Search results for ""Author Ian Marchant""

A time-travelling, genealogical adventure, bringing pre-industrial, rural, eighteenth-century England vividly to life on the page. One day Ian Marchant decided, as all men of a certain age must, to have a dig around his family history. Surprisingly quickly, a web search informed him that his seven-times-great great-grandfather, Thomas Marchant, had left a detailed diary from 1714 to 1728. Diarist Thom – who liked a drink and a game of cards – feels recognisably Marchant to Ian. With immersive detail we learn about Thom’s family farm and fishponds; about dung, horses and mud; about beer, the wife’s nights out, his own job troubles and their shared worries for their children. But as Ian digs deeper beyond the Sussex diary’s bucolic portrait he discovers a subtext – a family descended from immigrants, with anti-establishment politics, who are struggling with illness, political instability and cash crises – just as their country does three centuries on. ‘A unique and exhilarating exploration of time and love … elegiac, consistently funny, deeply moving.’ Richard Beard, author of Sad Little Men

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A time-travelling, genealogical adventure, bringing pre-industrial, rural, eighteenth-century England vividly to life on the page. One day Ian Marchant, acclaimed author of books on music, railways and pubs, decided, as all men of a certain age must, to have a dig around his family history. Surprisingly quickly, a web search informed him that his seven-times-great great-grandfather, Thomas Marchant had left a detailed diary from 1714 to 1728. So far, so jolly ... Life-loving diarist Thom - who liked a drink and a game of cards - feels recognisably Marchant to Ian. With fascinating, immersive detail we learn about Thom's family farm and fishponds; about dung, horses and mud; about beer, the wife's nights out, his own job troubles and their shared worries for their children. But as Ian digs deeper beyond the Sussex diary's bucolic portrait he discovers a subtext - a family descended from immigrants, with anti-establishment politics, who are struggling with illness, political instability and cash crises - just as their country does three centuries on. 'When I was reflecting late one January evening on the differences between Thom and me, I realised the unbridgeable thing that comes between us is industrialisation. He lived right at its beginning, while I am living somewhere towards its end. Old Thom Marchant was one of the last people before industrialisation to understand how his world worked - and how to be largely self-sufficient in it. He knew where his food came from, his fuel, his water, his clothes. He knew how the welfare system worked, and was part of its administration; he knew who looked after the roads, too. He collected taxes. He was not separate from the system, but part of it.' Rich with immersive detail, One Fine Day draws a living portrait of Marchant family life in the 1720s and how their England (rainy, muddy, politically turbulent, illness-ridden) became the England of the 2020s.

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‘My book of the year. Extraordinary’ The Times A new history of counterculture in the UK, from the release of Heartbreak Hotel in 1956 to the passing of the Criminal Justice Act in 1994Deep in a wood in the Marches of Wales, in an ancient school bus there lives an old man called Bob Rowberry. A Hero for High Times is the story of how he ended up in this broken-down bus. It's also the story of his times, and the ideas that shaped him. It's a story of why you know your birth sign, why you have friends called Willow, why sex and drugs and rock’n’roll once mattered more than money, why dance music stopped the New-Age Travellers from travelling, and why you need to think twice before taking the brown acid.It’s also a story of friendship between two men, one who did things, and one who thought about things, between theory and practice, between a hippie and a punk, between two gentlemen, no longer in the first flush of youth, who still believe in love. ‘This amiable and engaging blog-doc is an Odyssey for elective outsiders’ Iain Sinclair, Guardian

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