Search results for ""Author Harold Evans""

From a wartime beach in Wales to the gleaming skyscrapers of twenty-first-century Manhattan, the extraordinary career of Fleet Street legend Harold Evans has spanned five decades of tumultuous social, political and creative change. Just how did a working class Lancashire boy, who failed the eleven-plus, rise to a position where he could so effectively give voice to the unheard?Born in the bleak years between the wars in the sprawl of Greater Manchester into a thrifty, diligent and loving family, Evans inherited only the privilege of his parents' example. Theirs was a work ethic that led Evans through night school classes, national service and a passionate commitment to regional life, and, finally, to his unassailably successful editorship of one of our greatest newspapers, the Sunday Times. Whether unpicking the murderous chaos of Bloody Sunday, pursuing a foreign correspondent's murderers or uncovering the atrocity of Thalidomide, this consummate newsman evokes his contagious passion: for the real story and the truth.

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Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?,his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication.The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age.DO I MAKE MYSELF CLEAR? is an essential text, and one that will provide every reader an editor at their shoulder.

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The war correspondent trails clouds of glory. The names of the pioneers of the trade are stardust: Ernest Hemingway, Alexander Dumas, Henry Villard, Winston Churchill, Stephen Crane, John Reed, Arthur Conan Doyle, Rudyard Kipling, Richard Harding Davis, John Dos Passos, John Steinbeck, Jack London, George Orwell, Philip Gibbs, Luigi Barzini. The names from World War II, Korea, and Vietnam, the Gulf War, and Kosovo are likewise as redolent of adventure and derring-do, with photojournalists and radio and televisioncommentators crowding the pantheon. They are the eyes of history. War Stories: Reporting in the Time of Conflict from The Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War in 2003. War Stories: Reporting in the Time of Conflict From the Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War. Through the notebooks, photographs, headlines, wires, telegrams, and satellite uplinks and direct interviews, Harold Evans describes the personal and professional challenges of these uniquely dedicated men and women as they attempted and succeeded, sometimes at the cost of their own lives, in retelling the most immediate stories of war. Harold Evans is an internationally acclaimed editor, author, and publisher. He was the editor of the Sunday Times and The Times of London. He was subsequently president and publisher of Random House and the editorial director for the publishers of US News & World Report, The Daily News, and The Atlantic. He is the author of The American Century. He guest curated the Newseum exhibition that inspired this book. Harold Evans is the author of two critically acclaimed best-selling histories of America: The American Century and They Made America: From the Steam Engine to the Search Engine: Two Centuries of Innovators. This book was the basis for a four-part documentary of the same title on PBS, which he wrote. It is also being adapted into a college curriculum. His latest book is My Paper Chase: True Stories of Vanished Times, a memoir covering his early life, his years in Britain's newspaper business and his move to America. He is editor at large of The Week magazine, and moderates The Week's panel discussions with political and economic leaders. Evans graduated M.A. from Durham University and held a Harkness Fellowship at the Universities of Chicago and Stanford. In London, he was the editor of The Sunday Times from 1967 to 1981, and editor of The Times from 1981 to 1982. His account of these years was published in his best-selling book Good Times, Bad Times. He was regular presenter on the TV series What the Papers Say. Evans moved to America in 1984. He was the founding editor of Conde Nast Traveler magazine and President and Publisher of Random House Trade Group (1990-1997) From 1997-1999 he was Editorial Director and Vice Chairman of U.S. News & World Report, the New York Daily News, The Atlantic Monthly and Fast Company, a position from which he resigned in January 2000 to write full time. (Evans remains a Contributing Editor at U.S. News & World Report.) Among many recognitions, Evans was awarded the European Gold Medal by the Institute of Journalists. This followed his successful Sunday Times investigation and campaign on behalf of children injured by the pharmaceutical thalidomide. In 1999, he received the Lifetime Achievement Award from the UK Press Award Committee, its highest accolade. In 2000, Evans was honored as one of 50 World Press Heroes on the 50th anniversary of the founding of the International Press Institute in defense of press freedom; for the IPI's 60th anniversary, he will deliver the keynote address at their 2010 conference in Vienna. In 2001, British journalists voted him the greatest all time British newspaper editor, and in 2004 he was honored with a knighthood in the Queen's 2004 New Year's Honors list.

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The updated retrospective published for McCullin's 80th birthday. Contains 40 new unpublished photographs and a new introduction — the definitive edition.McCullin’s reputation has long been established as one of the greatest photographers of conflict in the last century. In the fourteen years since the first publication of the book, McCullin has shed the role of war photographer and become a great landscape artist. He has also travelled widely through Africa, India, the Middle East and among the tribes living in Stone Age conditions in Indonesia. His journey from the back streets of north London to his rural retreat in the depths of Somerset is unparalleled. It includes a passage through the most terrible scenes of recent history, for which his stark views of the West Country offer him some redemption.

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Harold Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?, his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication.The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every reader an editor at their shoulder.

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Essential English is an indispensable guide to the use of words as tools of communication. It is written primarily for journalists, yet its lessons are of immense value to all who face the problem of giving information, whether to the general public or within business, professional or social organisations.FULLY REVISED AND UPDATED BY CRAWFORD GILLANRECOMMENDED BY THE SOCIETY OF EDITORS

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