Search results for ""Author Huw Lewis Jones""
British Library Publishing Can You Read This Book?: Fun Tongue Twisters for Kids
For adventurous readers of all ages... a book of nonsense, old and new... a playful text, like a game to share, a challenge... an absurd-word wrangle-mangle, a story-stew... This beautifully presented and fully illustrated new collection presents many English-language favourites, some old and some newly made, to try twisting your tongue to. Dip in and out, or attempt to read all the way to the end in one sitting. The word gatherings get harder as the book goes on, but each gets easier, of course, once you have a go... Read these words carefully and out loud. Follow the book's path as it turns and twists, as it stoops and stumbles. Keep up as it baffles your brain and shifts your senses. Try saying them as fast as you can. Delight in the confusion and test yourself. You'll soon get the hang of it. Can you read this book? We look forward to finding out.
£9.99
Thames & Hudson Ltd Archipelago: An Atlas of Imagined Islands
A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Hervé Tullet, Aušra Kiudulaite and more.Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari – literally the ‘island books’. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe’s tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling. To celebrate the tercentenary of Robinson Crusoe’s publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it’s called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.
£22.46
Thames & Hudson Ltd Why We Photograph Animals
A compelling visual anthology of one of photography's most popular subjects, reframing our understanding of why we photograph animals and why photographing them matters to us and the planet. A visual overview of the history and future of animal photography, Why We Photograph Animals encourages us to think and rethink the way we have looked at - and used - animals and to consider our future relationships with non-human species. Multi-stranded, this book features the work of more than 100 photographers supported by thematic essays that provide historical context; interviews with and contributions by leading contemporary photographers that explore their influences, methods and motivations; and dazzling visual collections that present the very best animal photography from its inception to the present day. The result is a book that will engage those with an interest in wildlife photography and the natural world, but also those with a concern for the future of the planet. Huw Lewis
£31.50
Happy Yak A Quokka for the Queen
£7.78
Thames & Hudson Ltd The Writer's Map: An Atlas of Imaginary Lands
The Writer's Map winner of Trade Illustrated category in the British Design and Production AwardsPhotography & Illustrated Travel Book of the Year at the Edward Stanford Travel Writing Awards 2019Maps can transport us, they are filled with wonder, the possibility of real adventure and travels of the mind. This is an atlas of the journeys that writers make, encompassing not only the maps that actually appear in their books, but also the many maps that have inspired them and the sketches that they use in writing. For some, making a map is absolutely central to the craft of shaping and telling their tale. A writer’s map might mean also the geographies they describe, the worlds inside books that rise from the page, mapped or unmapped, and the realms that authors inhabit as they write. Philip Pullman recounts a map he drew for an early novel; Robert Macfarlane reflects on his cartophilia, set off by Robert Louis Stevenson and his map of Treasure Island; Joanne Harris tells of her fascination with Norse maps of the universe; Reif Larsen writes about our dependence on GPS and the impulse to map our experience; Daniel Reeve describes drawing maps and charts for The Hobbit trilogy of films; Miraphora Mina recalls creating ‘The Marauder’s Map’ for the Harry Potter films; David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. And there’s much more besides. Amidst a cornucopia of images, there are maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, maps from nursery stories, literary classics, collectible comics – a vast range of genres.
£27.00
Thames & Hudson Ltd Party Pooper
The third title in the laugh-out-loud series of picture books starring Bad Apple, a truly terrible piece of fruit. It’s Granny Smith’s birthday party and all the apples are invited. There’s face painting, a piñata, a pile of presents and one of Snake’s finest cakes... Bad Apple can’t wait to spoil the fun! But it looks like this party pooper’s luck might have run out. Pineapple has had enough of Apple’s bad behaviour and is ready to teach him a lesson. In the third instalment of Huw Lewis Jones’s hilarious series of picture books, a truly terrible piece of fruit is once more wreaking havoc far beyond the rim of the fruit bowl. Illustrated in a deadpan, painterly style by Ben Sanders, Party Pooper will entertain the entire family.
£11.99
Little Tiger Press Group Clive Penguin
Who’s ever heard of a penguin that doesn't like the cold? Surrounded by the same old snow day in day out and always bloomin’ freezing, Clive Penguin wishes he was somewhere else. SOMEONE else. But, with an epic discovery just around the corner, the solution might be easier than he thinks . . . From real life polar-exploring adventurer Huw Lewis Jones and award-winning illustrator Ben Sanders comes a quirky story about getting what you need, rather than what you want. Readers will hoot with laughter at the hilariously deadpan Clive Penguin – a unique voice that’s perfect for fans of Jon Klassen, Oliver Jeffers and Morag Hood. Featuring edgy illustrations complete with orange neon ink. Oh, and penguins.
£12.99
Quarto Publishing PLC Croc-a-doodle-doo!
Look out, here comes trouble! Croc has stopped at Old MacDonald's farm for a snack...E-I-E-I-OUh-oh! Providing a unique, alternative spin on a familiar song, this delightfully silly story is contemporary, quirky and playful – kids will love to follow Croc’s antics and sing along with him as he roams Old MacDonald's farm A bright, bold and bonkers reimagining of the familiar song Old MacDonald Had a Farm, starring a cheeky crocodile, this book will have children and adults singing along and laughing out loud as they follow along with this hilarious story.
£7.99
Thames & Hudson Ltd Do Penguins Like the Cold?
A charmingly illustrated book that takes readers on a field trip to Antarctica and beyond to discover the secret life of penguins. In this entertaining and highly informative book, polar-explorer Huw Lewis Jones and nature illustrator Sam Caldwell take readers on an intrepid field trip to Antarctica and beyond to discover the secret life of penguins. Journeying throughout the Southern Hemisphere to incredible locations including Argentina, Australia, Chile, the Galápagos Islands, Namibia, New Zealand, Peru and South Africa, Do Penguins Like the Cold? introduces readers to the 18 species of penguin and the conservation work underway to protect them and their habitats.
£12.99
Quarto Publishing PLC Blue Badger and the Big Breakfast: Volume 2
The second story in this series of witty picture books, in this story Badger is no longer feeling blue, but now his friends are sad! Badger is feeling happy these days... ...even though he still has a blue bottom. Life is good when you’re eating berries. But now Dog is sad. What can Badger do to help his friend? Badger is enjoying a big blueberry breakfast – his favourite food! But as he says good morning to his friends, he learns that Dog is very sad! He has lost the ball that he loves to play with. But will Badger be able to help? Featuring bold and characterful illustrations from award winning illustrator Ben Sanders this funny title will bring smiles to the faces of readers of any age.Blue Badger & The Big Breakfast is the second story in the Blue Badger series of picture books about a befuddled, lovable Badger and his search for happiness, friends and love. Featuring wry wit and deadpan humour, Blue Badger & The Big Breakfast is suitable for readers big and small.
£7.99
Polarworld Life on the Line: People of the Arctic Circle
LIFE ON THE LINE began as a project by London-based photographer Cristian Barnett. Over a number of years he aimed to make a number of journeys to the Arctic Circle, an invisible line of latitude 66 degrees and 33 minutes north of the Equator. The line intersects eight countries and is home to a rich diversity of peoples for whom the sun never sets in high summer, nor rises in deepest winter. All the photographs were taken on film within 35 miles of the Arctic Circle.LIFE ON THE LINE celebrates the variety of existence in the circumpolar Arctic, in the face of overwhelming environmental and cultural change. "This is not a book about history, either of the North or photography. The journey of these photographs is through the modernity of life as it is lived along the Arctic Circle. Much is startling to those who live in the south, since for us it as an extreme world that we see here. But much is familiar. Everywhere people live with what the modern world has to offer, even if at times, and for profound reasons, they prefer or need to step into territories, of landscape, culture or the human imagination, that is outside and beyond modernity.As we look at these northern people looking out at us, we see both a welcome and fascination. This is the power and authority of these images, the remarkable achievement of a remarkable photographer." - Hugh Brody.
£27.00
The Scott Polar Research Institute with Polarworld Face to Face: Polar Portraits
A lavish account of pioneering polar photography and modern portraiture, "Face to Face: Polar Portraits" brings together in a single volume both rare, unpublished treasures from the historic collections of the Scott Polar Research Institute (SPRI), University of Cambridge, 'face to face' with cutting-edge modern imagery from expedition photographer Martin Hartley.This unique book by Huw Lewis-Jones is the first to examine the history and role of polar exploration photography, and showcases the very first polar photographs of 1845 through to images from the present day. It features the first portraits of explorers, some of the earliest photographs of the Inuit, the first polar photographs to appear in a book, and rare images never before published from many of the Heroic-Age Antarctic expeditions. Almost all the historic imagery - daguerreotypes, magic lantern slides, glass plate negatives and images from private albums - that have been rediscovered during research for this book have never been before the public eye.Set within a 'gallery' of 100 double page-spreads are 50 of the world's finest historic polar portraits from the SPRI collection alternated with 50 modern-day images by Martin Hartley, who has captured men and women of many nations, exploring, working, and living in the Polar Regions today. Each gallery spread, dedicated to a single individual, gives a sense of the isolation and intense personal experience each 'face' has had in living or travelling through the polar wilderness, whether they be one of the world's greatest explorers, or a humble cook.In addition to this remarkable collection is a foreword written by Sir Ranulph Fiennes; a fascinating exploration into 'photography then' - the history of photography and its role in shaping our vision of the polar hero by historian and curator of art at SPRI, Dr Huw Lewis-Jones; a discussion between Dr Lewis-Jones and Martin Hartley about 'photography now', focusing on the essential role that photography plays in modern polar adventuring; and an afterword entitled 'The Boundaries of Light' by the best-selling author Hugh Brody.Does an explorer need to appear frostbitten and adventurous to be seen as heroic, and do we need faces like these to imagine their achievement?Sir John Franklin is the first. The sun is high. He adjusts his cocked hat, bound with black silk, and gathers up his telescope. He shifts uncomfortably in his chair, positioned on the deck of the stout ship Erebus, as she wallows at her moorings in the London docks. It is 1845. The photographer, Richard Beard, urges the explorer to stay still for just a moment longer. He removes the lens cap, he waits, another minute, and then swiftly slots it back in place. The first polar photographic portrait is secured.Other senior officers of the exploration ships Erebus and Terror had their photographs taken that day, optimistic and ever hopeful. They appear to us now as if frozen in time. So too they followed Sir John Franklin as he led them in search of a navigable northwest passage, into the maze of islands and straits which forms the Canadian Arctic.'Mr Beard, at Franklin's request, supplied the expedition with a complete photographic apparatus, which was safely stowed aboard the well-stocked ship alongside other technological marvels: portable barrel-organs, tinned meat and soups, scientific equipment, the twenty-horse-power engines loaned from the Greenwich railway, and a library of over twelve hundred volumes. The camera now formed part of the kit thought essential to travel to the limits of the known world. Weighed down with stores, yet buoyant with Victorian confidence, the expedition sailed from the Thames on 19 May. The ships were last seen in late July, making their way northward in Baffin Bay, before vanishing without a trace - Huw Lewis-Jones,from the essay 'Photography Then' in "Face to Face".This title is available in both hardback and soft-cover. It features placement: photography, exploration, travel. It contains 288 pages in full-colour, including images that have never before been published. The South Pole was an awful place to be on 18 January 1912. Captain Scott and his four companions - Wilson, Bowers, Oates, and Evans - had just found that the Norwegian explorer Amundsen had beaten them to the prize one month earlier. The photograph that the men took that day speaks volumes for their achievement, of course, but there could be no truer record of their total disappointment. The men look absolutely broken; a photograph on top of everything else seems like a punishment. They are utterly devastated. A life's ambition has been snatched from their grasp. Now 800 miles from their base, they dragged themselves northward into the mouth of a raging blizzard. Their photographs and letters home, recovered with their bodies some time later, tell the sad tale of their sacrifice - Sir Ranulph Fiennes.
£25.00