Search results for ""Author James Ellroy""

Best-selling crime fiction author James Ellroy returns with the fourth in his LA Quartet.Los Angeles, 1958: a city on the make. A boom town at the edge of a new era ripe for plunder. Lieutenant Dave Klein: in turn a lawyer, bagman, slum landlord, mob killer. Klein stands at the centre of a complex web of plots where violence and death will intersect. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them hell-bent on keeping their own secrets hidden. For Klein, "forty-two and going on dead," it's dues time...

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The Black Dahlia depicts the infrastructure of L.A.'s most sensational murder case. A young cop morphs into the obsessed lover and lust-crazed avenger. His rogue investigation is a one-way ticket to hell.The Big Nowhere blends the crime novel with the political novel. It is winter, 1950, and the L.A. authorities are targeting movieland Reds. The three cops assigned to the job are out to grab all the kudos they can. But a series of brutal sex killing intervenes ...L.A. Confidential plumbs the depths: political corruption, scandal-rag journalism, racism and gangland wars, savage slaughter in an all-night hash house. And the inglorious Los Angeles Police Department to disentangle the conspiracy that links it all together.White Jazz gives us the tortured confession of a cop who's gone to the bad - killer, slum landlord and parasitic exploiter. He's also a pawn in a police power struggle and beginning to realize it. But he's just met a woman and wants to claw his way out of the pit. Somehow.

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Ellroy's back with the third of his LA Quartet! Christmas 1951, Los Angeles: a city where the police are as crooked as the criminals. Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three L.A.P.D. detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers...The novel takes these cops on a sprawling epic of brutal violence and the murderous seedy side of Hollywood. One of the best (and longest) crime novels ever written, it is the heart of Ellroy's four-novel masterpiece, the LA Quartet, and an example of crime writing at its most powerful.

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The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read. 1958. America is about to emerge into a bright new age – an age that will last until the 1000 days of John F Kennedy's presidency. Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant – Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd – employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell – a man seeking redemption in Bobby Kennedy's drive against organised crime. The festering discount of the age that burns brightly in these men's hearts will go into supernova as the Bay of Pigs ends in calamity, the Mob clamours for payback and the 1000 days ends in brutal quietus in 1963.

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'Nobody does crime like James Ellroy . . . One of Ellroy's best works in years' Sunday Times'This is the master of darkness at his incomparable best — simply impossible to put down' Daily MailLos Angeles. August 4, 1962. The city broils through a mid-summer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker's looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.The freewheeling Freddy O. Tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim "Opportunity is Love." Freddy gets to work. He dimly perceives Marilyn Monroe's death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe's horrific last charade through a nightmare L.A. that he served to create - and as he confronts his complicity and his own raging madness.It's the Summer of '62, baby. Freddy O.'s got a hot date with history. The savage Sixties are ready to pop. The Rolling Stones proclaim it best: We're just a shout away. The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama. It is an unparalleled thrill ride. It is resoundingly the great American crime novel.'This entire book is one gleefully violent foul-mouthed research note. It’s vivid, gripping, surreal' Spectator

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________________________'Ellroy writes with raw power … undeniably one of the most influential crime writers of our time' THE TIMES'a tangled fever-dream … Ellroy offers a grandiose, Wagnerian vision of wartime LA' SUNDAY TIMES________________________A brilliant historical crime novel, set in Los Angeles and Mexico during the pulse-pounding aftermath of the attack on Pearl Harbor.January, ’42. L.A. reels behind the shock of Pearl Harbor. Local Japanese are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They’re wrong. It’s an early-warning signal of Chaos. There’s a murderous fire and a gold heist exploding out of the past. There’s Fifth Column treason – at this moment, on American soil. There are homegrown Nazis, commies and race racketeers. There’s two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with History. Elmer Jackson is a corrupt Vice cop. He’s a flesh peddler and a bagman for the L.A. Chief of Police. Hideo Ashida is a crime-lab whiz, lashed by anti-Japanese rage. Dudley Smith is a PD hardnose working Army Intelligence. He’s gone rogue and gone all-the-way fascist. Joan Conville was born rogue. She’s a defrocked Navy lieutenant and a war profiteer to her core. L.A., ’42. Homefront madness ascendant. Early-wartime inferno – This Storm is James Ellroy’s most audacious novel yet. It is by turns savage, tender, elegiac. It lays bare and celebrates crazed Americans of all stripes.________________________‘Epic crime writing from a master’ DAILY MAIL‘Ellroy is unique. There is nobody writing this way … Nobody has done or is doing what he is doing’ BOOKMUNCH

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A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction. James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's "Pastorale," and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Dennis Lehane, Patricia Highsmith and William Gay, with many page-turners appearing in the last decade.

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America's greatest crime writer investigates his mother's murder. On 21 June 1958, Geneva Hilliker Ellroy left her home in California. She was found strangled the next day. Her ten year-old son James had been with her estranged husband all weekend and was informed of her death on his return. Her murderer was never found, but her death had an enduring effect on her son - he spent his teens and early adult years as a wino, petty burglar and derelict. Only later, through his obsession with crime fiction, triggered by his mother's murder, did Ellroy begin to delve into his past. Shortly after the publication of his groundbreaking novel WHITE JAZZ, he determined to return to Los Angeles and, with the help of veteran detective Bill Stoner, attempt to solve the 38-year-old killing. The result is one of the few classics of crime non-fiction and autobiography to appear in the last few decades; a hypnotic trip to America's underbelly and one man's tortured soul.

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Freddy is an ex-L.A. cop on the skids. He snuffed a cop killer in cold blood - and it got to him bad. Now he's a sleazoid private eye, a shakedown artist, a pimp - and, most notably, the head strongarm goon for Confidential magazine.Welcome to the world of the malevolent monarch of the Hollywood underground - a tale of pervasive paranoia teeming with communist conspiracies, FBI finks, celebrity smut films and strange bedfellows.

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'Nobody does crime like James Ellroy . . . One of Ellroy's best works in years' Sunday Times'This is the master of darkness at his incomparable best — simply impossible to put down' Daily MailLos Angeles. August 4, 1962. The city broils through a mid-summer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker's looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.The freewheeling Freddy O. Tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim "Opportunity is Love." Freddy gets to work. He dimly perceives Marilyn Monroe's death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe's horrific last charade through a nightmare L.A. that he served to create - and as he confronts his complicity and his own raging madness.It's the Summer of '62, baby. Freddy O.'s got a hot date with history. The savage Sixties are ready to pop. The Rolling Stones proclaim it best: We're just a shout away. The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama. It is an unparalleled thrill ride. It is resoundingly the great American crime novel.'This entire book is one gleefully violent foul-mouthed research note. It’s vivid, gripping, surreal' Spectator

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America's greatest living crime writer gives us a raw, brutally candid memoir-as high intensity and as riveting as any of his novels-about his obsessive search for "atonement in women."The year was 1958.Jean Hilliker had divorced her fast-buck hustler husband and resurrected her maiden name.Her son, James, was ten years old.He hated and lusted for his mother and "summoned her dead." She was murdered three months later.The Hilliker Curse is a predator's confession, a treatise on guilt and the power of malediction, and above all a cri de cœur. Ellroy unsparingly describes his shattered childhood, his delinquent teens, his writing life, his love affairs and marriages, his nervous breakdown and the beginning of a relationship with an extraordinary woman who may just be the long-sought Her. A layered narrative of time and place, emotion and insight, sexuality and spiritual quest, The Hilliker Curse is a brilliant, soul-baring revelation of self.It is unlike any memoir you have ever read.

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Los Angeles, 15th January 1947. A beautiful young woman walks into the night and meets a horrific destiny. Five days later, her tortured body is found drained of blood and cut in half. The newspapers call her 'The Black Dahlia'. For two cops, what begins as an investigation becomes a hellish journey that takes them to the core of the dead girl's twisted life.And soon professional curiosity spirals into obsession...__________'A mesmerising study of the psycho-sexual obsession... extraordinarily well written' - The Times'The outstanding crime writer of his generation' - The Independent 'A wonderful tale of ambition, insanity, passion and deceit' - Publishers Weekly

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A startling panorama of Los Angeles in the fifties. New Year's Eve as 1949 turns to 1950, Los Angeles: The City of Angels has becomes the city of the Angel of Death.Communist witch-hunts and insanely violent killings are terrorising the community. Three men are plunged into a maelstrom of violence and deceit when their lives become inextricably linked as each one confronts his own personal darkness. The second of the LA Quartet, the epigraph for The Big Nowhere is a passage from a novel; "It was written that I should be loyal to the nightmare of my choice- Joseph Conrad Heart of Darkness."

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It's 1968. Bobby Kennedy and Martin Luther King are dead. The Mob, Howard Hughes and J Edgar Hoover are in a struggle for America's soul, drawing into their murderous conspiracies the damned and the soon-to-be damned. WAYNE TEDROW JR: parricide, assassin, dope cooker, mouthpiece for all sides, loyal to none. His journey will take him deeper into the darkness.DWIGHT HOLLY: Hoover's enforcer and hellish conspirator in terrible crimes. As Hoover's power wanes, his destiny lurches towards Richard Nixon and self-annihilation.DON CRUTCHFIELD: a kid, a nobody, a wheelman and a private detective who stumbles upon an ungodly conspiracy from which he and the country may never recover.All three men are drawn to women on the opposite side of the political and moral spectrum; all are compromised and ripe for destruction. Blood's a Rover is an incandescent fusion of fact and fiction, and is James Ellroy's greatest masterpiece.

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'There has never been a writer like James Ellroy.' TelegraphLos Angeles, December 6, 1941. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. War fever and race hate grip the city and the internment of Japanese-Americans begins.Following the hellish murder of a Japanese family, three men and one woman are summoned. William H. Parker is a captain on the Los Angeles Police. He's superbly gifted, corrosively ambitious and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish émigré, ex-IRA killer and fledgling war profiteer. Kay Lake is a 21-year-old dilettante looking for adventure. Hideo Ashida is a brilliant police chemist and the only Japanese on the payroll.Four driven souls - rivals, lovers, history's pawns - thrown into an investigation which will not only rip them apart but take America to the edge of the abyss at a crucial moment in its history.

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