Heyward and Indian guide, Magua. On their journey, some will be heroes and some will die. And what will happen to their friend Uncas, the last of the Mohican Indians?

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After doubts are raised concerning the trustworthiness of Magua, Cora and Alice Munro’s Native American guide, the warrior slips away into the wilderness, and the vulnerable sisters turn to the scout Hawk-eye and the Mohicans Chingachgook and Uncas to lead them to Fort William Henry, where their father is in command. Yet Magua is sure to return with his fellow Huron warriors, and with the bloody conflict of the French and Indian War raging all around them, the Munros will have to trust their new guides if they are ever to reach the fort. Widely regarded as the first great American novel, The Last of the Mohicans, with its epic landscapes, stoic frontiersmen and noble Native Americans, created much of the mythology and romance that has wreathed the American frontier adventure ever since. This edition contains notes and extra material.

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Angered by the values of his materialistic society, Hawk-eye lives apart from the other white men, sharing the solitude and sublimity of the wilderness with his Mohican Indian friend, Chingachgook. As the savageries of war test these exiled men, they agree to guide two sisters in search of their father through hostile Indian country – even if it means risking everything. An enduring American classic, The Last of the Mohicans is a fast-paced portrait of fierce individualism and courage, set against massacres, raids, battles and a doomed love affair. It is also the unforgettable story of the friendship between two men.

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The second of Cooper's five Leatherstocking Tales, this is the one which has consistently captured the imagination of generations since it was first published in 1826. Its success lies partly in the historical role Cooper gives to his Indian characters, against the grain of accumulated racial hostility, and partly in his evocation of the wild beautiful landscapes of North America which the French and the British fought to control throughout the eighteenth century. At the centre of the novel is the celebrated `Massacre' of British troops and their families by Indian allies of the French at Fort William Henry in 1757. Around this historical event, Cooper built a romantic fiction of captivity, sexuality, and heroism, in which the destiny of the Mohicans Chingachgook and his son Uncas is inseparable from the lives of Alice and Cora Munro and of Hawkeye the frontier scout. The controlled, elaborate writing gives natural pace to the violence of the novel's action: like the nature whose plundering Copper laments, the books placid surfaces conceal inexplicable and deathly forces. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The Last of the Mohicans enjoyed tremendous popularity both in America and abroad, offering its readers not only a variation on the immensely popular traditional captivity narrative of the time, but also characters that would become iconic figures in the young nation’s emerging literature. The novel’s central action follows Leatherstocking and his two faithful friends, Chingachgook and Uncas, as they come to the aid of two daughters of a British officer seeking to become reunited with their father. The novel provides insights into Cooper’s own thinking on Native American and White relations during the early national period, revealing a profound ambivalence to the reality that the rising fortunes of the young United States meant the declining fortunes of the nation’s Native American inhabitants.

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James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City.

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James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City. Volume VI provides a cumulative index to the entire edition and contains an important section of additional letters (1825-1844) discovered since the earlier volumes were published.

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Introduction and Notes by David Blair. University of Kent at Canterbury. It is 1757. Across north-eastern America the armies of Britain and France struggle for ascendancy. Their conflict, however, overlays older struggles between nations of native Americans for possession of the same lands and between the native peoples and white colonisers. Through these layers of conflict Cooper threads a thrilling narrative, in which Cora and Alice Munro, daughters of a British commander on the front line of the colonial war, attempt to join their father. Thwarted by Magua, the sinister 'Indian runner', they find help in the person of Hawkeye, the white woodsman, and his companions, the Mohican Chingachgook and Uncas, his son, the last of his tribe. Cooper's novel is full of vivid incident- pursuits through wild terrain, skirmishes, treachery and brutality- but reflects also on the interaction between the colonists and the native peoples. Through the character of Hawkeye, Cooper raises lasting questions about the practises of the American frontier and the eclipse of the indigenous cultures.

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