Search results for ""Author Isabel F Hapgood""

"As much a love letter to the cathedral as it is the story of two doomed lovers." --Smithsonian Magazine Written in 1831, The Hunchback of Notre Dame by Victor Hugo is a beloved French gothic novel which centers around the wondrous Notre Dame Cathedral in Paris, France. Set during the reign of King Louis XI, we are introduced to the gypsy dancer Esmerelda. A beautiful girl, both inside and out, Esmerelda captures the hearts of everyone around her, including Captain Phoebus, Pierre Gringoire, and the hunchback Quasimodo, who is hidden away in the tower of Notre Dame as a bell ringer. Unfortunately, Esmerelda has also caught the attention of Archdeacon Claude Frollo, Quasimodo's abusive guardian. Frollo battles with his lust, eventually succumbing, leading him to pursue Esmerelda while leaving morality behind. A beautifully written novel about love, lust, and thirteenth-century Paris, The Hunchback of Notre Dame will leave readers both marveling at the beauty of Notre Dame and reeling at the lengths that people will go for love. Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential works. From the musings of literary geniuses such as Nathaniel Hawthorne in The Scarlet Letter to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of masterpieces by some of the most famous writers in history.

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With an Introduction by Anthony Briggs. Translated by Isabel F. Hapgood. Russia in the 1840s. There is a stranger in town, and he is behaving oddly. The unctuous Pavel Chichikov goes around the local estates buying up 'dead souls'. These are the papers relating to serfs who have died since the last census, but who remain on the record and still attract a tax demand. Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him? Does this narrative contain a deeper message about Russia itself or the spiritual health of humanity? There is much interest and some suspense in considering these issues, but the real pleasure of this story lies elsewhere. It is an enjoyable comic romp through a retarded part of a backward country, a picaresque series of grotesque portraits, situations and conversations described with Gogolian humour based mainly on hyperbole. This is, quite simply, the funniest book in the Russian language before the twentieth century.

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