Search results for ""Author Ian Buruma""

'The whole thing sparks astonishingly to life' ObserverWhen Ian Buruma arrived in Tokyo as a young film student in 1975, he found a feverish and surreal metropolis in the midst of an economic boom, where everything seemed new and history only remained in fragments. Through his adventures in the world of avant-garde theatre, his encounters with carnival acts, fashion photographers and moments on-set with Akira Kurosawa, Buruma came of age. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him, and a timeless story about the desire to transgress boundaries: cultural, artistic and sexual.

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'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

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Many books have been written, and continue to be written, about the Second World War: military histories, histories of the Holocaust, the war in Asia, or collaboration and resistance in Europe. Few books have taken a close look at the immediate aftermath of the worldwide catastrophe.Drawing on hundreds of eye-witness accounts and personal stories, this sweeping book examines the seven months (in Europe) and four months (in Asia) that followed the surrender of the Axis powers, from the fate of Holocaust survivors liberated from the concentration camps, and the formation of the state of Israel, to the incipient civil war in China, and the allied occupation of Japan. It was a time when terrible revenge was taken on collaborators and their former masters; of ubiquitous black markets, war crime tribunals; and the servicing of millions of occupation troops, former foes in some places, liberators in others. But Year Zero is not just a story of vengeance. It was also a new beginning, of democratic restorations in Japan and West Germany, of social democracy in Britain and of a new world order under the United Nations. If construction follows destruction, Year Zero describes that extraordinary moment in between, when people faced the wreckage, full of despair, as well as great hope. An old world had been destroyed; a new one was yet to be built.

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Why religion must be separated from politics if democracy is to thrive around the worldFor eight years the president of the United States was a born-again Christian, backed by well-organized evangelicals who often seemed intent on erasing the church-state divide. In Europe, the increasing number of radicalized Muslims is creating widespread fear that Islam is undermining Western-style liberal democracy. And even in polytheistic Asia, the development of democracy has been hindered in some countries, particularly China, by a long history in which religion was tightly linked to the state.Ian Buruma is the first writer to provide a sharp-eyed look at the tensions between religion and politics on three continents. Drawing on many contemporary and historical examples, he argues that the violent passions inspired by religion must be tamed in order to make democracy work.Comparing the United States and Europe, Buruma asks why so many Americans—and so few Europeans—see religion as a help to democracy. Turning to China and Japan, he disputes the notion that only monotheistic religions pose problems for secular politics. Finally, he reconsiders the story of radical Islam in contemporary Europe, from the case of Salman Rushdie to the murder of Theo van Gogh. Sparing no one, Buruma exposes the follies of the current culture war between defenders of "Western values" and "multiculturalists," and explains that the creation of a democratic European Islam is not only possible, but necessary.Presenting a challenge to dogmatic believers and dogmatic secularists alike, Taming the Gods powerfully argues that religion and democracy can be compatible—but only if religious and secular authorities are kept firmly apart.

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In this highly original and now classic text, Ian Buruma explores and compares how Germany and Japan have attempted to come to terms with their violent pasts, and investigates the painful realities of living with guilt, and with its denial.As Buruma travels through both countries, he encounters people whose honesty in confronting their past is strikingly brave, and others who astonish by the ingenuity of their evasions of responsibility. In Auschwitz, Berlin, Hiroshima and Tokyo he explores the contradictory attitudes of scholars, politicians and survivors towards World War II and visits the contrasting monuments that commemorate the atrocities of the war.Buruma allows these opposing voices to reveal how an obsession with the past, especially distorted versions of it, continually causes us to question who should indeed pay the wages of guilt.

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In this scintillating book, Ian Buruma peels away the myths that surround Japanese culture. With piercing analysis of cinema, theatre, television, art and legend, he shows the Japanese both 'as they imagine themselves to be, and as they would like themselves to be.'A Japanese Mirror examines samurai and gangsters, transvestites and goddesses to paint an eloquent picture of life in Japan. This is a country long shrouded in enigma and in his compelling book, Buruma reveals a culture rich in with poetry, beauty and wonder.

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Ian Buruma's maternal grandparents, Bernard and Winifred (Bun & Win), wrote to each other regularly throughout their life together. The first letters were written in 1915, when Bun was still at school at Uppingham and Win was taking music lessons in Hampstead. They were married for more than sixty years, but the heart of their remarkable story lies within the span of the two world wars.After a brief separation, when Bernard served as a stretcher bearer on the Western Front during the Great War, the couple exchanged letters whenever they were apart. Most of them were written during the Second World War and their correspondence is filled with vivid accounts of wartime activity at home and abroad. Bernard was stationed in India as an army doctor, while Win struggled through wartime privation and the Blitz to hold her family together, including their eldest son, the later film director John Schlesinger (Midnight Cowboy, Sunday Bloody Sunday), and twelve Jewish children they had arranged to be rescued from Nazi Germany.Their letters are a priceless record of an assimilated Jewish family living in England throughout the upheavals of the twentieth century and a moving portrait of a loving couple separated by war. By using their own words, Ian Buruma has created a spellbinding homage to the sustaining power of a family's love and devotion through very dark days

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'Rich and rewarding' Wall Street JournalIt is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair. In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. It's never been a relationship of equals: from Churchill's desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the world's greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fool's gold. And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationship's demise.

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'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

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A penetrating reevaluation of the period in which the German Expressionist George Grosz created his best-known, most searing satirical works This overdue investigation of George Grosz’s (1893–1959) most compelling paintings, drawings, prints, and collages offers a reassessment of the celebrated German Expressionist during his years in Berlin—from his earliest artistic endeavors to the trenchant satirical images and searing depictions of moral decay between the World Wars for which he is known today. Menacing street scenes, rowdy cabarets, corrupt politicians, wounded soldiers, greedy war profiteers, and other symbols of Berlin’s interwar decline all met with the artist’s relentless gaze, which exposed the core social issues that eventually led to Germany’s extreme nationalist politics. Featuring masterpieces as well as rarely published works, this book provides further insight into the artist’s creative pinnacle, reached during this critical and ominous period in German history. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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