Search results for ""Author Iwona Blazwick""

Working towards the melding of her artistic work and the discipline of architecture, Cristina Iglesias has long been preoccupied with exploring notions of space and of a space within a space. The sheer scale of her sculptures invites viewers to walk around and occasionally through her pieces. On a more microscopic level, Iglesias has remained fascinated by details, with data that deliberately distracts or skews the perception of abstract forms. Rich surfaces, such as cast impressions of local and exotic flora, become progressively consuming as the viewer approaches them. This publication is the first mongraph on the artist, and includes a consideration of work done in collaboration with architects Abalos & Herreros and Paul Robbrech. 186 illustrations

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Early plans for the Whitechapel Library included provision for an unrealised weathervane. Over a century later this original intention has been achieved through Rodney Graham's Erasmus Weathervane - a glittering addition to the London skyline. This publication celebrates the inauguration of Graham's weathervane on the cupola of the Whitechapel Gallery's roof. Rodney Graham was born in 1949 in Canada and lives and works in Vancouver. He has continually worked across different mediums including photography, sculpture and installation as well as music, film, performance and writing and his work has taken the form of architectural models, books, camera obscuras, wallpaper and musical scores.

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Can a sculpture be a river? Can contemporary art unite conflicting systems of belief? Do other species appreciate culture? And can public art revive communities and ecosystems? Cristina Iglesias’ horizontal fountains, submerged rooms and tropical mazes bring together language, architecture and botany to create immersive spaces of contemplation. In this publication an international roster of curators, art critics, philosophers, architects and scientists discuss the social and ecological potential of art in urban and rural space.

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Can a sculpture be a river? Can contemporary art unite conflicting systems of belief? Do other species appreciate culture? And can public art revive communities and ecosystems? Cristina Iglesias’ horizontal fountains, submerged rooms and tropical mazes bring together language, architecture and botany to create immersive spaces of contemplation. In this publication an international roster of curators, art critics, philosophers, architects and scientists discuss the social and ecological potential of art in urban and rural space.

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